The 14 Best TV Shows on Amazon Prime Right Now

Phoebe Waller-Bridge and Andrew Scott in Fleabag.
Phoebe Waller-Bridge and Andrew Scott in Fleabag.
Amazon

If you’re an Amazon Prime member, you’re entitled to free expedited shipping, free Kindle downloads, and lots of other perks. But some customers are perfectly content to relegate their use of the service to the company’s considerable streaming video options.

If you’ve already explored their extensive library of HBO classics like The Sopranos and The Wire, don’t worry—there’s plenty of binge-watching left. Check out our picks for the best TV shows on Amazon Prime right now.

1. The Boys (2019-)

If you've had your fill of both superheroes and superhero meta-analysis, you'll still want to check out The Boys. Supernatural creator Eric Kripke's adaptation of the Garth Ennis comics imagines a world in which heroes are corporate tools, social media icons, and very, very morally bankrupt. The head of the vaunted Seven (think an ethically destitute Avengers) is Homelander, played with red-eyed menace by Antony Starr. When mortal Billy Butcher (Karl Urban) targets Homelander, the full scope of the hero industrial complex is revealed. The first season is up, with a second season due in 2020.

2. Fleabag (2016-2019)

Phoebe Waller-Bridge created and stars as the title character, a downtrodden Londoner with a too-perfect sister, a wicked soon-to-be stepmother, and a lust for hedonism that masks the fallout of an unresolved emotional crisis. Like Ferris Bueller, Waller-Bridge interrupts the action to address the viewer directly, offering a biting running commentary on her own increasingly complicated state of affairs, including having the hots for a priest (Andrew Scott).

3. Hannibal (2013-2015)

At first glance, Bryan Fuller’s (Pushing Daisies) take on the Thomas Harris novels featuring the gastronomic perversions of Hannibal Lecter seems like a can’t-win: How does anyone improve on The Silence of the Lambs and Anthony Hopkins’s portrayal of the diabolical psychiatrist? By not trying. Mads Mikkelsen’s Lecter is a study in composure; FBI agent Will Graham (Hugh Dancy) is the one who seems to be coming unhinged. While Fuller has time to explore the finer details of Harris’s novels, he also has the temerity to diverge from them. Hannibal’s brief three-season run is a tragedy, but what’s here is appetizing.

4. Goliath (2016-)

David E. Kelley (The Practice) heads up this this series about a downtrodden lawyer (Billy Bob Thornton) who brushes up against his former law firm when he tackles an accidental death case that turns into a sprawling conspiracy. Thornton won a Golden Globe for his performance; William Hurt should've won something for his portrayal as the diabolical firm co-founder who keeps pulling Thornton's strings from afar. Seasons two and three up the ante.

5. The Americans (2013-2018)

If Stranger Things stimulated your appetite for 1980s paranoia, FX’s The Americans—about two Soviet spies (Matthew Rhys and Keri Russell) embedding themselves in suburban America—is bound to satisfy. As Russell and Rhys navigate a complex marriage that may be as phony as their birth certificates, their allegiance to Russia is constantly tested.

6. Bosch (2015-)

The laconic detective of the Michael Connelly novels gets a winning adaptation on Amazon, with Titus Welliver scouring the seedy side of Los Angeles as the titular homicide detective. Don't expect frills or explosions: Bosch is content to be a police procedural in the Dragnet mold, and it succeeds.

7. Six Feet Under (2001-2005)

A celebration of life under the watch of death: Alan Ball’s Six Feet Under chronicles the Fishers, proprietors of a Los Angeles funeral home who struggle to carry on following the abrupt death of their patriarch (Richard Jenkins). Darkly humorous and emotionally charged, it’s also got one of the most talked-about (and gut-wrenching) finales in television history.

8. Justified (2010-2015)

Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) makes his intentions clear in the opening moments of episode one: If he draws his weapon, he’s shooting to kill. That’s more or less what transpires in six seasons of Justified, which ambles along like a modern-day Western but is transformed by the lyrical dialogue inspired by novelist Elmore Leonard. And like any good white hat, Givens needs his foil. He gets it in the form of Boyd Crowder (Walton Goggins), who stole the show on another FX series, The Shield, and does the same here. When the two finally face off after years of circling, it’s nothing you’ll have seen coming.

9. Curb Your Enthusiasm (2000-)

“Social assassin” Larry David returned from a six-year sabbatical for a ninth season of Curb Your Enthusiasm in October 2017, with more on the way. In the meantime, you can relive every awkward moment from the first decade of his loosely improvised show. From Los Angeles to New York City, the selfish, abrasive David rarely encounters a situation he can’t make worse.

10. Oz (1997-2003)

Oz, HBO’s first hour-long drama, set the stage for a Golden Age of television, pulling no punches in its depiction of the fictional Oswald State Correctional Facility and its cast of scheming, volatile prisoners trying to survive in an experimental ward. More than 20 years later, it might still be the most boundary-pushing series ever to air. (And you'll never look at J.K. Simmons the same way again.)

11. Mad Dogs (2015-2016)

An Amazon original limited series that flew under the radar, Mad Dogs plays like a travelogue for a trip you never want to take. Friends gather in Belize at the behest of a friend (Billy Zane), whose connections with the country’s criminal element wind up being problematic for everyone involved.

12. Mr. Show With Bob and David (1995-1998)

Bob Odenkirk and David Cross’s HBO series mixes surrealism with intricate plotting to produce some of the most inventive sketch comedy on television. If you don't believe us, check out "Pre-Taped Call-in Show" from the 10th episode of season three.

13. The Marvelous Mrs. Maisel (2017-)

Critically-acclaimed and showered with praise by Amazon viewers, this dramedy stars Rachel Brosnahan as Miriam "Midge" Maisel, a 1950s housewife who takes the bold (for that decade) step of getting into stand-up comedy. Brosnahan practically vibrates with energy, and so does the show, which captures period New York's burgeoning feminism. In Midge's orbit, Don Draper would have a heck of a time getting a word in.

14. Forever (2018)

The less you know going into this half-hour series, the better. Don't let anyone tell you anything beyond the fact that Fred Armisen and Maya Rudolph portray a couple in a floundering marriage. Where it goes from there is best left to discover on your own.

13 Facts About Amadeus On Its 35th Anniversary

Warner Home Video
Warner Home Video

Though much has been written about the life of Wolfgang Amadeus Mozart, the most entertaining look at the master composer's life might very well be Amadeus, Milos Forman's film about the artist's life (and rivalries), which was released on September 19, 1984.

Here's a look back at the Oscar-winning biopic that not only brought renewed interest to Mozart's music in the 1980s, but inspired Austrian rocker Falco to write the chart-topping "Rock Me Amadeus." Poor Salieri never stood a chance.

1. Amadeus began life as a Tony Award-winning play.

Russian poet/playwright Alexander Pushkin wrote a short play in 1830 called Mozart and Salieri, and playwright Peter Shaffer—who was already a Tony winner for Equus—took inspiration from that to write his own play. Amadeus played in various theaters in London beginning in 1979, then premiered on Broadway in 1980 with Ian McKellen as Antonio Salieri, Tim Curry as Mozart, and Jane Seymour as Constanze, Mozart's wife. The production won five Tonys, including Best Play and Best Actor for McKellen, who beat out Curry for the award; the two leads had been nominated in the same category.

2. Mark Hamill wanted the lead role, but Milos Forman wouldn't let him audition.

In an attempt to circumvent any typecasting he might get after three blockbuster Star Wars films launched his career, Mark Hamill played the composer on Broadway for nine months in 1983. But when the time came for the movie to be made, Czech director Miloš Forman couldn’t get the space cowboy image out of his head. “Miloš Forman told me, ‘Oh no, you must not play the Mozart because the people not believing the Luke Spacewalker as Mozart,’” Hamill said in a 1986 interview. “He was very upfront about it, and I appreciated that rather than getting my hopes up that it was possible I’d be playing the role.”

3. Kenneth Branagh legitimately thought he had landed the lead role.

A young Kenneth Branagh was an early contender for the part of Mozart. In his autobiography, he wrote that he thought he had the part in the bag until Forman informed him they were casting Americans for the leads. Other actors who auditioned for the Mozart role included Tim Curry and Mel Gibson. Though Mozart was a rock star in his day, actual rock star Mick Jagger was also turned down after his audition.

4. Mozart's frequent collaborator Emanuel Schikaneder was played by another stage Mozart.

Actor Simon Callow originated the role of Mozart at the Royal National Theater production of Amadeus in 1979, and though Forman told him his portrayal was "truly brilliant, fantastic, asshole and genius, funny, tragic, crazy, a baby and a god," the director wasn't prepared to give him the title role in the film. Instead, he cast Callow as Emanuel Schikaneder, the librettist who worked with Mozart on The Magic Flute and played the part of Papageno the bird catcher.

5. The movie was shot without the use of light bulbs or other modern lighting devices.

The Tyl Theatre in Prague was the original theater where Don Giovanni first premiered in October 1787, and the authenticity of the building was a huge boon for the production since it had hardly been updated since it was first built in 1783. “[The Tyl is] where the opera premiered. And he conducted the first performance. And none of the opera house had been touched since he was there," choreographer Twyla Tharp recalled in 2015. "We had fire everywhere. We could have burnt down the opera house. We had live fire in the chandelier. We were lighting people on stage, and these guys were whipping these torches around."

Patrizia von Brandenstein—who became the first woman to win the Oscar for Best Art Direction with this movie—had nightmares about damaging the all-wooden opera house. "I thought, 'God will truly punish me if this place catches on fire,'" she said.

6. Tom Hulce practiced piano for four to five hours a day.

In order to look believable on camera, Hulce spent a month with a piano teacher before filming. Although he knew some basics—he could read music, and had played violin and sung in choirs as a child—he needed to look like a natural. "I spent four weeks, four to five hours a day learning to play,” Hulce told People in 1984. “The first two days were scales and exercises. The next day was a concerto." And for that scene at the masquerade ball when Mozart plays a tune while lying on his back? That was really Hulce.

7. Tom Hulce's laugh is semi-historical, though he had trouble recreating it.

Throughout the movie, Mozart has an infectious cackle—it comes out just as often when he’s giddy as when he’s uncomfortable. Though there are dubious historical reports that the real Mozart had such an obnoxious laugh, Hulce created the giggle after Forman asked him to come up with "something extreme." "I've never been able to make that sound except in front of a camera," Hulce later said. "When we did the looping nine months later, I couldn't find the laugh. I had to raid the producer's private bar and have a shot of whiskey to jar myself into it."

8. Someone really did commission a requiem from Mozart—it just wasn't Salieri.

The script clearly took some artistic liberties, including the plot line of the masked man who comes to Mozart pretending to be his dead father. This was not, as the movie portrays, Salieri. But in 1791, Austrian Count Franz von Walsegg—who had a penchant for commissioning music to pass off as his own at his twice-weekly concerts—approached Mozart and asked for a requiem for his beloved wife, who had died on Valentine’s Day.

According to a famously censored document in which a teacher near Vienna, Anton Herzog, recorded firsthand accounts of von Walsegg’s court, the Count often rewrote these commissioned quartets and other scores in his own hand and didn’t give credit to the original composers. His staff musicians often laughed this off because it seemed to amuse the Count, and because the Count was also an amateur musician in his own right. Mozart’s “Requiem Mass in D minor,” the document alleges, was one such piece. And Mozart really did die later that year, in December, before completing the full mass. Salieri didn’t help him complete it though; Austrian composer and possible Mozart student Franz Süssmayr took that on.

9. The actors felt intense jealousy, too.

Salieri and Mozart were the 18th-century equivalent of frenemies: They were contemporaries in a competitive field, and though they needed each other’s support, they weren’t above petty jealousies and a little backstabbing. Hulce and F. Murray Abraham (who played Salieri) also felt those pressures. ''Tom and Meg [Tilly, the actress originally cast as Constanze] were very close,'' Abraham told The New York Times in 1984. ''They had these secret jokes and were always laughing together. I was pushed out, and I was resentful. I began to have very nasty feelings that were exactly like Salieri's feelings toward Mozart. When that correspondence between a film and real life occurs, it's a director's dream.''

“Occasionally Murray and I would go out and drink this terrible sweet champagne that they have in Prague," added Hulce. "But at other times there was a rivalry between us, and I found myself suspicious of him.''

10. It was shot almost entirely on location in Prague—while under surveillance from the Secret Police.

During filming in 1983, Czechoslovakia was under Communist rule. The production team was often followed around by the secret police, and Forman and the cast spoke about their fears that a Fourth of July prank—the unfurling of the American flag in the concert hall and the singing of "The Star-Spangled Banner" by the large cast and crew—would lead to their arrests for inciting rebellion. Many suspected that their hotel rooms had been bugged during the six months they spent filming the movie.

Forman, who was considered a traitor for becoming an American citizen and not returning to the Soviet-controlled area, had previously had one of his movies banned in the country (then called the Czech Socialist Republic). According to Twyla Tharp, in order to shoot in red territory, Forman had to make certain concessions. "Miloš had to sign an agreement that he would go to his hotel every night for the year that he was there and that his driver would be his best friend from the old days," Tharp told The Hollywood Reporter. "And everybody knew what would happen to his best friend if something untoward politically happened around Miloš, because Miloš was a sort of local hero and he was dangerous to the authorities."

11. A teenage Cynthia Nixon had a small but pivotal role.

At age 17, Nixon played Lorl, the maid employed by Salieri to spy on Mozart. Though she was an experienced child actor at that point, she was also trying to finish her schooling. Thus, she and her parents were cautious of the time she'd need to be abroad for filming. "When I was cast in Amadeus with Miloš Forman, which was shooting in Europe," Nixon said in 2014, "I said, 'I want to be in your film so much, but I have a request: If I don’t shoot for two days in a row, you have to send me home.' They agreed."

12. The distributor made a promotional video depicting Mozart as a modern rock star.

Since the movie wasn't financed by a major studio with lots of promotional dollars behind it, the distributor, Orion Pictures, decided to get creative. And what better way to promote a rock star in the age of MTV than with a music video featuring David Lee Roth and cuts of Bruce Springsteen, Van Halen, KISS, Michael Jackson, David Bowie, and Madonna dancing along to Mozart's "Symphony No. 25 in G minor"?

13. The movie was a huge hit.

The film nearly tripled its $18 million budget at the box office, which was particularly impressive considering it opened in a limited 25 theaters and didn’t have a wide release until several months later. The movie also swept the Academy Awards—of its 11 nominations, it won eight, including Best Picture and Best Director. And, just as on Broadway, Salieri won the Best Actor statuette over Mozart, with Abraham beating out Hulce.

Pod Search, a Search Engine for Podcasts, Can Help You Find Your Next Binge-Listen

Milkos/iStock via Getty Images
Milkos/iStock via Getty Images

Having too many options definitely seems like the best problem to have when it comes to picking your next top podcast obsession, but that doesn’t make it any less overwhelming. To streamline the hunt, try Pod Search—a website and mobile app that has all the information you need in order to choose a winner.

As Lifehacker reports, the user-friendly site is organized in several different ways, depending on how you’d like to operate your search. You can browse its list of about 30 categories, which range from “Storytelling” to “Crime & Law,” and each has a set of subcategories so you can get even more specific. If you trust the opinions of the general public, you can choose an already-popular podcast from the “Top Podcasts” tab. Or, if you like to be the first to recommend the next big thing to your friends, you can pick a program from the list of new podcasts.

Pod Search also has a handy tool called MyPodSearch which will pretty much do all the work of choosing the perfect podcast for you. All you have to do is check whichever categories interest you and add any additional keywords you’d like (which is optional), and MyPodSearch will deliver a list of podcasts personalized for your tastes. This is great for people who have wide-ranging interests, a proclivity for indecision, or both.

Each podcast has its own landing page with a description, audio samples, places you can listen, website and social media links for the podcast, and a list of other podcasts from the same producers. You can also create an account and bookmark podcasts for the future—so, hypothetically, you could have MyPodSearch create a personalized list for you, bookmark them all, and then have a binge-listening itinerary that’ll last you until next year.

[h/t Lifehacker]

SECTIONS

arrow
LIVE SMARTER