15 Facts About Franz Marc's Yellow Cow

Wikimedia Commons // Public Domain
Wikimedia Commons // Public Domain

To gaze upon German Expressionist Franz Marc's Yellow Cow is to take in a surreal and spirited painting, alive with color. But within its bold brush strokes and envelope-pushing aesthetic lies the unexpected story of a complicated love between two artists, and the path that led them together.

1. YELLOW COW IS WILDLY DIFFERENT FROM FRANZ MARC'S EARLY WORKS.

Philosophy student-turned-painter Franz Marc attended the Munich Academy of Art during the turn of the 20th century. There, he studied natural realism, striving to capture his subjects in portraits true to dimension, gesture, and color. In 1902, he created Portrait of the Artist's Mother, which immortalized homemaker and devout Calvinist Sophie Marc. Sitting in profile, she leans over a book, reading by the light of an unseen lantern. Though Marc would become known for his vibrant color choices, here he favored darker shades that gave the painting a flat appearance, and a somber mood.

2. YELLOW COW'S CREATION WAS INSPIRED BY GERMAN NUDISTS.

In the early 20th century, Germany was in the midst of a back-to-nature movement, which saw several new artist collectives and nudist colonies pop up around the country. This celebration of the glory of the land and its natural inhabitants spoke to Marc, who later explained, "People with their lack of piety, especially men, never touched my true feelings. But animals with their virginal sense of life awakened all that was good in me."

3. HE VIEWED ANIMALS AS GOD-LIKE CREATURES.

Like the naturalists, Marc came to value the rural wonders of the country. He abandoned the bustle and urban intellectualism of Munich, and sought the spirituality and peace he believed could be found in living simply, as animals do. He began to think of them as having a "god-like presence and power." In a 1908 letter, Marc attempted to detail how this belief was informing his work, writing, "I am trying to intensify my ability to sense the organic rhythm that beats in all things, to develop a pantheistic sympathy for the trembling flow of blood in nature, in trees, in animals, in air—I am trying to make a picture of it … with colors which make a mockery of the old kind of studio picture."

4. ANIMALS BECAME A SIGNATURE MOTIF FOR MARC.

This is an image of Dog Lying in the Snow by Franz Marc
Wikimedia Commons // Public Domain

By 1907, Marc was focusing his work on capturing the spiritualism found in animals. Other notable works in the vein include The Fox, Dog Lying In The Snow, The Little Blue Horses, The Red Bull, Little Monkey, Monkey Frieze, Wild Boars in the Water, and The Tiger.

5. YELLOW COW IS A VERY LARGE PAINTING.

Measuring 55 3/8 by 74 1/2 inches, it's nearly 5 by 6 feet wide.

6. MARC DEVELOPED HIS OWN COLOR SYMBOLISM.

This is an image of Self-portrait by August Macke.
Wikimedia Commons // Public Domain

Colors would recur in Marc's work and speak to different emotions or themes. In 1910, he explained his use of color in a letter to friend and colleague, artist August Macke. Marc wrote, "Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay, and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two."

7. YELLOW COW MIGHT BE AN UNCONVENTIONAL WEDDING PORTRAIT.

Exploring the painter's works and statements on his use of color, art historian Mark Rosenthal declared that the frolicking cow is actually a veiled depiction of Marc's second wife Maria Franck, while the distant blue mountains are meant to represent the painter himself. Painted the same year the couple were married, it times out to potentially be representative of their nuptials. The blending of the blue into the cow's spots suggests the joining of masculine and feminine.

8. FRANCK WAS A RECURRING MUSE FOR HER LOVER.

In 1906, before they were married, Marc had sketched a more traditional portrait of his wife-to-be, titled simply Mädchenkopf, which translates—rather unsentimentally—to "girl's head." That same year, he captured Franck in the abstract painting Two Women on the Hillside. Later, he created Maria Franck in a White Cap.

9. MARC AND FRANCK HAD A COMPLICATED ROMANCE.

An artist in her own right, Franck met Marc at a costume ball in Schwabing, Germany. The pair hit it off, and also befriended illustrator Marie Schnür, resulting in a shared Bavarian summer of creativity (and rumored three-way trysts). Schnür was the other woman who modeled for Two Women on the Hillside, as well as the other woman captured in a NSFW photo from their formative season in the sun. Marc ended up marrying both women, starting with Schnür.

Theirs was a marriage of convenience, meant to aid her in securing custody of her bastard baby boy, whom she had with another man. Details on this marriage are scant beyond that it was brief, lasting from 1907 to 1908. However, because Schnür accused Marc of infidelity, he was barred from remarrying until a special dispensation was granted, which took years. So while Marc and Franck had tried to wed in 1911, their official "I do" didn't come until June 3, 1913, in Munich.

10. TWO WOMEN ON THE HILLSIDE WAS A SIGN OF MARC'S TRANSITION TO HIS SIGNATURE STYLE.

This is an image of Two Women on the Hillside by Franz Marc.
Wikimedia Commons // Public Domain

Looking back on 1906's Two Women on the Hillside, it seems to foretell Yellow Cow. Depicting the two women who, in their own ways, would inspire Yellow Cow, Marc moved away from the German realist art he studied in college. Instead, looser brush strokes speak to Post-Impressionist interests, and the willful abstractness of its subjects predicts the evolving German expressionism movement of which he would become a part. It also shows repetition in the lines—of the woman's hip to the hill beyond—that would be revisited in Yellow Cow, whose haunches mirror the rise and fall of the mountains behind her.

11. YELLOW COW WAS A PART OF THE DER BLAUE REITER ART MOVEMENT.

Named for a Wassily Kandinsky painting, this movement boasted members like Kandinsky, Marc, Macke, Alexej von Jawlensky, Marianne von Werefkin, and Gabriele Münter. Der Blaue Reiter (translating to The Blue Rider) had no hard manifesto, but its members shared a common urge to express spiritualism through their work, and often specifically through color. Turned away from exhibitions, they toured with their own, and published an almanac that celebrated contemporary, primitive, and folk art, along with children's paintings.

12. DER BLAUE REITER WAS DEVASTATED BY WORLD WAR I.

The Blue Rider movement only lasted from 1911 to 1914, in large part because the tensions growing between nations chased Russian artists back to their homeland, while Germans, including Marc and Macke, were conscripted into military service. As these artistic colleagues scattered, their movement faded. But it proved fundamental to the evolving Expressionism, and its works would remain.

13. MARC DID NOT LIVE TO SEE HIS LEGACY SECURED.

Marc's animal paintings would go on to awe viewers for decades to come. They'd become coveted by collectors and museums. And a plaque would be placed on the Munich home where he was born, remembering him as a founder of Der Blaue Reiter. But Marc was killed on March 4, 1916, during the Battle of Verdun. He was 36 years old.

14. FRANCK SAW TO IT THAT HIS WORKS WOULD BE PRESERVED.

This is an image of art historian, Klaus Lankheit.
Wikimedia Commons // Public Domain

Marc's widow gave records of his life and writing to German art historian Klaus Lankheit. She called on German writer/gallery owner Herwarth Walden to exhibit her late husband's works in a posthumous show in October of 1916. While continuing to create and exhibit her own work, she collected Marc's letters from the war's front, and in 1920 had them published in a two-volume book called Briefe, Aufzeichnungen und Aphorismen (translating to Letters, Records, and Aphorisms). According to the Solomon R. Guggenheim Museum, where a copy of each is preserved, "The first volume contains letters written from September 1914 to March 1916 as well as records alongside color plates, and the second presents the artist’s sketchbook." Franck preserved Marc's legacy in whatever way she could, and in doing so, gave him to the world.

15. YELLOW COW IS REMEMBERED AS A JOYFUL MASTERPIECE.

While it might not sound complimentary to compare your wife to a cow, the consensus on Yellow Cow is that it signifies the happiness and bliss Marc's bond with Franck brought to his life. The bovine's bright colors are jubilant and yet the colors of her body jibe with those in her environment. She belongs here. Her pose is enthusiastic and bold—almost dance-like. If you look closely, you can even see a small smile play across her lips. It's an unusual love letter, but one that's outlived its lovers, and now hangs on the walls of the Guggenheim in New York City, to inspire many more.

10 Juicy Facts About Leeches

Ian Cook
Ian Cook

Leeches get a bad rap, but they’re actually pretty cool once you get to know them—and we're finding out more about them, even today. Recently, a team led by Anna Phillips, curator of parasitic worms at the Smithsonian National Museum of Natural History, discovered a new species of medicinal leech (pictured above) in a Maryland swamp. We asked parasite expert and curator at the American Museum of Natural History Mark E. Siddall to share some surprising facts about the worms we love to hate. 

1. Not all leeches suck blood.

Hematophagous, or blood-feeding, species are only one type of leech. “The vast majority of species are [hematophagous],” Siddall tells Mental Floss, “but it depends on the environment. In North America, there are probably more freshwater leeches that don’t feed on blood than there are blood-feeders.” And even among the hematophagous species, there are not too many who are after you. “Very few of them are interested in feeding on human blood,” Siddall says. “Certainly they’ll do it, if they’re given the opportunity, but they’re not what they’re spending most of their time feeding on.” 

2. Leeches are everywhere.

Japanese leech on a log
Pieria, Wikimedia Commons // Public Domain

“Every continent on the planet has leeches, with the exception of Antarctica,” Siddall says. “And even then there are marine leeches in Antarctic waters.” Humans have co-existed with leeches for so long, according to Siddall, that just about every language has a word for leech. 

3. Leeches have made a comeback in medicine.

Bloodletting for bloodletting’s sake has fallen out of favor with Western physicians, but that doesn’t mean medicinal leeches are enjoying a cushy retirement. Today, surgeons keep them on hand in the operating room and use them as mini-vacuums to clean up blood. “That is a perfectly sensible use of leeches,” Siddall says. Other uses, though, are less sensible: “The more naturopathic application of leeches in order to get rid of bad blood or to cure, I don’t know, whatever happens to ail you, is complete hooey,” he says. How on Earth would leeches take away bad blood and leave good blood? It’s silly.” 

4. Novelist Amy Tan has her own species of leeches.

Land-based leeches made an appearance in Tan’s 2005 book Saving Fish from Drowning, a fact that instantly put the author in leech researchers’ good graces. “There are not a lot of novels out there with terrestrial leeches in them,” Siddall says. So when he and his colleagues identified a new species of tiny terrestrial leeches, they gave the leech Tan’s name. The author loved it. “I am thrilled to be immortalized as Chtonobdella tanae,” Tan said in a press statement. “I am now planning my trip to Queensland, Australia, where I hope to take leisurely walks through the jungle, accompanied by a dozen or so of my namesake feeding on my ankles.”

5. Leeches can get pretty big.

The giant Amazon leech (Haementeria ghilianii) can grow up to 18 inches and live up to 20 years. And yes, this one’s a blood-feeder. Like all hematophagous species, H. ghilianii sticks its proboscis (which can be up to 6 inches long) into a host, drinks its fill, and falls off. Scientists thought the species was extinct until a zoologist found two specimens in the 1970s, one of whom he named Grandma Moses. We are not making this up.

6. Leeches make good bait.

Many walleye anglers swear by leeches. “A leech on any presentation moves more than other types of live bait," pro fisher Jerry Hein told Fishing League Worldwide. "I grew up fishing them, and I think they're the most effective live bait around no matter where you go." There’s an entire leech industry to provide fishers with their bait. One year, weather conditions kept the leeches from showing up in their typical habitats, which prevented their collection and sale. Speaking to CBS news, one tackle shop owner called the absence of leeches “the worst nightmare in the bait industry.”

7. Leech scientists use themselves as bait.

Siddall and his colleagues collect and study wild leeches. That means hours of trekking through leech territory, looking for specimens. “Whether we’re wandering in water or traipsing through a bamboo forest,” Siddall says, “we are relying on the fact that leeches are attracted to us.” Do the leeches feed on them? “Oh my god, yes. We try to get them before they feed on us … but sometimes, obviously, you can’t help it.”

8. Leech sex is mesmerizing.

Like many worms, leeches are all hermaphroditic. The specifics of mating vary by species, but most twine themselves together and trade sperm packets. (The two leeches in the video above are both named Norbert.)

9. Some leech species make surprisingly caring parents. 

“There’s a whole family of leeches that, when they lay their eggs, will cover them with their own bodies,” Siddall says. “They’ll lay the eggs, cover them with their bodies, and fan the eggs to prevent fungus or bacteria from getting on them, and then when the eggs hatch, they will attach to the parent. They’re not feeding on the parent, just hanging on, and then when the parent leech goes to its next blood meal it’s carrying its offspring to its next blood meal. That’s pretty profound parental care, especially for invertebrates.”

10. You might be the next to discover a new leech species. 

Despite living side-by-side with leeches for thousands of years, we’ve still got a lot to learn about them. Scientists are aware of about 700 different species, but they know there are many more out there. “I’ll tell you what I wish for,” Siddall says. “If you ever get fed on by a leech, rather than tearing off and burning it and throwing it in the trash, maybe observe it and see if you can see any color patterns. Understand that there’s a real possibility that it could be a new species. So watch them, let them finish. They’re not gonna take much blood. And who knows? It could be scientifically useful.”

22 Weird Jobs From 100 Years Ago

Metal Floss via YouTube
Metal Floss via YouTube

Before everyone started working in tech, people actually had their choice of eclectic and strange vocations that put food on their old-timey tables. Discover what lamplighters, lectores, and knocker-uppers did back in the day as Mental Floss editor-in-chief Erin McCarthy runs down 22 Weird Old Jobs from 100 Years Ago.

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