16 Surprising Facts About Ray Bradbury's Fahrenheit 451

CCAC North Library, Flickr // CC BY-NC 2.0
CCAC North Library, Flickr // CC BY-NC 2.0

For more than 60 years, Ray Bradbury's science fiction classic Fahrenheit 451 has sparked imagination, debate, and rebellion. The dystopian story of a man who burns books to prevent the dissemination of ideas—and then comes to realize the error of his choices—criticized censorship at the height of the Cold War. The novel remains full of surprises, contradictions, and misconceptions.

1. ADOLF HITLER WAS THE BOOK'S DARK INSPIRATION.

Fahrenheit 451 centers on Guy Montag, a fireman tormented by his job: Instead of putting out fires, he is expected to burn books to keep them out of the hands of the public. In an interview with the National Endowment for the Arts, Bradbury explained how he came up with this concept:

"Well, Hitler, of course. When I was 15, he burned the books in the streets of Berlin. Then along the way I learned about the libraries in Alexandria burning 5000 years ago. That grieved my soul. Since I'm self-educated, that means my educators—the libraries—are in danger. And if it could happen in Alexandria, if it could happen in Berlin, maybe it could happen somewhere up ahead, and my heroes would be killed."

2. THE NOVEL'S TITLE IS MISLEADING.

A popular tagline for the book is "the temperature at which book-paper catches fire, and burns." But 451°F actually refers the auto-ignition point of paper, meaning the temperature at which paper will burn if not exposed to an external flame, like that from Montag's flamethrower. Books can, however, ignite at temperatures between the 440s and 480s, depending the density and type of paper.

3. THE NOVEL WAS ADAPTED FROM BRADBURY'S SHORT STORY "THE FIREMAN."

In 1950, Bradbury published his first book, a collection of short stories called The Martian Chronicles. The following year, he wrote "The Fireman," which was published in Galaxy magazine in 1951. From there, Bradbury would expand the tale to create Fahrenheit 451.

4. BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.

Author Ray Bradbury signs his new book Bradbury: An Illustrated Life at Barnes & Noble
Jon Kopaloff/Getty Images

A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word "The Fireman" that he wrote in that time period. The author would later refer to the short story as "the first version" of the eventual novel. But over the years, he would often speak about "The Fireman" and Fahrenheit 451 interchangeably, which has caused some confusion.

5. HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.

Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

"I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it."

6. HE SPENT $9.80 ON TYPEWRITER RENTAL.

Bradbury's nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing "The Fireman."

7. THE BOOK IS VIEWED AS A CRITICISM OF McCARTHYISM.

Fahrenheit 451 was published on October 19, 1953 in the midst of the Second Red Scare, an era from the late 1940s to the end of the 1950s characterized by political and cultural paranoia. Many Americans feared Communist infiltration of their values and communities. Because of the context of its publication, some critics have interpreted Montag's story as a challenge to the censorship and conformity that U.S. Senator Joseph McCarthy's witch hunt sparked.

8. BRADBURY WAS REALLY WRITING ABOUT THE DANGERS OF TELEVISION.

Ray Bradbury
Evening Standard/Getty Images

Bradbury feared TV would be the death of reading—and perhaps extinguish a crucial part of our collective humanity. "Television gives you the dates of Napoleon," Bradbury lamented, "but not who he was." He also said TV is "mostly trash."

9. BRADBURY'S BIAS TOWARD READING DIDN'T KEEP HIM AWAY FROM TV.

Not only has the prolific author of more than 600 works allowed his short stories and novels to be adapted for TV, but also he's written teleplays for Alfred Hitchcock Presents, The Twilight Zone, and his own anthology series The Ray Bradbury Theater, which ran for six seasons between 1985 and 1992. For his efforts, Bradbury won a string of honors, including the CableAce award for best dramatic series (The Ray Bradbury Theater), an Emmy for The Halloween Tree, and a lifetime achievement honor from the Bram Stoker Awards.

10. FRANÇOIS TRUFFAUT'S MOVIE ADAPTATION MADE A BIG CHANGE TO THE STORY.

Clarisse, the teenage girl who befriends Montag, is unceremoniously killed in a hit-and-run accident in the novel. In the movie, she survives. Far from being put off by this alteration, Bradbury liked it. When he adapted the novel into a stage show, he took a cue from the movie and let Clarisse live.

11. FAHRENHEIT 451 HAS BEEN ADAPTED FOR OTHER MEDIA.

Aside from Truffaut's film and Bradbury's play, the novel has also been reconceived as a BBC radio drama, a video game, a graphic novel, and a 2018 movie starring Michael B. Jordan and Michael Shannon.

12. BRADBURY CONSIDERED FAHRENHEIT 451 HIS ONLY WORK OF SCIENCE FICTION.

Though he is regarded as a master of the science fiction genre, Bradbury viewed the rest of his work as fantasy. He once explained, "I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see?"

13. FAHRENHEIT 451 IMAGINED EARBUDS.

When the novel came out, headphones were large and cumbersome things. But Bradbury imagined "the little Seashells, the thimble radios," which rested in the ear canal, and played music to Montag's sleeping wife. These "seashells" went from science fiction to science fact in 2001, when Apple designer Jonathan Ive debuted earbuds.

Still, "predicting" wasn't something Bradbury was interested in. "I've tried not to predict, but to protect and to prevent," he said of Fahrenheit 451. "If I can convince people to stop doing what they're doing and go to the library and be sensible, without pontificating and without being self-conscious, that's fine. I can teach people to really know they're alive."

14. FOR YEARS, BRADBURY REFUSED TO LET FARHRENHEIT 451 BE PUBLISHED AS AN E-BOOK.

Fahrenheit 451 e-book on the Kindle
Richard Unten, Flickr // CC BY 2.0

As the novel makes clear, Bradbury treasured the printed word. When asked in 2009 if he'd allow an e-book version of Fahrenheit 451, the author responded to the would-be publishers, "To hell with you and to hell with the internet. It's distracting. It's meaningless; it's not real. It's in the air somewhere."

He went on to declare e-books "smell like burned fuel." But in 2011, 91-year-old Bradbury gave in when Simon & Schuster offered him a seven-figure publishing deal, in which the rights to publish an e-book version were integral. However, Bradbury did win an important concession: Simon & Schuster agreed to make the e-book available for free downloads at public libraries.

15. BRADBURY KNEW WHAT HE WOULD DO IF HE LIVED IN FAHRENHEIT 451'S DYSTOPIA.

In the book, there is an underground band of rebels who attempt to preserve the written word by memorizing great works of literature. Asked which book he'd commit to memory in such a circumstance, Bradbury answered, "It would be A Christmas Carol. I think that book has influenced my life more than almost any other book, because it's a book about life, it's a book about death. It's a book about triumph."

16. FAHRENHEIT 451 IS BRADBURY'S MOST POPULAR NOVEL.

It's sold more than 10 million copies, earned critical acclaim, and is considered one of the major novels of the 20th century. Fahrenheit 451 has won several awards, including the American Academy of Arts and Letters Award in Literature, a Prometheus "Hall of Fame" Award, and a Hugo Award. And Bradbury earned a Grammy nomination in the spoken word category for the 1976 audiobook, which he performed himself.

8 Proper Facts About Jane Austen

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 200 years after her death, English novelist Jane Austen (1775-1817) continues to be celebrated for her sharp, biting prose on love's various entanglements. The strong female characters in books like Pride and Prejudice and Emma are as resonant today as when Austen first pressed her pen to paper. Though her bibliography totals just six novels (alongside some unfinished novels and other works) in all, Austen's books and her insightful quotes have been subject to hundreds of years of analysis and—for the Austen die-hards—numerous re-readings. For more on the writer's life, influences, and curious editing habits, take a look at our compendium of all things Austen below.

1. Austen's dad did everything he could to help her succeed.

Austen was born in Steventon, Hampshire, England on December 16, 1775 to George Austen, a rector, and Cassandra Austen. The second-youngest in a brood of eight kids, Austen developed a love for the written word partially as a result of George's vast home library. When she wasn't reading, Austen was supplied with writing tools by George to nurture her interests along. Later, George would send his daughters to a boarding school to further their education. When Austen penned First Impressions, the book that would become Pride and Prejudice, in 1797, a proud George took it to a London publisher named Thomas Cadell for review. Cadell rejected it unread. It's not clear if Jane was even aware that George approached Cadell on her behalf.

Much later, in 1810, her brother Henry would act as her literary agent, selling Sense and Sensibility to London publisher Thomas Egerton.

2. Her works were published anonymously.

From Sense and Sensibility through Emma, Austen's published works never bore her name. Sense and Sensibility carried the byline of "A Lady," while later works like Pride and Prejudice featured credits like, "By the Author of Sense and Sensibility." It's likely Austen chose anonymity because female novelists were frowned upon for having selected what was viewed at the time as a potentially lewd, male-dominated pursuit. If she was interrupted while writing, she would quickly conceal her papers to avoid being asked about her work. Austen was first identified in print following her death in 1817; her brother Henry wrote a eulogy to accompany the posthumous publications of Persuasion and Northanger Abbey.

3. She backed out of a marriage of convenience.

Many of Austen's characters carry great agency in their lives, and Austen scholars enjoy pointing to the fact that Austen herself bucked convention when it came to affairs of the heart. The year after her family's move to the city of Bath in 1801, Austen received a proposal of marriage from Harris Bigg-Wither, a financially prosperous childhood friend. Austen accepted but quickly had second thoughts. Though his money would have provided for her and her family (and, at the time, she was 27 and unpublished, meaning she had no outside income and was fast approaching Georgian-era spinster status), Austen decided that a union motivated on her part by economics wasn't worthwhile. She turned the proposal down the following day and later cautioned her niece about marrying for any reason other than love. "Anything is to be preferred or endured rather than marrying without affection," she wrote.

4. She took a decade off.

Because so little of Austen's writing outside of her novels survives—her sister, Cassandra, purportedly destroyed much of her correspondence in an effort to keep some of Austen's scathing opinions away from polite society—it can be hard to assign motivations or emotions to some of her major milestones in life. But one thing appears clear: When her family moved to Bath and subsequently kept relocating following her father's death in 1805, Austen's writing habits were severely disrupted. Once prolific—she completed three of her novels by 1801—a lack of a routine kept her from producing work for roughly 10 years. It wasn't until she felt her home life was stable after moving into property owned by her brother, Edward, that Austen resumed her career.

5. She used straight pins to edit her manuscripts.

Austen had none of the advancements that would go on to make a writer's life easier, like typewriters, computers, or Starbucks. In at least one case, her manuscript edits were accomplished using the time-consuming and prickly method of straight pins. For an unfinished novel titled The Watsons, Austen took the pins and used them to fasten revisions to the pages of areas that were in need of correction or rewrites. The practice dates back to the 17th century.

6. She was an accomplished home brewer.

In Austen's time, beer was the drink of choice, and like the rest of her family, Austen could brew her own beer. Her specialty was spruce beer, which was made with molasses for a slightly sweeter taste.

Austen was also a fan of making mead—she once lamented to her sister, "there is no honey this year. Bad news for us. We must husband our present stock of mead, and I am sorry to perceive that our twenty gallons is very nearly out. I cannot comprehend how the fourteen gallons could last so long."

7. Some believe Austen's death was a result of being poisoned.

Austen lived to see only four of her six novels published. She died on July 18, 1817 at the age of 41 following complaints of symptoms that medical historians have long felt pointed to Addison's disease or Hodgkin's lymphoma. In 2017, the British Library floated a different theory—that Austen was poisoned by arsenic in her drinking water due to a polluted supply or possibly accidental ingestion due to mismanaged medication. The Library put forth the idea based on Austen's notoriously poor eyesight (which they say may have been the result of cataracts) as well as her written complaint of skin discoloration. Both can be indicative of arsenic exposure. Critics of the theory say the evidence is scant and that there is equal reason to believe a disease was the cause of her death.

8. She's been cited in at least 27 written court decisions.

As Matthew Birkhold of Electric Lit points out, judges seem to have a bit of a preoccupation with the works of Austen. Birkhold found 27 instances of a judge's written ruling invoking the name or words of the author, joining a rather exclusive club of female writers who tend to pop up in judicial decisions. (Harper Lee and Mary Shelley round out the top three.) According to Birkhold, jurists often use Austen as a kind of shorthand to explain matters involving relationships or class distinctions. Half of the decisions used the opening line from Pride and Prejudice: "It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." The sentence is often rewritten to reflect the specifics of a case: "It is a truth universally acknowledged, that a recently widowed woman in possession of a good fortune must be in want of an estate planner," as one 2008 tax court case put it.

Others invoke characters like Fitzwilliam Darcy to compare or contrast the litigant's romantic situation. In most cases, the intent is clear, with authors realizing that their readers consider Austen's name synonymous with literary—and hopefully judicial—wisdom.

5 Facts About Shirley Jackson

Photo illustration: Shaunacy Ferro. Images: Penguin Random House
Photo illustration: Shaunacy Ferro. Images: Penguin Random House
Midcentury American writer Shirley Jackson has long been known for her spooky short story "The Lottery," which caused widespread controversy when it came out in The New Yorker in 1948 and continues to appear in short story anthologies today. Her equally haunted novels are less widely read. But now that her 1959 novel The Haunting of Hill House has been turned into a hit Netflix series, her work is on its way to a critical and popular revival more than 50 years after her death. (A well-reviewed 2017 biography as well as new releases of some of her short stories and previously unpublished writings in the last few years have no doubt helped.) If you’re just catching on to Shirley Jackson mania, here are five things to know about the master of gothic horror.

1. Many modern writers cite her as an inspiration.

Shirley Jackson has a number of fans among modern writers. Stephen King has called The Haunting of Hill House one of the two "great novels of the supernatural in the last hundred years,” and he has said he wrote The Shining with Jackson’s The Sundial in mind. Writers like Neil Gaiman and Joyce Carol Oates sing her praises, and Donna Tartt has called her stories “among the most terrifying ever written.” Sylvia Plath was a fan, too, and hoped to interview her during summer internship at Mademoiselle in 1953. It didn’t work out, but Plath would go on to write works with plenty of parallels to Jackson’s.

2. Shirley Jackson was her family's chief breadwinner.

Jackson’s husband, Stanley Edgar Hyman, was a writer, too. A literary critic who taught literature at Bennington College, it was his job that brought the couple to the small Vermont city, where Jackson often chafed at being placed in the role of faculty wife. Yet it was Jackson’s work that supported the family. (Like many wives of her day, she also did all the cooking, cleaning, taking care of their four kids, and driving the family around town—as one of Hyman’s former students wrote of him, “Stanley never did anything practical if he could help it.”) In addition to the fees she earned selling short stories and novels, Jackson had a lucrative career writing lighthearted essays on motherhood and family life for women’s magazines, which she eventually parlayed two successful memoirs.

3. She claimed to be a witch.

In keeping with the haunted themes in her writing, Jackson studied the history of witchcraft and the occult, and often told people she was a witch—though that may have been in part a publicity tactic. As Ruth Franklin writes in her 2017 Jackson biography Shirley Jackson: A Rather Haunted Life:
"During her lifetime, she fascinated critics and readers by playing up her interest in magic: The biographical information on her first novel identifies her as ‘perhaps the only contemporary writer who is a practicing amateur witch, specializing in small-scale black magic and fortune-telling with a tarot deck.’ To interviewers, she expounded on her alleged abilities, even claiming that she used magic to break the leg of publisher Alfred A. Knopf, with whom her husband was involved in a dispute. Reviewers found those stories irresistible, extrapolating freely from her interest in witchcraft to her writing, which often takes a turn into the uncanny. ‘Miss Jackson writes not with a pen but a broomstick’ was an oft-quoted line."
It’s not clear whether she actually performed any magic rituals, but she referenced them often, usually in a tongue-in-cheek way. She often joked with her editors about bringing about victories for her favorite baseball team, the Brooklyn Dodgers, through her magical abilities. Her interest was definitely real, though. She started studying witchcraft while writing a paper as a student at the University of Rochester, and later took up tarot reading. Her personal library was filled with hundreds of books about witchcraft, and in 1956, she wrote a children’s book, The Witchcraft of Salem Village, about the history of the Salem witch trials.

4. She considered becoming a professional cartoonist.

Jackson wasn’t just good with words. She loved to draw, and even considered becoming a professional cartoonist at one point, according to Franklin. While her favorite subjects were cats, she regularly made minimalist, humorous sketches of herself and the people around her (particularly her husband), keeping a kind of cartoon diary of her life. “They’re Thurber-esque in style, but they’re kind of edgy, too,” her son, Laurence Jackson Hyman, told The Guardian of the drawings in 2016. “There’s one in which she is trudging up a hill carrying bags of groceries, and my father is sitting in his chair, reading. ‘Dear,’ he says, without bothering to get up. ‘You know you’re not supposed to carry heavy things when you’re pregnant!’” Some of these drawings are held with Jackson’s papers in the Library of Congress, including sketches she made of how she imagined the layout of Hill House. Her unpublished illustrated ABC book for kids, The Child's Garden of New Hampshire, is also held there.

5. She died before finishing her last novel.

Jackson died unexpectedly from heart failure in 1965 at the age of 48. (At the time, newspapers listed her as 45, as she often lied about her age, perhaps to minimize the age difference between her and her husband, who was two years younger than she.) A significant chunk of her work has been published since her death, though. When she died, she was in the midst of writing a novel, Come Along With Me, which was published in its incomplete format by her husband in 1968. In 1996, Laurence Jackson Hyman found a crate of unpublished stories by his mother, and, with his sister, Sarah Hyman Dewitt, turned them into a collection called Just an Ordinary Day. In 2015, they edited and released Let Me Tell You, a collection of stories, essays and lectures from her archive that were mostly unfinished or unpublished at the time of her death.

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