10 Fast Facts About Three Billboards Outside Ebbing, Missouri

Merrick Morton, Twentieth Century Fox Film Corporation
Merrick Morton, Twentieth Century Fox Film Corporation

The series of blood red signs with their stark black lettering are an exclamation point on the horizon. They call out the local sheriff for failing to find a young woman’s killer, lighting a fuse of vengeance and shame in a small town. Writer/director Martin McDonagh’s Three Billboards Outside Ebbing, Missouri is a clenched fist in film form, starring Frances McDormand as Mildred, the mother of the murdered girl who demands answers and promises violence if there’s no justice. Here are 10 facts about the Oscar Best Picture nominee.

1. MILDRED’S BANDANA IS AN HOMAGE TO MICHAEL CIMINO'S THE DEER HUNTER.

Frances McDormand and Sam Rockwell in 'Three Billboards Outside Ebbing, Missouri' (2017)
Merrick Morton, Twentieth Century Fox Film Corporation

Martin McDonagh and Sam Rockwell (who plays Deputy Dixon) are both big fans of the 1978 Vietnam War classic in which Christopher Walken wears a striking red bandana that’s eerily close in shade to the color of the billboards. Mildred’s headgear is meant as a nod to Walken’s character, Corporal “Nick” Chevotarevich.

2. BUT THERE ARE EVEN MORE NODS TO NICOLAS ROEG'S DON’T LOOK NOW.

Don’t Look Now, Nicolas Roeg's 1973 horror classic, stars Donald Sutherland as John Baxter, a grieving father who goes to Venice with his wife (Julie Christie) to try to get their mind off the drowning death of their daughter. Don’t Look Now and Three Billboards share the plot machination of parents losing a young daughter, but they also share the color red as a motif (a red coat in Don’t Look Now, and the billboards and a character named Red in Three Billboards). Both movies also feature a little person, clueless police, a violent fall, and a massive chef’s knife. Plus, Dixon’s mother watches Don’t Look Now on TV in Three Billboards.

3. THE DEER MILDRED ENCOUNTERS IS BECCA, A LOCAL CELEBRITY FROM THE WNC NATURE CENTER.

Late in the film, when Mildred’s investigation has stalled out, she delivers a downbeat monologue to a deer that passes by one of the billboards. It’s a stunner. The kind of profoundly introspective thing you could only say in a dark room to yourself or in a sunny field to one of Earth’s innocent creatures. The innocent creature the production used is Becca, a white-tailed deer that resides at Asheville's Western North Carolina Nature Center, because she doesn’t have the skills to survive on her own in the wild.

4. IT’S THE FIRST MOVIE MCDONAGH HAS DIRECTED WITHOUT COLIN FARRELL.

After launching his noteworthy career in theater, McDonagh made his name as a filmmaker with In Bruges and followed it up with Seven Psychopaths, both of which star Colin Farrell. For Three Billboards, McDonagh specifically wanted to write a strong, multilayered leading role for a woman. Meanwhile, Farrell stayed occupied with three films in 2017: Roman J. Israel, Esq., The Beguiled, and The Killing of a Sacred Deer.

5. MCDONAGH WROTE THE PART FOR FRANCES MCDORMAND, BUT SHE RESISTED DUE TO THE CHARACTER’S AGE.

Writers often envision a specific actor while writing a part, but McDonagh also said McDormand is the only actor he could see playing Mildred. “I’d have been screwed if she had said no,” he told Vanity Fair. Yet she almost did. McDormand loved the script but resisted for over a year, specifically because she didn’t find it realistic that a woman in Mildred’s socioeconomic class would wait until she was 38 to have her first child. McDormand thought she was too old to play the part.

6. WHEN WE MEET HIM, RED WELBY IS READING FLANNERY O’CONNOR’S “A GOOD MAN IS HARD TO FIND.”

It’s not clear if local advertising man Red Welby (Caleb Landry Jones) is reading the short story “A Good Man Is Hard to Find” or another one in the short story collection of the same name, but that particular O’Connor tale features a character named “Red” as well as murders that rip a family apart. O’Connor was known for showing a dark underbelly to small town American life in her writing.

7. MCDONAGH TRAVELED THE COUNTRY TO GET A FEEL FOR AMERICA.

Martin McDonagh directs Sam Rockwell in 'Three Billboards Outside Ebbing, Missouri' (2017)
Merrick Morton, Twentieth Century Fox Film Corporation

McDonagh was born and raised in London to Irish parents, and many of his plays are set in Ireland (especially County Galway). In Bruges is set, you know, in Bruges, Belgium, and Seven Psychopaths takes place mostly in Los Angeles, so getting a small town American feel took research.

“When I was writing this I was traveling around America,” McDonagh told Deadline. “I got in during winter in Chicago, then got a train to Colorado and was traveling around there. Then up to Montana. Then later, when I was thinking about Missouri, I thought I’d better go there. My usual trick with the Irish plays is to set things on islands I’ve never been to."

8. THERE’S A VERY GOOD REASON MILDRED DOESN’T CRY.

“I believe there were places where Mildred simply can’t access her emotions,” McDormand told Entertainment Weekly. “So why be afraid of that? Everybody is f***ing crying in movies all the time, even the men! For me, that’s not Greek tragedy; it’s a therapy session. It’s about neuroses and not pain and rage. There’s something healing about tears. If Mildred’s emotions are so accessible, if she can so easily go to tears, then why is she so filled with rage? Because if you can cry out the pain, you don’t need to burn down the police station. So, I was interested in her being locked out of her own humanity."

9. IT’S ONE OF TWO BEST PICTURE NOMINEES TO FEATURE CALEB LANDRY JONES.

Zeljko Ivanek and Caleb Landry Jones in 'Three Billboards Outside Ebbing, Missouri' (2017)
Merrick Morton, Twentieth Century Fox Film Corporation

Caleb Landry Jones had a busy 2017. Not only was the 28-year-old featured in Three Billboards, he also played the villainous Jeremy Armitage in fellow Best Picture nominee Get Out, played Willem Dafoe’s son in the critically acclaimed The Florida Project (which earned Dafoe an Oscar nod), and appeared in several episodes of the new Twin Peaks. Six other actors were in two Best Picture nominees this year (Timothée Chalamet, Lucas Hedges, Tracy Letts, Kathryn Newton, Nick Searcy, and Bradley Whitford), but Michael Stuhlbarg was in three: Call Me By Your Name, The Shape of Water, and The Post. He’s only the sixth actor in Hollywood history to pull off a hat trick.

10. IN PLAYING MILDRED, MCDORMAND BECAME THE ONLY ACTRESS TO WIN TWO SCREEN ACTORS GUILD AWARDS FOR A LEADING ROLE.

Since their inception in 1995, the SAG Award for Outstanding Performance By a Female Actor in a Leading Role has gone to a different person every year until McDormand won for Three Billboards. Her first award in the category came for playing Marge Gunderson in Fargo (a role that also earned her an Oscar).

The Elder Wand from Harry Potter Will Be Surprisingly Important in Fantastic Beasts 2

Warner Bros. Entertainment Inc.
Warner Bros. Entertainment Inc.

For about a year now, Fantastic Beasts: The Crimes of Grindelwald has been using an image of the Elder Wand in promotional teases, as pointed out by The Ringer. You surely remember the instrument—which is said to be the most powerful wand to have ever existed in JK Rowling's Wizarding World—from the original Harry Potter series. So just how important will it be to the Fantastic Beasts sequel? Extremely.

According to Pottermore, the Elder Wand (also known as the Deathstick or "The Wand of Destiny") is the most sought after of the three Deathly Hallows. According to "The Tale of the Three Brothers," a fairy tale often told to wizard children, the Elder Wand was given to Antioch Peverell by Death himself. Whoever was able to reunite the wand with the other two Deathly Hallows—the Resurrection Stone and the Cloak of Invisibility—would become the Master of Death.

As such, the Elder Wand is extremely dangerous—and can be made even more so, depending on the intentions of the wizard who possesses it. As Dumbledore once ​said in The Tales of Beedle the Bard, "Those who are knowledgeable about wandlore will agree that wands do indeed absorb the expertise of those who use them."

So how does all of this connect to Fantastic Beasts? While in disguise in the first Fantastic Beasts movie, Gellert Grindelwald didn't carry the Elder Wand—though we know from previous installments that he had acquired it by the time the first movie takes place. Grindelwald stole the wand from Mykew Gregorovitch, stunning the wizard to gain the allegiance of the Elder Wand, sometime before 1926. But while promotional stills indicate that Grindelwald will have physical possession of the wand in this second movie, which witch or wizard has the wand's allegiance is less clear—after all, Newt Scamander captured Grindelwald at the end of the first film, and Tina Goldstein disarmed him.

However, we know from the Harry Potter series that Dumbledore takes possession of the Elder Wand after a duel in 1945, which is the same year the Fantastic Beasts series will end (so it's pretty safe to assume that Dumbledore and Grindelwald will face off in the series' fifth and final film). And Dumbledore's own words about how he came to possess the wand in Harry Potter and the Deathly Hallows are also particularly telling. "I was fit to own the Elder Wand, and not to boast of it, and not to kill with it," he stated in the novel. "I was permitted to tame and to use it, because I took it, not for gain, but to save others from it."

We'll have to wait until this weekend to see how it all plays out in The Crimes of Grindelwald, but this is one story that will take several more installments to tell.

Simon Pegg Says New Star Wars Films Are Missing George Lucas's Imagination

John Phillips, Getty Images for Paramount Pictures
John Phillips, Getty Images for Paramount Pictures

While many Star Wars fans were unimpressed with the most recent film in the Luke Skywalker saga, The Last Jedi, even those viewers would likely agree that the most recent slate of entries into the Star Wars franchise are much better than the prequel series ... right? Well, it might not be so black and white.

Simon Pegg, who appeared in The Force Awakens as Unkar Plutt, had previously slammed the prequels, specifically ​calling The Phantom Menace a "jumped-up firework display of a toy advert." But now he seems to have come to a new conclusion: Star Wars needs George Lucas.

"I must admit, watching the last Star Wars film [The Last Jedi], the overriding feeling I got when I came out was, 'I miss George Lucas,'" Pegg confessed on The Adam Buxton Podcast. "For all the complaining that I'd done about him in the prequels, there was something amazing about his imagination."

Pegg also shared the story of how he once met Lucas at the premiere of Revenge of the Sith, and that the legendary filmmaker gave him some advice.

"He was talking to Ron Howard and I think he'd seen Shaun of the Dead  because he immediately went, 'Oh hey, Shaun of the Dead!,' and shook my hand," Pegg recalled. "And George Lucas immediately changed his demeanor."

"Don't be making the same film that you made 30 years ago 30 years from now," Lucas told Pegg, according to the actor.

Of all the complaints about The Last Jedi, from Rey's parentage reveal to Luke abandoning the Force, the lack of George Lucas is not quite a popular criticism. But we are glad to know his influence is missed—by at least one person.

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