12 Fascinating Facts About Rick and Morty

Adult Swim
Adult Swim

In 2013, Rick and Morty premiered on Adult Swim, and quickly amassed a huge following of fans who became obsessed with the show’s dark humor and sci-fi plots. Created by Dan Harmon (Community) and Justin Roiland, the show focuses on the outlandish adventures of crazy super-genius Rick Sanchez and his timid grandson Morty Smith, both of whom are voiced by Roiland. Here are 12 facts about the Adult Swim animated series, which is set to air the remainder of its third season in summer 2017.

1. DAN HARMON’S FILM FESTIVAL SPURRED HIS COLLABORATION WITH CO-CREATOR JUSTIN ROILAND.

The creative duo behind Rick and Morty—Dan Harmon and Justin Roiland—became acquainted through Channel 101, Harmon’s nonprofit short film festival. Roiland would submit pieces for the festival that were “intended to just shock people” but that Harmon found hilarious.

When Adult Swim contacted Harmon to create a 30-minute animated series for the network, he thought Roiland’s sensibilities would be a perfect fit for the network because, as Harmon put it, “He is the target for a lot of their stuff. And he’s also, like me, really passionate about story and franchise.”

2. THE SHOW WAS INSPIRED BY ROILAND’S VULGAR TAKE ON BACK TO THE FUTURE.

The basic foundation of Rick and Morty spun out of one of Roiland’s earlier Channel 101 ideas called The Real Animated Adventures of Doc and Mharti. The relationship between Rick and Morty has always taken cues from Doc Brown and Marty McFly from Back to the Future, but Roiland’s earlier stab at the idea really drove this point home with a lurid twist. At this point in his career, Roiland was simply daring lawyers to come after him, and nothing exemplified his mindset more than his X-rated Doc and Marty:

"I actually made this as a way to poke fun at the idea of getting cease and desist letters. At the time (October 2006) I had nothing to lose and my original intention was to call this 'back to the future: the new official universal studios cartoon featuring the new Doc Brown and Marty McFly' and then I'd just sit back and wait for a letter from their lawyers to arrive. That's actually why it's so filthy. I was just looking to 'troll' a big studio."

Though Rick and Morty’s final form is safely removed from the litigious (and public relations) nightmare that Roiland’s original cartoon was, he says, “some of the raw energy behind the voice performances is sort of still intact, especially for Rick. That’s the beginning of it.”

3. HARMON VIEWS RICK AS “THE SEAM BETWEEN GOD AND MAN.”

Though you can enjoy Rick and Morty simply as a zany cartoon with some crude humor, you can also dive deeper into the human condition and wrestle with the existence of god itself through these characters. Harmon, in a video promoting the show’s second season, talked about how the series is constantly searching for some sort of meaning in the meaninglessness of life.

One of the main conflicts, according to Harmon, is the idea of the creator against the created. This is seen in Rick's apathy toward his own creations throughout the show, like Abradolf Lincler, Rick's half-Lincoln, half-Hitler experiment that's hell-bent on revenge. Harmon calls Rick “The seam between god and man,” and his nihilistic apathy toward his own creations is echoed in Joseph Campbell’s belief that god is an impersonal cosmic force.

On a more cheerful note, Harmon disagrees with Rick’s sentiment that nothing really matters, saying that type of philosophy “gets you nowhere.”

4. THE SHOW’S THEME SONG OWES A LOT TO DOCTOR WHO AND FARSCAPE.

Rick and Morty’s opening theme song is quintessential sci-fi, and to achieve the familiar, otherworldly synth vibe of the genre, the creators looked to both Doctor Who and Farscape for inspiration. When asked about the show’s music in an interview with TVOvermind, Roiland said:

“The theme song is written by the guy who wrote the Wizards of Waverly Place theme song, who is a very good friend of mine. I told him I was a big fan of Farscape and that I wanted to combine Farscape’s theme with Doctor Who’s theme, and that’s basically what our theme song is. It’s this amazing original piece that takes the best aspects of those two themes and mashes them together. Super Sci-Fi.”

An earlier version of the theme can be heard in Roiland's first stab at an Adult Swim cartoon called Dog World.

5. RICK’S BURPING HABIT HAS ITS ORIGIN IN A RECORDING ROOM BLOOPER.

Burping is a big part of Rick’s shtick, but Roiland told Entertainment Weekly that the inspiration for it was a complete accident:

"In 2006, or something, I was recording the voices for this short The Real Animated Adventures of Doc and Mharti. I was having fun doing these really crappy Doc Brown and Marty McFly impressions. During the middle of a line a burp came out naturally. It was just so funny and gross. I was like, ‘Well, let’s see if I can do that again for a couple more lines.’ Then, with Rick and Morty, Dan [Harmon, the show’s co-creator] was like, ‘Hey, Adult Swim wants to do a show, do you have any ideas?’ I said, ‘Well, what about these two voices?’ Right out of the gate, the burping was part of it."

Though Rick punctuates many a conversation with a trademark burp, Roiland actually has a tough time getting quite so gassy. He basically tells the audio engineer to keep the tapes rolling as he drinks “a low-calorie beer and a bottle of water” to get the effect right.

6. DAN HARMON HAS A THEORY ON WHAT’S IN RICK’S FLASK, BUT WE’LL NEVER KNOW WHY HE DRINKS.

There are plenty of fan theories regarding what Rick’s drink of choice is (including some otherworldly cocktails), but Harmon has a much simpler theory: “I tend to assume vodka,” he said during a Reddit AMA. Though he understands that Rick’s intellect could lead him to have virtually any sort of intergalactic concoction in his flask, he believes Rick’s old-fashioned booze of choice “anchors his identity.”

So that’s the what in Rick’s alcohol, but what about the why? Well that’s something Harmon and the team are never going to delve into. In an interview with The A.V. Club, Harmon explained his reasoning:

“Justin was really smart about that, saying, ‘No, we don’t want to reveal that Rick started drinking when blah blah blah,’ because then there’s something very shark-jump-y about that, like where you learn that the Fonz didn’t always wear leather jackets. Because people aren’t like that.”

7. THE SHOW’S PILOT WAS WRITTEN IN SIX HOURS.

The first episode of Rick and Morty was written by Harmon and Roiland just moments after their pitch got sold to Nick Weidenfeld, the head of program development for Adult Swim. With Harmon still on Community, schedules would be tight once production on the show ramped back up, so it was important to get working on Rick and Morty as soon as possible. In an interview with the Los Angeles Times, Harmon said:

"We were sitting on the floor, cross-legged with laptops and I was about to get up and go home and he said, 'Wait, if you go home, it might take us three months to write this thing. Stay here right now and we can write it in six hours.'"

The pilot was written that day, which Roiland described as “kind of lightning in a bottle.”

8. BUFFY THE VAMPIRE SLAYER INSPIRED ONE OF THE SERIES’ MOST BELOVED EPISODES.

Though the episode “Total Rickall” would have you believe the show was going to do an adaptation of Total Recall, the creators had something much different in mind. In the Blu-ray commentary track for the episode, the creators revealed that the initial inspiration for the episode came from the Buffy the Vampire Slayer TV show.

In the show’s fifth season, it’s suddenly revealed that Buffy had a sister named Dawn, and the show’s characters blindly accept her into the fold as if she has existed the entire time. One of Rick and Morty's writers, Ryan Ridley, elaborated on this in the Y Combinator podcast, saying “Everyone’s pretending—I mean, they’re not pretending—they’re treating her like she’s always been there. But you know that, as a viewer, [Buffy] hasn’t had a sister for the first four seasons. So you find out the supernatural explanation for why that is.”

Shades of this can be seen in the “Total Rickall” opening, when viewers are introduced to “Uncle Steve,” who the family believes has been living with them for years. Without much hesitation, Rick shoots Uncle Steve through the head, revealing it to be a parasite that infected the family’s mind to artificially implant memories.

9. THE SEEDS FOR “TOTAL RICKALL” WERE PLANTED IN AN EARLIER EPISODE.

Unlike a series like Archer, Rick and Morty doesn’t have too many instances where episodes connect to larger story arcs for entire seasons. That doesn’t mean every episode isn’t related, though. Plenty of episodes call back to characters, plots, or gags from previous ones, but the show is at its most interesting when episodes slyly hint at the future.

In the episode “Mortynight Run,” Rick is seen loading a bunch of green space rocks into his ship toward the end. If you look carefully at the rocks, you can see a small pink blob on one of them. Fast-forward to “Total Rickall” and Rick is seen throwing those same rocks into the garbage, pink blob and all. Those blobs turn out to be the same parasites that infest the family in the episode.

10. ONE OF THE SHOW’S MOST ACCLAIMED EPISODES ALMOST “BROKE” THE CREATORS.

The success of Rick and Morty’s first season surprised everyone, so when it came time for more episodes, there was plenty of pressure to deliver. When the second season premiered, it did so with an experimental episode that was a direct continuation of the first season finale.

When the debut season ended, Rick had just frozen time in an attempt to help Morty and Summer clean up the mess from the high school/intergalactic alien house party they just threw. While shades of The Cat in the Hat abound, the cleanup does not go well, as the effects of stopping time has split reality into near-countless distinct timelines in the season two premiere, “A Rickle in Time.”

In an interview with Rolling Stone, Roiland said the episode "was just brutal and it broke us to a certain extent. We were so close to something amazing and we never really got there from a structural standpoint." Harmon agreed, saying "It went off the deep end conceptually and got really over-complicated."

In the Blu-ray commentary, it's explained that the main issues came from the writers and directors figuring out what the actual effects of freezing time would be, in addition to animating all of the different timelines and how they interact. Cracking the difficult premise and redoing the opening multiple times even put the entire second season behind schedule. Though Harmon and Roiland were convinced the episode was their worst, “A Rickle in Time” is highly regarded by fans as one of the best of the series.

11. ADULT SWIM PREMIERED AN EPISODE IN 109 15-SECOND CHUNKS ON INSTAGRAM.

Rick and Morty doesn’t just subvert expectations on the screen; the show’s creators do everything in their power to go against the grain when it comes to marketing and distribution as well. The most recent example came on April 1, 2017, when the show held its season three premiere without any advertising or promotion—leaving fans to scramble to watch it before it disappeared.

The most interesting exercise in offbeat marketing happened during the show’s first season, though. Instead of debuting the episode “Rixty Minutes” in its normal timeslot, Adult Swim surprised everyone by releasing the episode three days early. On Instagram. In reverse.

The official Rock and Morty Instagram page uploaded 109, 15-second clips of the episode in reverse order, causing fans to scroll and click and scroll some more in order to get the whole story. In typical Adult Swim fashion, they responded to the publicity stunt by saying, "It’s our latest frustrating exercise in audience engagement.”

12. RICK’S CATCHPHRASE WAS A COMPLETE ACCIDENT.

Though Roiland and Harmon are quick to point out that they hate catchphrases, Rick’s fairly ironic “wubba lubba dub dub” has become a staple of the show, especially during the first season. It’s used by Rick to punctuate a joke, and though he believes it comes from Arsenio Hall, it’s later revealed in the episode “Ricksy Business” that the phrase translates to "I am in great pain, please help me” in the language of the Bird People.

The phrase was actually a complete accident on the part of Roiland. In an interview with Noisey, he explained how the line read was originally supposed to be a reference to an old Three Stooges gag:

”We never really intended that to be a catchphrase, but we originally wrote that scene and it was scripted as parenthetical Larry or Moe from the Three Stooges, ‘wub wub wub wub wub.’ And Rick was gonna fall on the ground and do that circle thing they do. And in the recording, that was a last minute rewrite that I didn’t read, and I just didn’t know what the f*ck I was looking at, and I just did it wrong."

13 Facts About Amadeus On Its 35th Anniversary

Warner Home Video
Warner Home Video

Though much has been written about the life of Wolfgang Amadeus Mozart, the most entertaining look at the master composer's life might very well be Amadeus, Milos Forman's film about the artist's life (and rivalries), which was released on September 19, 1984.

Here's a look back at the Oscar-winning biopic that not only brought renewed interest to Mozart's music in the 1980s, but inspired Austrian rocker Falco to write the chart-topping "Rock Me Amadeus." Poor Salieri never stood a chance.

1. Amadeus began life as a Tony Award-winning play.

Russian poet/playwright Alexander Pushkin wrote a short play in 1830 called Mozart and Salieri, and playwright Peter Shaffer—who was already a Tony winner for Equus—took inspiration from that to write his own play. Amadeus played in various theaters in London beginning in 1979, then premiered on Broadway in 1980 with Ian McKellen as Antonio Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze, Mozart's wife. The production won five Tonys, including Best Play and Best Actor for McKellen, who beat out Curry for the award; the two leads had been nominated in the same category.

2. Mark Hamill wanted the lead role, but Milos Forman wouldn't let him audition.

In an attempt to circumvent any typecasting he might get after three blockbuster Star Wars films launched his career, Mark Hamill played the composer on Broadway for nine months in 1983. But when the time came for the movie to be made, Czech director Miloš Forman couldn’t get the space cowboy image out of his head. “Miloš Forman told me, ‘Oh no, you must not play the Mozart because the people not believing the Luke Spacewalker as Mozart,’” Hamill said in a 1986 interview. “He was very upfront about it, and I appreciated that rather than getting my hopes up that it was possible I’d be playing the role.”

3. Kenneth Branagh legitimately thought he had landed the lead role.

A young Kenneth Branagh was an early contender for the part of Mozart. In his autobiography, he wrote that he thought he had the part in the bag until Forman informed him they were casting Americans for the leads. Other actors who auditioned for the Mozart role included Tim Curry and Mel Gibson. Though Mozart was a rock star in his day, actual rock star Mick Jagger was also turned down after his audition.

4. Mozart's frequent collaborator Emanuel Schikaneder was played by another stage Mozart.

Actor Simon Callow originated the role of Mozart at the Royal National Theater production of Amadeus in 1979, and though Forman told him his portrayal was "truly brilliant, fantastic, asshole and genius, funny, tragic, crazy, a baby and a god," the director wasn't prepared to give him the title role in the film. Instead, he cast Callow as Emanuel Schikaneder, the librettist who worked with Mozart on The Magic Flute and played the part of Papageno the bird catcher.

5. The movie was shot without the use of light bulbs or other modern lighting devices.

The Tyl Theatre in Prague was the original theater where Don Giovanni first premiered in October 1787, and the authenticity of the building was a huge boon for the production since it had hardly been updated since it was first built in 1783. “[The Tyl is] where the opera premiered. And he conducted the first performance. And none of the opera house had been touched since he was there," choreographer Twyla Tharp recalled in 2015. "We had fire everywhere. We could have burnt down the opera house. We had live fire in the chandelier. We were lighting people on stage, and these guys were whipping these torches around."

Patrizia von Brandenstein—who became the first woman to win the Oscar for Best Art Direction with this movie—had nightmares about damaging the all-wooden opera house. "I thought, 'God will truly punish me if this place catches on fire,'" she said.

6. Tom Hulce practiced piano for four to five hours a day.

In order to look believable on camera, Hulce spent a month with a piano teacher before filming. Although he knew some basics—he could read music, and had played violin and sung in choirs as a child—he needed to look like a natural. "I spent four weeks, four to five hours a day learning to play,” Hulce told People in 1984. “The first two days were scales and exercises. The next day was a concerto." And for that scene at the masquerade ball when Mozart plays a tune while lying on his back? That was really Hulce.

7. Tom Hulce's laugh is semi-historical, though he had trouble recreating it.

Throughout the movie, Mozart has an infectious cackle—it comes out just as often when he’s giddy as when he’s uncomfortable. Though there are dubious historical reports that the real Mozart had such an obnoxious laugh, Hulce created the giggle after Forman asked him to come up with "something extreme." "I've never been able to make that sound except in front of a camera," Hulce later said. "When we did the looping nine months later, I couldn't find the laugh. I had to raid the producer's private bar and have a shot of whiskey to jar myself into it."

8. Someone really did commission a requiem from Mozart—it just wasn't Salieri.

The script clearly took some artistic liberties, including the plot line of the masked man who comes to Mozart pretending to be his dead father. This was not, as the movie portrays, Salieri. But in 1791, Austrian Count Franz von Walsegg—who had a penchant for commissioning music to pass off as his own at his twice-weekly concerts—approached Mozart and asked for a requiem for his beloved wife, who had died on Valentine’s Day.

According to a famously censored document in which a teacher near Vienna, Anton Herzog, recorded firsthand accounts of von Walsegg’s court, the Count often rewrote these commissioned quartets and other scores in his own hand and didn’t give credit to the original composers. His staff musicians often laughed this off because it seemed to amuse the Count, and because the Count was also an amateur musician in his own right. Mozart’s “Requiem Mass in D minor,” the document alleges, was one such piece. And Mozart really did die later that year, in December, before completing the full mass. Salieri didn’t help him complete it though; Austrian composer and possible Mozart student Franz Süssmayr took that on.

9. The actors felt intense jealousy, too.

Salieri and Mozart were the 18th-century equivalent of frenemies: They were contemporaries in a competitive field, and though they needed each other’s support, they weren’t above petty jealousies and a little backstabbing. Hulce and F. Murray Abraham (who played Salieri) also felt those pressures. ''Tom and Meg [Tilly, the actress originally cast as Constanze] were very close,'' Abraham told The New York Times in 1984. ''They had these secret jokes and were always laughing together. I was pushed out, and I was resentful. I began to have very nasty feelings that were exactly like Salieri's feelings toward Mozart. When that correspondence between a film and real life occurs, it's a director's dream.''

“Occasionally Murray and I would go out and drink this terrible sweet champagne that they have in Prague," added Hulce. "But at other times there was a rivalry between us, and I found myself suspicious of him.''

10. It was shot almost entirely on location in Prague—while under surveillance from the Secret Police.

During filming in 1983, Czechoslovakia was under Communist rule. The production team was often followed around by the secret police, and Forman and the cast spoke about their fears that a Fourth of July prank—the unfurling of the American flag in the concert hall and the singing of "The Star-Spangled Banner" by the large cast and crew—would lead to their arrests for inciting rebellion. Many suspected that their hotel rooms had been bugged during the six months they spent filming the movie.

Forman, who was considered a traitor for becoming an American citizen and not returning to the Soviet-controlled area, had previously had one of his movies banned in the country (then called the Czech Socialist Republic). According to Twyla Tharp, in order to shoot in red territory, Forman had to make certain concessions. "Miloš had to sign an agreement that he would go to his hotel every night for the year that he was there and that his driver would be his best friend from the old days," Tharp told The Hollywood Reporter. "And everybody knew what would happen to his best friend if something untoward politically happened around Miloš, because Miloš was a sort of local hero and he was dangerous to the authorities."

11. A teenage Cynthia Nixon had a small but pivotal role.

At age 17, Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was an experienced child actor at that point, she was also trying to finish her schooling. Thus, she and her parents were cautious of the time she'd need to be abroad for filming. "When I was cast in Amadeus with Miloš Forman, which was shooting in Europe," Nixon said in 2014, "I said, 'I want to be in your film so much, but I have a request: If I don’t shoot for two days in a row, you have to send me home.' They agreed."

12. The distributor made a promotional video depicting Mozart as a modern rock star.

Since the movie wasn't financed by a major studio with lots of promotional dollars behind it, the distributor, Orion Pictures, decided to get creative. And what better way to promote a rock star in the age of MTV than with a music video featuring David Lee Roth and cuts of Bruce Springsteen, Van Halen, KISS, Michael Jackson, David Bowie, and Madonna dancing along to Mozart's "Symphony No. 25 in G minor"?

13. The movie was a huge hit.

The film nearly tripled its $18 million budget at the box office, which was particularly impressive considering it opened in a limited 25 theaters and didn’t have a wide release until several months later. The movie also swept the Academy Awards—of its 11 nominations, it won eight, including Best Picture and Best Director. And, just as on Broadway, Salieri won the Best Actor statuette over Mozart, with Abraham beating out Hulce.

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

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