15 Facts About Kate Chopin's The Awakening

L Eaton, Flickr // CC BY-SA 2.0
L Eaton, Flickr // CC BY-SA 2.0

Kate Chopin's groundbreaking novel The Awakening is revered for its realism and regularly included in academic reading lists. Set in the late 19th century, its story follows Edna Pontellier, a wife and mother whose flirtation with a young bachelor leads her to desire more from life. This premise elicited widespread scorn when the book was published in 1899—and its author never could have predicted its rocky road to critical acclaim.

1. THE AWAKENING WAS CHOPIN'S SECOND NOVEL.

Her first novel At Fault, privately published in 1890, centered on a Creole widow named Thérèse Lafirme, who unexpectedly finds love with a dashing divorcé. From there, Chopin began writing for well-known magazines, and published more than 100 short stories and essays in Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her next two books, both short story collections, were Bayou Folk (published in 1894) and A Night in Acadie (1897). The Awakening, her second novel, was published on April 22, 1899.

2. CHOPIN WAS INSPIRED BY THE WRITING OF GUY DE MAUPASSANT.

The French short story writer is known for his masterpieces of realism. One of his most famous stories, "Boule de Suif," follows the journey of a prostitute during the Franco-Prussian War. Of Maupassant's influence on her work, Chopin said:

"I read his stories and marveled at them. Here was life, not fiction; for where were the plots, the old-fashioned mechanism and stage-trapping that in a vague, unthinkable way I had fancied were essential to the art of story-making. Here was a man who had escaped from tradition and authority, who had entered into himself and looked out upon life through his own being and with his own eyes, and who, in a direct and simple way, told us what he saw."

3. CHOPIN SET MANY OF HER STORIES IN LOUISIANA, INCLUDING THE AWAKENING.

She set At Fault and portions of The Awakening in New Orleans, where Chopin spent many years as a young wife and mother. Chopin reflected the Creole heritage of the area in her characters. Many of her short stories were set in the central Louisiana town of Natchitoches, where she later resided.

4. THE AWAKENING IS CONSIDERED ONE OF THE FIRST FEMINIST WORKS IN AMERICAN LITERATURE.

Chopin's novel arrived during the feminist movement's first wave, when women fought for the right to vote and for increased autonomy. The Awakening's heroine, Edna Pontellier, challenged society's expectations for women by daring to explore romance outside her marriage and gratification outside of motherhood.

5. CHOPIN STRUGGLED AFTER THE DEATH OF HER HUSBAND.

When The Awakening was published, she was a 49-year-old widow who had raised six children. Her husband, Oscar Chopin, had died of malaria in 1882, when Kate was 32. According to biographer Emily Toth, "For a while, the widow Kate ran his business and flirted outrageously with local men." Two years later, she sold the business (a general store and plantation) and moved to St. Louis to be closer to her mother. There, Chopin's obstetrician and family friend, Dr. Frederick Kolbenheyer, suggested writing might pull her out of a growing depression. She found a new passion and purpose.

6. CHOPIN BECAME A RESPECTED WRITER OF REGIONAL STORIES.

Kate Chopin House, Nachitoches, Louisiana
The Kate Chopin House in Nachitoches Parish, Louisiana, circa 1933. The house burned down in 2008.
Library of Congress // Public Domain

Ahead of The Awakening's debut, Chopin was at the height of her popularity. Critics praised both of her short story collections, and heralded A Night in Acadie as "a string of little jewels." She was celebrated for her observations and ability to capture "local color." Posthumously, her works would continue to be revered as grand examples of American realism at the turn of the century. This literary movement depicted the everyday lives of ordinary, contemporary people with keen and humane observations.

7. THE AWAKENING EARNED NEGATIVE REVIEWS ...

Chopin's story of self-discovery and suicide boldly challenged the gender roles of Victorian society. Critics denounced the novel as "morbid," "feeble," and "vulgar." "Miss Kate Chopin is another clever woman, but she has put her cleverness to a very bad use in writing The Awakening," sniffed an anonymous reviewer in the Providence Sunday Journal. "The purport of the story can hardly be described in language fit for publication. We are fain to believe that Miss Chopin did not herself realize what she was doing when she wrote it."

The Los Angeles Sunday Times scolded, "It is rather difficult to decide whether Mrs. Kate Chopin, the author of The Awakening, tried in that novel merely to make an intimate, analytical study of the character of a selfish, capricious woman, or whether she wanted to preach the doctrine of the right of the individual to have what he wants, no matter whether or not it may be good for him."

Perhaps harshest of all was Public Opinion's review, which celebrated Edna's eventual drowning. "If the author had secured our sympathy for this unpleasant person it would not have been a small victory, but we are well satisfied when Mrs. Pontellier deliberately swims out to her death in the waters of the gulf," the critic wrote.

8. ... BUT EVEN CRITICS WHO WERE UNNERVED BY CHOPIN'S PLOT PRAISED HER CRAFT.

Frances Porcher, reviewing for The Mirror, lamented that Chopin's novel ultimately left her feeling "sick of human nature," but wrote, "there is no fault to find with the telling of the story; there are no blemishes in its art."

L. Deyo of the St. Louis Post-Dispatch acknowledged The Awakening's subversive elements, but argued that its artistry superseded its shock value. "The theme is difficult, but it is handled with a cunning craft," Deyo wrote. "The work is more than unusual. It is unique. The integrity of its art is that of well-knit individuality at one with itself, with nothing superfluous to weaken the impression of a perfect whole."

9. THE OUTCRY WOUNDED CHOPIN—AND HER CAREER.

Despite all the praise her short stories had earned, the critical response to The Awakening crushed Chopin's spirits. The St. Louis Fine Arts Club, which she sought to join, barred her admission because of the scandal. She wrote more short stories but struggled to find publishers. Toth argues that Chopin's challenge to society's patriarchal status quo in The Awakening "went too far: Edna's sensuality was too much for the male gatekeepers."

10. THE AWAKENING WAS CHOPIN'S LAST NOVEL.

Five years after its publication, the St. Louis-born author died after suffering a cerebral hemorrhage while she was visiting the 1904 St. Louis World's Fair.

11. FOR DECADES, IT SEEMED THAT THE AWAKENING WOULD BE FORGOTTEN.

Following her death, critics and readers remembered her most often for her short stories. Her legacy remained that of a "local colorist"; the regional elements of her short stories were valued more highly than The Awakening's theme of female empowerment.

12. APPRECIATION FOR THE AWAKENING GREW IN THE MID-20TH CENTURY.

By the early 1960s, second-wave feminism was changing the way Americans viewed women and society at large. In 1969, Per Seyersted, a scholar of American literature, secured Chopin's literary legacy by publishing the first edition of her collected works. He also wrote Kate Chopin: A Critical Biography. The former allowed generations of readers to discover her writing, while the latter reconsidered The Awakening, and celebrated "its courageous realism." Both books kicked off a reevaluation of Chopin and her once-notorious novel.

13. THE AWAKENING HAS BEEN BANNED—BUT ONLY ONCE.

Though book jackets like to claim that it's been banned, historians have found of only one verified instance when The Awakening was pulled from library shelves. A popular story claims that a library in Chopin's hometown of St. Louis removed the novel. But in all her research, Toth could not verify this. However, The New York Times reported The Awakening was banned from a public library in Evanston, Illinois in 1902. And its placement was challenged at Georgia's Oconee County Library in 2010. That incident wasn't related to the controversial content of the novel, but to its cover showing a painting of a semi-nude woman, which upset a library patron.

14. THE AWAKENING IS CONSIDERED A CLASSIC.

Contemporary critics and academics recognize that Chopin was ahead of her time by almost 100 years. In Awakenings: The Story of the Kate Chopin Revival, editor and Chopin authority Bernard Koloski summarized the incredible journey of The Awakening's rise to the American literature canon:

"No other American book was so maligned, neglected for so long, and then embraced so quickly and with such enthusiasm as Kate Chopin's 1899 novel The Awakening. And none has been so thoroughly redeemed as The Awakening. Thought vulgar, morbid, and disturbing in Chopin's time, it has for the past quarter of a century been seen as sensitive, passionate, and inspiring. Forgotten for two generations, it is today known by countless people in dozens of countries, and Kate Chopin has become among the most widely read of classic American authors."

15. BECAUSE OF THE AWAKENING, CHOPIN'S WORK CAN BE READ AROUND THE WORLD.

Her writings have been translated into many other languages, including, according to the Kate Chopin International Society, "Albanian, Arabic, Chinese, Czech, Danish, Dutch, French, Galician, German, Hungarian, Italian, Japanese, Korean, Malayalam, Polish, Portuguese, Serbian, Spanish, Swedish, Turkish, and Vietnamese."

10 Facts About The Adventures of Huckleberry Finn

Public Domain, Wikimedia Commons
Public Domain, Wikimedia Commons

On its surface, Mark Twain's The Adventures of Huckleberry Finn is a straightforward story about a boy and a runaway slave floating down the Mississippi River. But underneath, the book—which was published in the U.S. on February 18, 1885—is a subversive confrontation of slavery and racism. It remains one of the most loved, and most banned, books in American history. 

1. Huckleberry Finn first appears in Tom Sawyer.

The Adventures of Huckleberry Finn is a sequel to Tom Sawyer, Twain’s novel about his childhood in Hannibal, Missouri. Huck is the “juvenile pariah of the village” and “son of the town drunkard,” Pap Finn. He wears cast-off adult clothes and sleeps in doorways and empty barrels. Despite this, the other children “wished they dared to be like him.” Huck also appears in Tom Sawyer, Detective, and Tom Sawyer Abroad, as well as the unfinished Huck Finn and Tom Sawyer Among the Indians.  

2. Huckleberry Finn may be based on Mark Twain's childhood friend.

Twain said Huck is based on Tom Blankenship, a childhood playmate whose father, Woodson Blankenship, was a poor drunkard and the likely model for Pap Finn. “In Huckleberry Finn I have drawn Tom Blankenship exactly as he was,” he wrote in Autobiography. “He was ignorant, unwashed, insufficiently fed; but he had as good a heart as ever any boy had." 

However, Twain may be exaggerating here. In 1885, when the Minneapolis Tribune asked who Huck was based on, Twain admitted it was no single person: “I could not point you out the youngster all in a lump; but still his story is what I call a true story.”

3. It took Twain seven years to write the book.

Huckleberry Finn was written in two short bursts. The first was in 1876, when Twain wrote 400 pages that he told his friend he liked “only tolerably well, as far as I have got, and may possibly pigeonhole or burn” the manuscript. He stopped working on it for several years to write The Prince and the Pauper and Life on the Mississippi.

In 1882, Twain took a steamboat ride on the Mississippi from New Orleans to Minnesota, with a stop in Hannibal. It must have inspired him, because he dove into finishing Huckleberry Finn. In August 1883, he wrote: “I have written eight or nine hundred manuscript pages in such a brief space of time that I mustn’t name the number of days; I shouldn’t believe it myself, and of course couldn’t expect you to.” The book was published in 1884. 

4. Like Huck, Twain changed his view of slavery.

Huck, who grows up in South before the Civil War, not only accepts slavery, but believes that helping Jim run away is a sin. The moral climax of the novel is when Huck debates whether to send Jim’s owner a letter detailing Jim’s whereabouts. Finally, Huck says, "All right, then, I'll go to hell,” and tears the letter up. 

As a child, Twain didn’t question the institution of slavery. Not only was Missouri a slave state, his uncle owned 20 slaves. In Autobiography, Twain wrote, “I vividly remember seeing a dozen black men and women chained to one another, once, and lying in a group on the pavement, awaiting shipment to the Southern slave market. Those were the saddest faces I have ever seen.”

At some point, Twain’s attitudes changed and he married into an abolitionist family. His father-in-law, Jervis Langdon, was a “conductor” on the Underground Railroad and housed Frederick Douglass.

5. Emmeline Grangerford is a parody of a Victorian poetaster.

Huckleberry Finn parodies adventure novels, politics, religion, the Hatfields and the McCoys, and even Hamlet’s soliloquy. But most memorable may be Emmeline Grangerford, the 15-year-old poet. Emmeline is a parody of Julia A. Moore, the “Sweet Singer of Michigan,” who wrote bad poetry about death. So does Emmeline, according to Huck: “Every time a man died, or a woman died, or a child died, she would be on hand with her "tribute" before he was cold. She called them tributes.” Along with bad poetry, Emmeline paints “crayons” of dramatic subjects, such as a girl “crying into a handkerchief” over a dead bird with the caption, "I Shall Never Hear Thy Sweet Chirrup More Alas."

6. A PENIS DRAWING ALMOST RUINED THE BOOK.

Twain, who ran his own printing press, hired 23-year-old E. W. Kemble to illustrate the first edition of Huckleberry Finn. Right as the book went to press, someone—it was never discovered who—added a penis to the illustration of Uncle Silas. The engraving shows Uncle Silas talking to Huck and Aunt Sally while a crude penis bulges from his pants. 

According to Twain’s business manager Charles Webster, 250 books were sent out before the mistake was caught. They were recalled and publication was postponed for a reprint. If the full run had been sent out, Webster said, Twain’s “credit for decency and morality would have been destroyed.” You can view Kemble’s original illustrations here.

7. Many consider Huckleberry Finn the first American novel.

“All modern American literature comes from one book by Mark Twain called Huckleberry Finn,” Ernest Hemingway wrote in Green Hills Of Africa. “There was nothing before. There has been nothing as good since." 

While this statement ignores great works like Moby-Dick and The Scarlet Letter, Huckleberry Finn was notable because it was the first novel to be written in the American vernacular. Huck speaks in dialect, using phrases like “it ain’t no matter” or "it warn’t no time to be sentimentering.” Since most writers of the time were still imitating European literature, writing the way Americans actually talked seemed revolutionary. It was language that was clear, crisp, and vivid, and it changed how Americans wrote. 

8. The end of the book is often considered a cop-out.

A major criticism of Huckleberry Finn is that the book begins to fail when Tom Sawyer enters the novel. Up until that point, Huck and Jim have developed a friendship bound by their mutual plight as runaways. We believe Huck cares about Jim and has learned to see his humanity. But when Tom Sawyer comes into the novel, Huck changes. He becomes passive and doesn’t even seem to care when Jim is captured.

To make matters worse, it turns out that Jim’s owner has already set him free, and that Huck’s abusive dad is dead. Essentially, Huck and Jim have been running away from nothing. Many, including American novelist Jane Smiley, believe that by slapping on a happy ending, Twain was ignoring the complex questions his book raises.

9. The book is frequently banned.

Huckleberry Finn was first banned in Concord, Massachussets in 1885 (“trash and suitable only for the slums”) and continues to be one of the most-challenged books.

The objections are usually over n-word, which occurs over 200 times in the book. Others say that the portrayal of African Americans is stereotypical, racially insensitive, or racist.

In 2011, Stephen Railton, a professor at University of Virginia, published a version of the book that replaced that offensive word with “slave.” Soon after appeared The Hipster Huckleberry Finn, where the word was replaced with “hipster.” The book's description says, “the adventures of Huckleberry Finn are now neither offensive nor uncool.”

10. Twain had some thoughts about the book's censorship.

In 1905, the Brooklyn Public Library removed Huckleberry Finn and Tom Sawyer from the shelves because, as librarian wrote Twain, Huck is “a deceitful boy who said 'sweat' when he should have said 'perspiration.'" Here’s Twain’s reply: 

DEAR SIR:

I am greatly troubled by what you say. I wrote Tom Sawyer and Huck Finn for adults exclusively, and it always distresses me when I find that boys and girls have been allowed access to them. The mind that becomes soiled in youth can never again be washed clean; I know this by my own experience, and to this day I cherish an unappeasable bitterness against the unfaithful guardians of my young life, who not only permitted but compelled me to read an unexpurgated Bible through before I was 15 years old. None can do that and ever draw a clean sweet breath again this side of the grave. Ask that young lady—she will tell you so.

Most honestly do I wish I could say a softening word or two in defence of Huck's character, since you wish it, but really in my opinion it is no better than those of Solomon, David, Satan, and the rest of the sacred brotherhood. 

If there is an unexpurgated Bible in the Children's Department, won't you please help that young woman remove Huck and Tom from that questionable companionship?

Sincerely yours,

S. L. Clemens

5-Year-Old Logan Brinson Couldn't Find a Library Near Him—So He Opened One Himself

iStock.com/clu
iStock.com/clu

The benefits of having access to books are clear: According to a 2018 study, people who grow up surrounded by books develop higher reading comprehension and better mathematical and digital communication skills. But not every kid has access to reading materials in their house or even their hometown. A 5-year-old resident of Alpha, Illinois recently solved this problem within his own community by opening a Little Free Library in his front yard, WQAD 8 reports.

Logan Brinson loves to read, but until recently, the village of Alpha didn't have a library of its own. He went to Alpha officials with his family and proposed setting up a small lending library in town. Logan's Little Library opened to the public in summer 2018. Today readers of all ages come to the Brinson house and check out one book at a time from the tiny case out front.

Following the success of the first location, Logan plans to open a second library next to the gazebo in Alpha's town center. That's set to open in May of this year, and in the meantime, the Brinsons are accepting book donations from around the world. You can add a book to Alpha's little libraries by mailing packages to P.O. Box 672, Alpha IL, 61413 or 113 West B Street, Alpha, IL 61413.

It's easier than ever for kids to find books to read, even if they don't have a conventional library in their town. In Long Beach, New York, you can borrow books on the beach, and in New Zealand, kids are getting books with their McDonald's happy meals. Learn more about Logan's library efforts in the video below.

[h/t WQAD 8]

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