When The Sopranos Blacked Out

HBO
HBO

The late James Gandolfini, the imposing and formidable character actor who became famous virtually overnight for his portrayal of a mobster who submitted to psychoanalysis for six seasons on HBO’s The Sopranos, told Vanity Fair in 2012 that he had a plain and simple reaction after viewing the show’s finale:

“What the f*ck?”

That brief review would be echoed by critics and fans in the days and months following the episode’s broadcast on June 10, 2007. Titled “Made in America,” The Sopranos's series finale featured one last supper with Tony Soprano (Gandolfini), his wife Carmela (Edie Falco), and children Meadow and A.J. (Jamie-Lynn Sigler and Robert Iler). Converging at Holsten’s Ice Cream Parlor, the family appears at least temporarily free of the stress Tony’s life of crime has brought into their world. Tony orders onion rings, selects Journey’s “Don’t Stop Believin’” from the tabletop jukebox, and seems relieved his domestic life is intact.

Moments later, the screen goes black. “Don’t Stop Believin’” is cut off so abruptly that many viewers believed they were experiencing a cable outage. It remained that way for 11 seconds before the credits rolled, a curious void of content that quickly became one of the most infamous endings to a series in the history of television. As far as fans were concerned, creator David Chase may or may not have whacked Tony, but he definitely whacked them.

James Gandolfini and David Chase on the set of "The Sopranos"
Getty Images

When Chase was growing up in Clifton, New Jersey, in the 1950s, his father owned a hardware store, and his business partner had a son. The son’s cousins had an unusual family name—Soprano—that stuck with Chase for decades. After duties on episodic television like The Rockford Files and Northern Exposure, Chase stumbled onto an idea about a mobster who was in therapy. After Fox and other networks passed, The Sopranos landed at HBO in 1999.

Although the channel’s prison drama Oz, which had premiered two years earlier, signaled the network's newfound commitment to hour-long dramas, The Sopranos was cut from an entirely different mold. Novelistic and ruminative, the show seemed to delight in taking the tropes of mob fiction and turning them on their head. When Doctor Melfi (Lorraine Bracco) is sexually assaulted, it seemed assured that she’d eventually turn to her patient, Tony, in order to exact vengeance. (She doesn’t.) When Tony’s wife has an affair with one of his lieutenants, viewers braced for an inevitable face-to-face showdown that never occurred. Given near-total autonomy over the tone and direction of the series, Chase was able to embrace his preference for ambiguity.

While it ran for eight years, there were just six seasons; Chase didn’t produce material for air in either 2003 or 2005, nor did he have any desire to overstay his welcome. In 2006, the network aired the first 12 episodes of a planned 21-episode final season. Although it was a long march to the finish line, speculation ran rampant over how Tony's story would conclude.

In later interviews, Chase explained he had the idea for the finale early on. Tony’s unethical conduct seemed to point to only two inevitable outcomes: jail or death. But Chase inserted a third option that most critics and fans hadn’t counted on—that previously expressed love of ambiguity.

Chase would later admit he shot an alternate, as-yet-unexplained ending as a red herring to throw off people trying to find leaks of plot details. The ending he was committed to, however, took place at Holsten’s, a real restaurant in Bloomfield, New Jersey. After disposing of yet another mob rival, Tony greets each member of his family as they walk into the restaurant, a bell chiming overhead. As his son comes in, a man in a Members Only jacket ambles into the location and later enters the restroom.

What happens next is left open to interpretation. Echoing a comment made by Soprano associate Bobby Bacala earlier in the season that you never hear “it” (read: a gunman) coming, it’s possible Chase meant for viewers to experience the suddenness of being clipped from behind, perhaps by the man who had entered the restroom. The abrupt end of “Don’t Stop Believin’” hints at that.

Viewers, however, didn’t want to choose their own climax. As soon as the episode aired, a national outcry bemoaned the lack of any answers. Some thought their cable had been disconnected. Others figured it out once the credits rolled and became so incensed that they bombarded HBO’s official website with complaints. (HBO shut its website down that Sunday night.) According to a Yahoo! spokesperson, searches for “Sopranos ending sucked” poured into the search engine. Wikipedia had to lock pages related to the show because users kept editing entries to reflect the “fact” that Chase had ruined the series.

Chase, who had timed a holiday in France to avoid most of the feedback, granted an interview days later. While he refused to answer the question of whether Tony was dead, he insisted that all the information a viewer needed was in the scene. “Anyone who wants to watch it, it’s all there,” Chase said.

An exterior shot of Holsten's in Bloomfield, New Jersey
Getty Images

When Chase pops up in media to discuss current projects, talk still usually turns to the furor caused by the blackout. While he has always demurred on the question of whether Tony survived his plate of onion rings at Holsten’s, he did elaborate on some of the decisions made in the scene during a 2015 Directors Guild of America interview.

“Don’t Stop Believin’” was selected, he said, because the lyrics seem to be a close match for the personal journey of Tony and his wife. The “midnight train” referenced in the song was a parallel to the fateful decisions made by the couple years ago—“the dark train,” as Chase put it. The man in the Members Only jacket entered with A.J. so the audience’s attention would be focused more on the face they knew than the suspicious man they didn’t.

The closing shot, a jarring end to what looked to be a peaceful dinner, wasn’t intended to frustrate viewers. “I thought the ending would be somewhat jarring, sure,” Chase said. “But not to the extent it was, and not a subject of such discussion. I really had no idea about that. I never considered the black a shot. I just thought what we see is black. The ceiling I was going for at that point, the biggest feeling I was going for, honestly, was don't stop believing. It was very simple and much more on the nose than people think. That's what I wanted people to believe. That life ends and death comes, but don't stop believing.”

And the theories regarding Bobby Bacala’s comments foreshadowing Tony’s death? “When it’s over, I think you’re probably always blindsided by it," Chase offered. “That’s all I can say.”

It’s hard to know, once the initial shock of the closing moments wore off, whether viewers ever softened their stance on the finale. (At the time, newspapers were filled with quotes by fans calling it “unbelievably cruel” and accusing Chase of some kind of conspiracy to annoy them.) For at least one viewer, it took just one night of introspection to come to an entirely different opinion.

“After I had a day to sleep,” Gandolfini said in 2012, “I just sat there and said, ‘That’s perfect.’”

Orson Welles's Former Hollywood Hills Estate Is Taking Vacation Reservations

Fred Mott, Getty Images
Fred Mott, Getty Images

Orson Welles's former Hollywood Hills estate is a perfect place to get away from society, grow a bushy beard, and brood over a bottle of whiskey.

Interested? The late Hollywood icon's 3000-square-foot home is available to rent for about $755 a night through HomeAway. The house, which sits on its own private 15,000-square-foot knoll, was home to Welles at the very beginning of his career and is where he wrote the screenplay for 1941's Citizen Kane. Bring along your typewriter and try to channel some of his greatness.

Quite a few other celebrities have inhabited the house as well, including Rita Hayworth, Frank Sinatra, Barbra Streisand, and David Bowie. Features of the grand four-bedroom mansion—built in 1928—include a lagoon pool, Jacuzzi, deck, and both canyon and city views.

There's never been a better time to rent Welles's abode: his final film, The Other Side of the Wind, is set to premiere at this month's Venice Film Festival before arriving on Netflix. The unfinished flick, which was shot intermittently between 1970 and 1976, has been completed and restored for its much-anticipated release. (Of course the mansion has plenty of TVs for your viewing pleasure.)

The property has a three- to five-night stay minimum, depending on the season. For more pictures, see below or head to HomeAway. And since you're already in vacation-planning mode, another creative celebrity abode to consider is F. Scott and Zelda Fitzgerald's Montgomery, Alabama home, which is available to rent via Airbnb.

Orson Welles' house
Courtesy of HomeAway

Orson Welles mansion
Courtesy of HomeAway

Orson Welles' former home
Courtesy of HomeAway

Orson Welles' former home
Courtesy of HomeAway

Orson Welles' former home
Courtesy of HomeAway

10 Things You Might Not Know About Robert De Niro

RALPH GATTI, AFP/Getty Images
RALPH GATTI, AFP/Getty Images

Robert De Niro is part of the pantheon of independent-minded filmmakers who cut through Hollywood noise in the 1970s with edgier fare to create what became known as “The New Hollywood.” Following stints with Brian De Palma and Roger Corman, De Niro teamed up with Martin Scorsese for the first time with 1973's Mean Streets, which launched a fruitful artistic collaboration that has produced some of the best movies of the past half-century.

Even after his shift into commercial comedies like Meet the Parents, “dedication” has remained De Niro’s watchword. The two-time Oscar winner has earned Hollywood legend status with panache and bone-deep portrayals. Here are 10 facts about the filmmaker on his 75th birthday. (Yes, we’re talkin’ to you.)

1. HIS FIRST ROLE WAS IN A STAGING OF THE WIZARD OF OZ—AT AGE 10.

Robert De Niro got bit by the acting bug early. He threatened to thrash a hippopotamus from top to bottom-us as the Cowardly Lion in The Wizard of Oz at the tender age of 10. (This is the remake and casting the world needs right now.)

2. HE DROPPED OUT OF HIGH SCHOOL TO PURSUE ACTING.

Robert De Niro arrives at the UK premiere of epic war drama film 'The Deer Hunter', UK, 28th February 1979
John Minihan, Evening Standard/Hulton Archive/Getty Images

De Niro’s mother, Virginia Admiral, was a painter whose work was part of the Peggy Guggenheim Collection, and his father, Robert De Niro, Sr., was a celebrated abstract expressionist painter. So the apple falling into drama school instead of the art studio still isn’t that far from the tree. Having already gotten a youthful dose of stage life, De Niro quit his private high school to try to become an actor. He first went to the nonprofit HB Studio before studying under Stella Adler and, later, The Actors Studio.

3. HE’S A DUAL CITIZEN OF THE UNITED STATES AND ITALY.

De Niro is American, Italian-American, and, as of 2004, Italian. The country bestowed honorary citizenship upon De Niro as an honor in recognition of his career, but it wasn’t all smooth sailing to the passport office. A group called the Order of the Sons of Italy in America strongly protested the Italian government’s plan due to De Niro’s frequent portrayal of negative Italian-American stereotypes.

4. HE GAINED 60 POUNDS FOR RAGING BULL.

Preparing to play the misfortune-laden boxing champ Jake LaMotta in Raging Bull required two major things from De Niro: training and gaining. For the latter, De Niro ate his way through Europe during a four-month binge of ice cream and pasta. His 60-pound-gain was dramatic enough that it concerned Martin Scorsese. It was one way to show dedication to a role, but the training element was even more impressive. De Niro got so good at boxing that when LaMotta set up several professional-level sparring bouts for the actor, De Niro won two of them.

5. HE AND MARLON BRANDO ARE THE ONLY ACTORS TO WIN OSCARS FOR PLAYING THE SAME CHARACTER.

De Niro won his first Oscar in 1975 for The Godfather: Part II, for portraying the younger version of Vito Corleone—the wizened capo played by Marlon Brando, who also won an Oscar for the role (Brando’s came in 1973, for The Godfather). No other pair of actors has managed the feat, although Jeff Bridges came close in 2010 when he was nominated for playing Rooster Cogburn in Joel and Ethan Coen's True Grit (a role originated by John Wayne in Henry Hathaway’s 1969 movie of the same name). Oddly enough, Bridges was in contention for the role of Travis Bickle, the role that earned De Niro his first Oscar nomination for Best Actor in a Leading Role.

6. HE DROVE A CAB TO PREPARE FOR TAXI DRIVER.

If you’re looking for commitment to a role, ask Hack #265216. De Niro got a taxicab driver’s license to study up to play Travis Bickle in Taxi Driver and spent several weekends cruising around New York City picking up fares. It’s possible that having his teeth filed down for Cape Fear is the most intense transformation he’s undergone for a role, but picking up a part-time job to live the lonely life of Bickle is more humane.

7. ONE OF HIS FILMS POSTPONED ONE OF HIS OSCAR WINS.

The 53rd Academy Awards—where De Niro won for playing Jake LaMotta in Raging Bull—were originally scheduled for March 30, 1981 but were postponed until the following day because of an assassination attempt on President Ronald Reagan. The would-be assassin, John Hinckley, Jr., claimed the attack was intended to impress Jodie Foster, who Hinckley grew obsessed with after watching Taxi Driver.

8. HE LAUNCHED THE TRIBECA FILM FESTIVAL IN THE WAKE OF 9/11.

Robert De Niro and Jane Rosenthal speak onstage at the 'Clive Davis: The Soundtrack of Our Lives' Premiere during the 2017 Tribeca Film Festival at Radio City Music Hall on April 19, 2017 in New York City
Theo Wargo, Getty Images for Tribeca Film Festival

Producer Jane Rosenthal, philanthropist Craig M. Hatkoff, and De Niro founded the Tribeca Film Festival in 2001 as a showcase for independent films that would hopefully “spur the economic and cultural revitalization of lower Manhattan” after the devastation of the 9/11 terror attacks. With its empire state of mind, the inaugural festival in 2002 featured a “Best of New York Series” handpicked by Martin Scorsese and drew an astonishing 150,000 attendees.

9. HE WAS ONCE INTERROGATED BY FRENCH POLICE CONCERNING A PROSTITUTION RING.

One of the most bizarre chapters in De Niro’s life came when he was publicly named in the investigation of a prostitution ring in Paris. The 1998 incident included a lengthy interrogation session (De Niro filed an official complaint) and a pile of paparazzi waiting for him when he left the prosecutor’s office. De Niro railed against the entire country, vowing to return his Legion of Honour and telling Le Monde newspaper that, "I will never return to France. I will advise my friends against going to France.” (He had cooled off enough by 2011 to act as the Cannes Film Festival’s jury president.)

10. HE LOVED THE CAT(S) IN MEET THE PARENTS.

Meet the Parents’s Mr. Jinx (Jinxy!) was played by two Himalayans named Bailey and Misha, and De Niro fell in love with them. He played with them between scenes, kept kibble in his pocket for them, and asked director Jay Roach to have Mr. Jinx in as many scenes as possible.

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