11 Surprising Facts About John Lennon

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Before he was one of the world's most iconic musicians, John Lennon—who was born in Liverpool on October 9, 1940—was a choir boy and a Boy Scout. Let's take a look at a few facts you might not have known about the leader and founding member of The Beatles

1. John Lennon was a choir boy and a Boy Scout.

Yes, John Lennon, the great rock 'n' roll rebel and iconoclast, was once a choir boy and a Boy Scout. Lennon began his singing career as a choir boy at St. Peter's Church in Liverpool, England and was a member of the 3rd Allerton Boy Scout troop.

2. John Lennon hated his own voice.

Incredibly, one of the greatest singers in the history of rock music hated his own voice. Lennon did not like the sound of his voice and loved to double-track his records. He would often ask the band's producer, George Martin, to cover the sound of his voice: "Can't you smother it with tomato ketchup or something?"

3. John Lennon was dissatisfied with all of The Beatles's records.

Dining with his former producer, George Martin, one night years after the band had split up, Lennon revealed that he'd like to re-record every Beatles song. Completely amazed, Martin asked him, "Even 'Strawberry Fields'?" "Especially 'Strawberry Fields,'" answered Lennon.

4. John Lennon was the only Beatle who didn't become a full-time vegetarian.

John Lennon (1940 - 1980) of the Beatles plays the guitar in a hotel room in Paris, 16th January 1964
Harry Benson, Express/Hulton Archive/Getty Images

George Harrison was the first Beatle to go vegetarian; according to most sources, he officially became a vegetarian in 1965. Paul McCartney joined the "veggie" ranks a few years later. Ringo became a vegetarian not so much for spiritual reasons, like Paul and George, but because of health problems. Lennon had toyed with vegetarianism in the 1960s, but he always ended up eating meat, one way or another.

5. John Lennon loved to play Monopoly.

During his Beatles days, Lennon was a devout Monopoly player. He had his own Monopoly set and often played in his hotel room or on planes. He liked to stand up when he threw the dice, and he was crazy about the properties Boardwalk and Park Place. He didn't even care if he lost the game, as long as he had Boardwalk and Park Place in his possession.

6. John Lennon was the last Beatle to learn how to drive.

Lennon got his driver's license at the age of 24 (on February 15, 1965). He was regarded as a terrible driver by all who knew him. He finally gave up driving after he totaled his Aston-Martin in 1969 on a trip to Scotland with his wife, Yoko Ono; his son, Julian; and Kyoko, Ono's daughter. Lennon needed 17 stitches after the accident.

When they returned to England, Lennon and Ono mounted the wrecked car on a pillar at their home. From then on, Lennon always used a chauffeur or driver.

7. John Lennon reportedly used to sleep in a coffin.

According to Allan Williams, an early manager for The Beatles, Lennon liked to sleep in an old coffin. Williams had an old, abandoned coffin on the premises of his coffee bar, The Jacaranda. As a gag, Lennon would sometimes nap in it.

8. The last time John Lennon saw Paul McCartney was on April 24, 1976.

Paul McCartney (left) and John Lennon (1940-1980) of the Beatles pictured together during production and filming of the British musical comedy film Help! on New Providence Island in the Bahamas on 2nd March 1965
William Lovelace, Daily Express/Hulton Archive/Getty Images

McCartney was visiting Lennon at his New York apartment. They were watching Saturday Night Live together when producer Lorne Michaels, as a gag, offered the Beatles $3000 to come on the show. Lennon and McCartney almost took a cab to the show as a joke, but decided against it, as they were just too tired. (Too bad! It would have been one of the great moments in television history.)

9. John Lennon was originally supposed to sing lead on The Beatles's first single, 1962's "Love Me Do."

Lennon sang lead on a great majority of the early Beatles songs, but Paul McCartney took the lead on their very first one. The lead was originally supposed to be Lennon, but because he had to play the harmonica, the lead was given to McCartney instead.

10. "All You Need Is Love" was the best lyric John Lennon ever wrote.

A friend once asked Lennon what was the best lyric he ever wrote. "That's easy," replied Lennon, "All you need is love."

11. The last photographer to snap John Lennon’s picture was Paul Goresh.

Ironically (and sadly), Lennon was signing an album for the person who was to assassinate him a few hours later when he was snapped by amateur photographer Paul Goresh on December 8, 1980.

Lennon obligingly signed a copy of his latest album, Double Fantasy, for Mark David Chapman. Later that same day, Lennon returned from the recording studio and was gunned down by Chapman, the same person for whom he had so kindly signed his autograph.

Morbidly, a photographer sneaked into the morgue and snapped a photo of Lennon's body before it was cremated the day after his assassination. Yoko Ono has never revealed the whereabouts of his ashes or what happened to them.

This post originally appeared in 2012.

15 Slick Facts About Grease

Olivia Newton-John and John Travolta in Grease (1978).
Olivia Newton-John and John Travolta in Grease (1978).
Paramount Home Entertainment

The movie Grease (1978), based on the musical of the same name, is about to be reimagined for a new generation. HBO Max just announced that it will be premiering Grease: Rydell High, a musical series inspired by the film. In the 1978 big-screen adaptation, John Travolta played tough guy Danny Zuko and Olivia Newton-John starred as sweet Sandy Olsson, two teenagers whose summer romance suddenly blossoms into a full-fledged high school love affair.

Shot on a budget of $6 million budget, Grease made nearly $400 million at the box office—making it one of the highest-grossing musical movies of all time.

1. Henry Winkler turned down the role of Danny Zuko.

As far as Henry Winkler was concerned, Danny Zuko was too similar to Fonzie, the tough guy with a heart of gold he was already playing on Happy Days.

2. Marie Osmond and Susan Dey said no to playing Sandy.

Marie Osmond told Larry King that she turned the part down because she “didn’t want my teenagers some day to say, you know, ‘You have to go bad to get the boy.’ It was just a personal choice as a some day mother.” Dey (Laurie on The Partridge Family) didn’t want to play another teenager. Director Randal Kleiser went to the Star Wars mixing stage to visit his college roommate, George Lucas, and to see Carrie Fisher in one of the battle scenes. But Kleiser couldn’t tell from the scene whether Fisher was right for the part, so he kept looking. In 1998, Travolta revealed he heard singer Linda Ronstadt was also in consideration.

3. Olivia Newton-John insisted on having a screen test with john travolta.

Producer/co-writer Allan Carr met Olivia Newton-John at a party thrown by fellow Australian singer Helen Reddy and was “completely smitten” and begged her to sign on for the part. Travolta told The Morning Call that he rallied for Newton-John to get the part, too. Not trusting her good fortune or her acting (her previous film, Toomorrow, had been released back in 1970), Newton-John requested a screen test with Travolta to make sure they had chemistry.

4. Andy Warhol and an adult film star would have been cast if Paramount hadn’t stepped in.

Carr wanted Warhol to play the art teacher. One unnamed studio executive said he would not have “that man” in the movie, which Carr interpreted as the executive having a personal vendetta against the legendary artist. Carr also wanted porn star Harry Reems to play Coach Calhoun and offered him the part after a screening of Casablanca at Hugh Hefner’s mansion. The studio wouldn’t have it. “They bounced me out of the cast,” Reems said. “They thought they might lose some play dates in the South.” Carr felt so badly about it that he wrote Reems a personal check for $5000.

5. Lorenzo Lamas landed a role when a president’s son backed out.

Gerald Ford’s son, Steven, was too nervous to play Tom Chisum, Sandy’s jock boyfriend, who had a grand total of zero lines. Lamas (later Lance Cumson on Falcon Crest and Hector Ramírez on The Bold and the Beautiful) jumped at the chance, agreeing to lighten his dark hair because he looked too much like a T-Bird. "I would have dyed it green, fuchsia, anything," Lamas told People.

6. Most of the main actors were far too old to be in high school.

Stockard Channing (Rizzo) was 34 when the film was released. Newton-John was 29. Jeff Conaway (Kenickie) was 27. Travolta was 24. Jamie Donnelly (Jan) was 30 during filming, and had to dye her hair from her premature grey to black. Her hair grew back so quickly that her roots had to be colored in with a black crayon every day.

7. The title song was written by Barry Gibb, and Peter Frampton played guitar.

Kleiser didn’t like this song because he thought the lyrics were too dark and not fitting of the 1950s. Kleiser asked Gibb to make the lyrics more upbeat; Gibb told Kleiser he should shoot a serious scene to match the song. It became a number one single in the United States.

8. Rizzo’s hickeys were real.

Conaway gave Channing a real hickey because he wanted it to be authentic. Conaway was also so infatuated with Newton-John that he was tongue-tied whenever she was around. He later married Olivia’s sister, Rona.

9. "Greased Lightnin'" was supposed to be sung by Jeff Conaway, not John Travolta.

Travolta’s two conditions for agreeing to play Danny were that he could sing “Greased Lightnin',” even though Kenickie sang it in the stage production; and that he had to have “blue black hair like Elvis Presley and Rock Hudson in the movies” because “it’s surreal and it’s very 1950s.” The star also argued with Kleiser over the end of the song “Sandy”; he wanted a close-up of himself instead of the cartoon shot of a hot dog diving into a bun. Kleiser got his way.

10. Coca-Cola signs were (mostly) blacked out.

Carr made a promotional deal with Pepsi; the set decorator didn't know that. When the producer saw footage from the movie featuring Coke products he went “ballistic,” according to Kleiser. The Coca-Cola logos were blocked out with an optical printer. They couldn’t alter the Coke cooler, because it was impossible to cover with the technology available at the time. Pepsi never complained. They would have unblocked the Coke signs when the Pepsi deal expired before the 20th anniversary re-release if the original print hadn’t been lost.

11. Travolta kept flubbing a word so much it was kept in the movie.

Travolta kept lip-syncing "heap lap trials" instead of "heat lap trials," and Kleiser claims you could see this in the finished product. Kleiser believed Travolta was distracted after reading a magazine article that morning about his recently deceased girlfriend, Diana Hyland, who had passed away from cancer.

12. Travolta got more of the stage script into the movie.

Jim Jacobs and Warren Casey, who wrote the original musical’s book, weren’t invited on set during production of the movie. Travolta had played Danny more than 100 times on the road doing the musical, and gradually got more lines from Jacobs and Casey’s version into the film, which was written by Carr and Bronté Woodard. When Travolta didn’t think a line of dialogue was working, he would quote a line from the original, and Kleiser would tend to agree and use that line instead.

13. That Elvis Presley lyric is creepy.

In “Look at Me, I’m Sandra Dee,” Rizzo sings “Elvis, Elvis, let me be, keep that pelvis far from me,” while looking at a picture of The King. That scene was shot on August 16, 1977—the day Presley died. “It was very eerie,” Kleiser told The New York Post. “It was all over the news, so everyone knew. We did this number, and everybody kind of looked at each other like, ‘Yeah, this is creepy.’” When Carr first bought the film rights to Grease, he envisioned Elvis as Danny and Ann-Margret as Sandy. According to Broadway.com, Presley was offered the role of Teen Angel but turned it down.

14. Olivia Newton-John was sewn into those spandex pants.

"They sewed me into those pants every morning for a week," Newton-John said. "Believe me, I had to be very careful about what I ate and drank. It was excruciating." It was 106 degrees on the set for the carnival finale.

15. George Lucas helped get the movie re-released.

In 1997, Kleiser called Sherry Lansing, then head of Paramount, and insisted that Grease had to come back again for its 20th anniversary. Lansing informed Kleiser that George Lucas had called her a few days earlier and said that out of all of the movies in the Paramount vault, Grease is the one that should come back. The Star Wars creator explained that every nine-year-old he knew watched a VHS copy of Grease every day.

30 Years Later: The Great Milli Vanilli Hoax

Milli Vanilli VEVO via YouTube
Milli Vanilli VEVO via YouTube

Pop music has always been part talent show, part magic trick. This has never been more apparent than it was on November 15, 1990, when German producer Frank Farian revealed in a press conference that then-superstars Rob Pilatus and Fab Morvan, members of the pop duo Milli Vanilli, hadn’t sung a note on Girl You Know It's True, their 1989 multi-platinum debut album.

Milli Vanilli truthers had long speculated that Rob and Fab, two guys with thick European accents and limited command of the English language, couldn’t possibly have crooned hits like “Girl You Know It’s True” and “Blame It On the Rain.” And yet the news came as a shock to many. Milli Vanilli instantly went from Top of the Pops to laughing stocks. Rob and Fab were stripped of the Grammys they had won for Best New Artist, and duped fans filed class-action lawsuits.

It was one of the biggest scandals in music history, though it wasn’t an isolated incident. Around the same time, dance-pop groups Black Box and C+C Music Factory got caught doing almost exactly the same thing.

“We sold our souls to the devil,” Pilatus told the Los Angeles Times just days after Farian’s bombshell. “We lied to our families and our friends. We let down our fans. We realize exactly what we did to achieve our success. We made some very big mistakes and we apologize.”

 

The devil, in Rob and Fab’s version of the story, was Farian, a genius musician and marketer who’d pulled similar stunts before. In the 1970s, Farian struck gold with Boney M., a German disco group seemingly fronted by four Caribbean singers. In reality, Farian himself had provided the vocals on the group’s first album. He knew the importance of image better than anyone, and when he met Rob and Fab in early 1988, he immediately saw an opportunity.

Young, attractive, and hungry for success, the aspiring pop stars were easy marks. Rob, the son of a black American soldier and white German woman, was born in New York City but spent the first several years of his life in a Bavarian orphanage. He was adopted when he was 4 years old. Growing up in Munich, he grappled with racism and feelings of isolation. It was only through music and breakdancing that he found his identity. When he met Fab—who had been raised in Paris by parents from the Caribbean island of Guadeloupe—he found someone with similar interests and life experiences.

“Something clicked between us,” Rob told the Los Angeles Times in July 1989, when Milli Vanilli’s star was still on the rise. “Maybe it’s because we’re both black people who grew up in foreign cities that don’t have too many blacks."

In the early days of their friendship, Rob and Fab were regular faces on the Munich club scene. They dabbled in dancing and modeling, but what they really wanted to do, Rob said in a 2017 interview with VLADTV, was make music. They began hanging out with local studio musicians in Farian’s orbit and played a few club shows. Soon, Farian himself took notice.

 

What happened next is the most crucial and contested part of the story. Farian invited Rob and Fab to his studio and signed the duo to a record deal. That much is known. The question is whether Rob and Fab knew what they were getting into.

“We walked into a trap, not knowing it was a trap,” Fab told VLADTV. In his version of events, he and Rob signed the contract without realizing they were being hired purely to lip-sync. They wanted to sing, and the first time Farian played them “Girl You Know It’s True”—the song that would become their international breakthrough—he presented the track as an instrumental. Little did they know Farian had already recorded vocals with professional singers.

By the time they learned the truth, Fab said, they had already spent Farian’s advance money on new clothes and their trademark hair extensions. They were suddenly in debt to Farian, and they couldn’t walk away from the project until they paid him back. Once the group took off, and girls and drugs and money came into the picture, it became even harder for Rob and Fab to break away.

Farian claimed that Rob and Fab were never going to be proper recording artists. “I’ve never heard such a bad singer,” Farian said of Rob in a Los Angeles Times interview “They wanted to sing. They wanted to write songs. It never happened. They went instead to discos 'til 4 a.m. and slept all day. All they ever really did was party. Someone who lives like that can’t make good music.”

 

For all his showbiz acumen, Farian had no idea how big the whole thing was going to get. “It was a crazy idea,” he told the Los Angeles Times. “I thought, OK, it’s just for discotheques and clubs.” But his mix of pop, R&B, and hip-hop was perfectly pegged for the times, and Milli Vanilli quickly became the music industry's equivalent of Frankenstein monster.

“Girl You Know It’s True” went to No.1 in Germany and earned the group a deal with Arista Records in the United States. Thanks in large part to their music videos, which featured the photogenic pantomimers rocking cool clothes and swinging those signature braids, Milli Vanilli scored five Top 5 hits on the Billboard Hot 100. That included three No.1 singles: “Baby Don’t Forget My Number,” “Girl I’m Gonna Miss You,” and “Blame It on the Rain.” All four singles were on the album Girl You Know It’s True, which went six-times platinum in America and sold millions more copies worldwide.

As they enjoyed the trappings of fame, Rob and Fab struggled to live with their secret. On July 21, 1989, the group’s backing tape malfunctioned during a Club MTV tour stop in Bristol, Connecticut. As the words “Girl, you know it’s ...” repeated over and over, Rob panicked and ran offstage. The incident had no immediate effect on their career, but Rob would later call the mishap “the beginning of the end.”

Figuring their time was running out, Rob and Fab turned against Farian and demanded to sing on their next album. As the battle intensified, Farian had no choice but to call a press conference and spill the beans. He was unapologetic about the scam, and in 1991, he released The Moment of Truth, a new studio album credited to The Real Milli Vanilli, i.e. the singers from the first album. Arista, meanwhile, claimed no prior knowledge of the deception, though Rob and Fab insisted the label knew exactly what was going on.

 

Days after Farian’s press conference, Rob and Fab called their own. They were joined by a voice coach who assured the audience that, yes, they could sing. Rob and Fab then gave back their Grammys, which they’d planned on doing even before the Recording Academy formally revoked the awards.

The fallout was devastating for Rob and Fab. They released a self-titled comeback album in 1993 and even appeared on The Arsenio Hall Show to sing for real in front of a national audience. But Rob & Fab flopped, and the two former idols wrestled with drug addiction.

Fab ultimately sobered up, but Rob spiraled out of control. In 1996 he served jail time for assaulting two people and breaking into a car, and in 1998, he died of a drug overdose in a Frankfurt hotel room. He was 33 years old.

At the time of his death, Rob had apparently been working with Farian again. "I'm totally shocked," the producer told the Independent upon learning of Rob’s death. "Rob looked really good again. He was full of optimism for the future. We intended to tape material for another album.”

Fab wasn’t involved in that project, but he has revisited Milli Vanilli’s past in his own way. In yet another bizarre twist to this story, Fab teamed up with John Davis, one of the real singers whose voice he’d once lip-synced to, for the project Face Meets Voice: A Milli Vanilli Experience. The emergence of that unlikely duo might make for a good ending to the Milli Vanilli movie that’s been in the works since 2007. Filming was all set to begin on the project when director Brett Ratner lost his co-financing deal with Warner Bros. amid allegations of sexual misconduct.

Back in their heyday, Milli Vanilli claimed the band’s name meant “positive energy” in Turkish. That wasn’t true: The moniker was partially inspired by the English pop group Scritti Politti. But Fab has maintained a remarkably upbeat attitude as he’s gotten older. In addition to making music, he’s branched off into motivational speaking, using his story as an example of how one can “not just survive but thrive” after adversity. He’s certainly made peace with his own legacy. Speaking with the Associated Press in 2018, he defended his and Rob’s contributions to pop culture some two decades earlier.

“People might say, ‘Well, you know, they didn’t sing on the record,’” Fab said. “But look at the rest. We were the heart and soul of Milli Vanilli. We did those 107 cities (on tour) ... in eight months. We worked hard. We worked our butts off. We entertained people.”

SECTIONS

arrow
LIVE SMARTER