How Science—and a Broken Heart—Helped Identify Titanic Bandleader Wallace Hartley's Lost Violin

Peter Muhly/AFP/Getty Images
Peter Muhly/AFP/Getty Images

In the early morning hours of April 15, 1912, as the R.M.S. Titanic was continuing its descent into the chilly, unforgiving waters of the North Atlantic Ocean, bandleader Wallace Hartley urged his seven musicians to continue playing.

The apocryphal version has Hartley tucking his violin under his chin and leading them in a rendition of "Nearer, My God, to Thee" as the ship sank. While it makes for a poignant finale, it's more likely that Hartley played "Songe d'Automne," a slow waltz that scored the untimely demise of more than 1500 passengers, including Hartley and all his bandmates.

When bodies began to be recovered in the days to come, authorities took inventory of any personal effects that were found. In this official registry of Hartley, a.k.a. Body 224, no mention was made of his violin, his bow, or its case. He had been in the water for 10 days. The German-crafted wooden instrument was largely believed to have been lost to the sea.

Nearly 100 years later, a UK-based auctioneer named Andrew Aldridge received a phone call from a man with a strange story to tell. Up in his late mother's attic, he told Aldridge, was a small collection of items he believed would be of interest to Titanic historians and collectors.

When Aldridge visited his caller in 2006, he was shown several items that purportedly belonged to Hartley, including sheet music and a leather valise with the musician's initials. But Aldridge's attention was drawn to a violin: It was cracked and weathered, with only two strings remaining. A silver plate on the tailpiece read:

For Wallace on the occasion of our engagement from Maria.

Aldridge felt a surge of excitement. He had facilitated the sale of several Titanic relics, but nothing had ever compared to the holy grail of the Hartley violin. If this truly belonged to the musician, it would be one of the most important discoveries from the ship in history. And if it was the violin he played as the ship went down, it would be the most valuable.

But how had the violin survived immersion? And if Hartley secured it to his body before going into the water, why wasn't it listed among his personal effects?

It would be seven years before Aldridge had his answers.

 

A close-up of the engraved silver plate on the Hartley violin
Matt Cardy/Getty Images

 

For decades, collectors and researchers had debated the existence of the Hartley violin. Some believed Hartley would be too panicked to bother securing his violin in its case and strapping it to himself before he was forced to go into the water; others pointed to contemporaneous news accounts which mentioned Hartley's violin had indeed been recovered during the salvage operation.

"At that point [in 2006], I think the collecting community generally believed it did not exist," Craig Sopin, an attorney and Titanic memorabilia expert who consulted with the Aldridge & Son auction house, tells Mental Floss. "But a lot of us hoped it did."

Four newspapers at the time reported Hartley had been found with the instrument strapped to him, but those were challenged by more conservative historians who cited the official inventory and its list of items that were returned to family members. These logs noted that Hartley had a fountain pen, money, and a cigarette case, but made no mention of the violin. "There was just no hard evidence," Sopin says.

Hartley himself had been something of an enigma. Born in 1878 as the son of a choirmaster, the bandleader had been a bank teller before pursuing his passion for music. Hartley had been on well over 80 sea voyages before he was hired to lead the musicians on the Titanic. It's likely he perceived the highly coveted job as a chance to make some good money. In a letter written to his parents the day of the April 10 launch, Hartley implied that wealthy passengers might offer tips.

"It was a feather in his cap," Sopin says. "He was fortunate at first, although not fortunate at all in the end."

An avowed ladies' man who fancied himself a bit of an early-century hipster—he referred to himself as "Hotley" in correspondence—Hartley had seemingly abandoned his bachelorhood for Maria Robinson, the daughter of a cloth manufacturer. The two were scheduled to be married just months after Hartley's expected return, with Hartley looking to support his wife-to-be with more bookings at sea.

While Hartley's fate became part of a great 20th century tragedy, Robinson's personal anguish was never heavily publicized. She wrote letters to authorities in Halifax, Nova Scotia, which had jurisdiction over the wreck, requesting all of Hartley's personal belongings be returned to her. In a diary entry dated July 1912 and uncovered during the investigation into the instrument's history, Robinson drafted a note thanking them for returning the violin. So why didn't the crew of the Mackay-Bennett, tasked with recovering bodies, make any mention of it?

"That turned out to be the easiest hurdle to knock down," Sopin says. "What we learned is that there were many personal items not logged but returned to family, and their inventory was just not very detailed." Almost every body had been recovered wearing a life jacket, Sopin says, and almost all went unreported.

Like the life jackets, Hartley's valise that he kept his violin in would have been strapped to his body, opening up the possibility that the recovery team ignored items worn by the corpses. "It wasn't something he could put in his pocket," Sopin says, "so it may not have been considered a personal effect."

The paper trail assembled by Sopin and other researchers provided further credence to the theory that Hartley had taken the violin with him. When Maria Robinson died in 1939, her sister Margaret was charged with handling her personal possessions. The violin was given to Major Renwick, a bandleader with the Bridlington Salvation Army who also taught music. He gave it to a student of his, a woman stationed in the Women's Auxiliary Air Force. She later wrote of the gift that it had suffered damage and was not playable due to having "an eventful life."

It remained in her possession for close to 75 years. The call Aldridge received was from the music student's son, who had been responsible for sorting his mother's belongings following her death. (The seller, wishing anonymity, has not disclosed the family name.)

The story was reasonable, but none of it offered conclusive proof that the violin in the attic was the same violin played on the outer deck of the ship during the commotion. For that, Aldridge would turn to experts in the fields of corrosion, silver, and musical instruments to determine if the violin had been in the water the night of April 15, 1912.

 

The valise and straps used as a carrier for the Hartley violin
Matt Cardy/Getty Images

 

"The best way to describe the research was like a jigsaw puzzle with numerous component pieces," Aldridge tells Mental Floss. "Each one had to fit together, whether it be scientific, historical, or research."

To date the violin to the night of the wreck, Aldridge first approached the now-defunct UK Forensic Science Services and their trace analysis expert, Michael Jones. (Citing confidentiality clauses with his former employer, a representative for Jones declined to comment for this story.) Performing a salinization test would determine whether the instrument had ever been submerged in saltwater. "If that had been negative, the investigation would have ended there," Sopin says.

It was positive. Jones could then examine the metal portions of the violin, including the engraved tailpiece and the lock on the valise, and compare the corrosion to other metal items recovered both from Hartley and from other victims that were in the hands of private collectors. "It was not a quick process," Aldridge says. "These are not the sorts of items that are easily obtained."

Eventually, Jones was able to determine the deposits were consistent with those found in items definitively known to be recovered from the site. He also tried examining algae on the violin to see if it was consistent with the part of the North Atlantic where the ship struck the iceberg, Sopin says, but results were inconclusive.

Because Aldridge's intent was to prove its provenance beyond all doubt, the authentication continued. The straps of the valise were measured and found to be 90 inches long, leaving plenty of give to tie the case around Hartley’s body. Aldridge also consulted with gemologist Richard Slater, who examined the engraved plate and found no evidence it had ever been removed or recently applied to the instrument.

Aldridge took it in for a CT scan at Ridgeway Hospital in Swindon, Wiltshire, England, which revealed stress fractures in the wood—the kind that may have rendered it unplayable according to Renwick's student—and a type of glue that would not have dissolved in seawater. (The heavy leather valise provided additional protection from the water.) Aldridge also consulted instrument expert Andrew Hooker, who held no opinion about the violin's connection to the Titanic but confirmed it was made in the late 19th century and was re-varnished and rebuilt, likely owing to the damage incurred after 10 days of immersion.

"The violin was nothing special," Hooker tells Mental Floss. "Just a cheap, factory-made German instrument."

Of course, the instrument's value was tied completely to where it was played, and by whom. By 2013, both Aldridge and Sopin—a notoriously skeptical collector who made for a strong litmus test—were convinced. After seven years and tens of thousands of dollars in expenses, Aldridge believed he had his answer.

"I remained neutral until I didn't," Sopin says. "I believe the violin was on the Titanic."

 

The Hartley violin, more than 100 years after being recovered at sea
Peter Muhly/AFP/Getty Images

 

The owner's desire had always been to take the violin and the other Hartley items to auction. Armed with reams of supporting evidence from forensic experts, that's exactly what Aldridge and Son did on October 19, 2013. TV satellites and media were parked outside the Devizes, Wiltshire, England facility, the site of the auction.

Behind the podium, Aldridge began the bidding at 50 pounds, or roughly $65. Bidders on the floor and via telephone quickly got down to business, taking bids from 80,000 pounds to 500,000 to 750,000. By the time Aldridge brought down the gavel a final time, the violin had sold for 1.1 million pounds, or $1.7 million. (The valise was sold separately for 20,000 pounds, or $26,000.)

As is often the case with big-ticket auction items, the buyer has no desire to be named—although it's probably not Sopin. "I would have considered paying something," he says, "but not $1.7 million."

Sopin believes the buyer is male and resides in the UK. It's also known that he allowed the violin to go on display at the Titanic Museum in Pigeon Forge, Tennessee, as well as its sister location in Branson, Missouri, in 2016.

As of now, no other Titanic artifact has come close to realizing a similar sale price, a testament to the emotional impact of what would otherwise be an unremarkable instrument. In playing for terrified passengers, Hartley and his band used their talent under extreme duress to maintain a sense of order and civility, likely saving lives in the process. His funeral was reportedly attended by 30,000 to 40,000 people.

While Aldridge performed his due diligence above and beyond reasonable doubt, some historians still question why a distressed Hartley would have bothered with the violin at all. "Hartley's mother commented on this," Sopin says. "She thought if he felt there was any hope at all of getting off the ship, he would have taken the violin."

Additional Sources: Auction Background [PDF].

7 Terrifying Historical Remedies for Migraine Headaches

George Marks/Getty Images
George Marks/Getty Images

Migraines are more than just splitting headaches. Migraine symptoms, which affect about one in seven people worldwide, can include throbbing pain on one side of the head, nausea, sensitivity to light and sound, and visual disturbances called auras. Today, several classes of drugs are prescribed to either prevent migraine headaches from happening or halt them once they’ve started. But in previous centuries, migraine treatments weren’t so convenient—or effective.

1. Bloodletting

Whether by scalpel or by leeches, bloodletting was the most common remedy for migraine headaches (and many other ailments) before the advent of modern medicine. Throughout most of history, Western physicians subscribed to the humoral theory, in which human health was governed by four fluids (humors) that must be kept in balance. Sickness was explained as an imbalance of humors, and bloodletting was thought to rebalance the system. The methods varied, though. In the case of migraine headaches, the Greek physician Aretaeus suggested sticking a barbed goose feather up the unfortunate patient’s nose and prodding around until blood flowed.

Even as late as the 18th century, bloodletting was still believed to help migraines. Swiss physician Samuel Auguste Tissot, who was the first to describe migraines as a discrete medical condition in the 1770s, recommended bleeding, better hygiene and diet, and drugs including infusions of orange leaves and valerian.

2. Garlic

The 11th-century physician Abu al-Qasim suggested sticking a clove of garlic into the migraine headache sufferer’s temple. He offered a handy recipe:

“Take a garlic; peel and cut at both extremities. Make an incision with a large scalpel in the temple and keep under the skin a cavity wide enough to introduce the garlic and to conceal it completely. Apply compresses and tighten, let it remain about 15 hours, then remove the device. Extract the garlic, leave the wound for two or three days, then apply cotton soaked in butter until it suppurates.”

Once the wound started oozing—which was considered a good sign—the physician would cauterize the incision with a hot iron. Cauterization was meant to prevent infection, although modern research has shown that it actually lowers the threshold for bacterial infections.

3. Cupping

Cupping—inverting hot glass vessels on the patients’ body—was thought to perform the same function as bloodletting. Prominent Dutch physician Nicolaes Tulp, depicted in Rembrandt’s 1632 painting The Anatomy Lesson of Dr. Nicolaes Tulp, treated a migraine sufferer by cupping. She soon recovered.

A substance called cantharidin, a potent blistering agent secreted by the Meloidae family of beetles, was also applied as part of the cupping and blistering process to draw out bad humors. Unfortunately, if the cantharidin was left on too long, it could be absorbed into the body and cause painful urination, gastrointestinal and renal dysfunction, and organ failure. (Perhaps unrelatedly, cantharidin was also used as an aphrodisiac.)

4. Trepanation

One of the oldest types of surgery, trepanation is the practice of cutting away part of the cranium and exposing brain tissue to treat injuries or chronic conditions like migraine headaches. The 16th-century Dutch physician Petrus Forestus, who meticulously recorded the ailments and treatments of his patients, performed trepanation on a person with incurable migraines. In the brain tissue he found something he called a “black worm.” According to a 2010 study by neurologist Peter J. Koehler, the mass may have been a chronic subdural hematoma—a collection of blood between the surface of the brain and its outermost covering—and a possible cause of the patient’s agony.

5. Dead Moles

Ali ibn Isa al-Kahhal, the leading ophthalmologist of the medieval Muslim world, described more than 130 eye diseases and treatments in his groundbreaking monograph Tadhkirat al-kaḥḥālīn (The Notebook of the Oculists). While his descriptions of ocular anatomy were sound, he also touched on remedies for headaches, and here his prescriptions seem more suspect. To treat migraines, he suggested tying a dead mole to one’s head.

6. Electric Fish

Long before scientists fully understood the principles of electricity, ancient doctors recommended it as a remedy for migraines. Scribonius Largus, the court physician for the Roman emperor Claudius, saw that the torpedo fish—also known as the electric ray, native to the Mediterranean Sea among other areas—had the power to shock anyone who touched it. Largus and other doctors prescribed the shocks as cures for headache, gout, and prolapsed anus.

In the mid-18th century, a Dutch journal reported that the electric eel, found in South America, emitted even stronger shocks than the Mediterranean fish and were used for head pain. One observer wrote that headache sufferers “put one of their hands on their head and the other on the fish, and thereby will be helped immediately, without exception.”

7. Mud Foot-Baths

Compared to expired rodents, warm foot-baths must have sounded positively decadent to those afflicted with extreme pain. Nineteenth-century physicians suggested that migraine sufferers take the waters at Marienbad (now Mariánské Lázně) and Karlsbad (now Karlovy Vary), two spa towns in what is now the Czech Republic. While the mineral waters were useful for alleviating congestive headaches, mud foot-baths were believed to draw blood toward the feet and away from the head, calming the nervous system. “The foot-bath ought not to be taken too hot, and the feet should be rubbed one over the other while washing the mud off, and afterwards with a coarse towel. A brisk walk may be used to keep up the circulation,” suggested Prussian Army physician Apollinaris Victor Jagielski, M.D. in 1873.

Who Stole My Cheese? Archivists Are Cataloging 200 Years of Criminal Records From the Isle of Ely

Internet Archive Book Images via Flickr, Wikimedia Commons
Internet Archive Book Images via Flickr, Wikimedia Commons

And you thought your parents were strict. In 16th century England, the same courts that tried murderers were also tasked with getting to the bottom of cheese thefts.

As The Guardian reports, archivists from the University of Cambridge have begun cataloging close to 270 court documents from the Isle of Ely, a historic region of England known for its magnificent, gothic-style cathedral as well as being the home of Oliver Cromwell for more than a decade (Cromwell was appointed governor of the isle in 1643).

Some of the documents, which are dated from 1557 to 1775, relate to matters that may seem macabre—or even ridiculous—in the modern world. But they offer a keen insight into the area's past. "This project enables us to hear the voices of people from all backgrounds ... long dead and forgotten, and for whom there is no other surviving record," archivist Sian Collins told The Guardian.

One such person was yeoman John Webbe, who was charged with defamation by one William Tyler after Tyler's wife, Joan, overheard Webbe tell someone that: "Tyler thy husband is a knave, a rascall & a thief for he stole my goodes thefyshely [thievishly] in the night."

Then there was poor William Sturns, whose only crime was a hunger that led him to steal three cheeses; ultimately, he was deemed not guilty. "Unfortunately we don’t know what type of cheese it was," Collins told Atlas Obscura. "But cheesemaking was fairly common in the area at the time."

Not all of Ely's court cases were about backtalk and dairy products, though. The university’s website details how in 1577, Margaret Cotte was accused of using witchcraft to kill Martha Johnson, the daughter of a local blacksmith. Margaret was eventually found not guilty, which is part of what makes this project so important.

"Martha and Margaret may not appear in any other records," Collins said. "This is all we know about them."

[h/t The Guardian]

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