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11 Fun Facts About The Wedding Singer

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New Line Cinema

On February 13, 1998, Adam Sandler gave Valentine’s Day sweethearts a retro treat with The Wedding Singer, a 1980s-set rom-com about a heartbroken wedding singer named Robbie Hart (Sandler) who falls in love with a waitress/bride-to-be whose married name will leave her as Julia Gulia (Drew Barrymore).

At this point in Sandler’s career, he was known more for his puerile comedies like Happy Gilmore and Billy Madison, not as a romantic leading man. The Wedding Singer changed all that. After earning its $18 million budget back during its opening weekend alone, The Wedding Singer went on to gross $123 million worldwide—making it Sandler’s highest-grossing movie to date at the time.

Besides being a bona fide box office hit, the film’s two ’80s-heavy soundtracks—which included tunes by The Police, David Bowie, The Psychedelic Furs, New Order, and The Smiths—were also popular. For the film’s 20th anniversary, here are 11 fun facts about The Wedding Singer.

1. THE DIRECTOR’S OWN REAL-LIFE HEARTBREAK ALLOWED HIM TO TAP INTO THE FILM’S EMOTION.

Longtime Sandler friend and collaborator Frank Coraci directed The Wedding Singer, and said that his own experience with having his heart broken was part of what allowed him to tap into the movie’s unique balance of humor and heartfelt romance.

“I remember lying in bed and not being able to move, so it was easy to tap into that pretty quickly,” Coraci told The Hollywood News of his own heartbreak, which happened a couple of years before the movie came along. “I think the distance between those two things was good. It let me look at it differently and allowed it to be funny. I think if had happened before, The Wedding Singer would have been one seriously depressing movie.”

2. THE IDEA TO SET THE FILM IN THE 1980S CAME FROM THE RADIO.

The Wedding Singer was written by Tim Herlihy, a longtime collaborator of Sandler’s who, in addition to writing for Saturday Night Live, wrote the scripts for Billy Madison, Happy Gilmore, and The Waterboy (among other Sandler-starring films). Sandler mentioned to Herlihy that he wanted to do “a film about a wedding singer who gets left at the altar.” For his part, Herlihy let the radio inspire him. “I was listening to the radio show Lost in the ’80s, and I said, ‘I want to do a movie set in the 1980s. So of course, we thought, ‘Why don’t we do a story about a wedding singer in the 1980s?’”

3. SANDLER WANTED TO MAKE A “PRO-LOVE” FILM.

While promoting the movie on Late Night With Conan O’Brien in 1998, Sandler said, “We wanted to make a romantic comedy that was heavy on the laughs. It was nice to do a movie that was pro-marriage and pro-love.” He explained men have a difficult time falling in love. “You got guys who say they don’t want to be in love, but those are usually guys who have been hurt before.”

4. THE MOVIE DOESN’T FEATURE ANY SEX SCENES, AND THERE’S A REASON FOR THAT.

In the same interview, Conan O’Brien asked Sandler why there weren’t any sex scenes in the film, which seemed odd for a rom-com. Sandler was candid with his answer: “The main reason for not having a sex scene is I’m not good at sex,” he said. “I started when I was pretty young and I was always like, you’ll get better. And I got older and it’s still not good.”

5. BARRYMORE APPROACHED SANDLER ABOUT WORKING TOGETHER.

Since the release of The Wedding Singer, Sandler and Drew Barrymore have gone on to star in 50 First Dates (2004) and Blended (2014) together, but their original collaboration was really the actress’s doing. Barrymore told Howard Stern she was interested in working with Sandler because “[I thought] I want to be a modern weird Hepburn, Tracy old Hollywood couple.” Sandler agreed to meet with her. “We looked like the worst blind date you’ve ever seen,” Barrymore recalled, referencing how she had purple hair and wore a leopard coat. Still, as Barrymore told The Huffington Post, she was convinced that she and Sandler were “cinematic soul mates,” and wasn’t afraid to tell him so. Soon after this meeting, the script for The Wedding Singer came along.

6. THE “RAPPING GRANNY” LIVED TO BE 101.

At the age of 84, Ellen Albertini Dow portrayed Robbie’s neighbor Rosie, a.k.a. “The Rapping Granny.” During a wedding scene in the movie, Rosie gets on stage and raps to The Sugar Hill Gang’s “Rapper’s Delight.” However, when the filmmakers asked Dow to perform the rap, she admitted she wasn’t familiar with that style of music.

In a 2008 radio interview, she recounted how Sandler and Coraci approached her with the idea. They told her, “‘We think it might be funny for an older woman to do rap,’” Dow explained. “And I said, ‘What is that?’ I had no idea what rap was. They took me to a soundstage and handed me this rap song. I went in the booth and it was very foreign to me. I said, ‘Can I move a little to it?’ They said, ‘Oh, sure.’ I’m not bragging, but I danced all my life, and I played the piano, so I know music. I started to move to it and I got it right it away. I got it very fast and loved it and had fun with it.” Her rapping success led to her rapping in a Life Savers commercial, and she even considered recording a rap record for children. In 2015, Dow died at the age of 101.

7. IT’S THE FIRST SANDLER FILM TO INCLUDE A FEMALE PERSPECTIVE.

In previous Sandler films, women mainly existed only as love interests. Herlihy, however, changed that with The Wedding Singer. “Drew elevated things for us,” the screenwriter told Esquire. “The scenes with her and Christine [Taylor]—the scenes with her without Adam—[were all great]. You look at the first movies and there’s not a lot without Adam because we did test screening and they said, ‘Get rid of that scene.’ But this time with Drew we were able to do that and have those scenes survive to the movie.”

8. THE CREATORS OF THE WEDDING SINGER BROADWAY MUSICAL KNEW IT WAS “BORN TO SING.”

The success of the film inspired a Broadway musical adaptation that ended up earning five Tony Award nominations and eight Drama Desk Award nods. Matthew Sklar composed the music, and Chad Beguelin wrote the lyrics and co-wrote the book with Herlihy. It premiered in Seattle in January 2006 and then officially opened on Broadway in April 2006.

In the fall of 2007, the musical toured nationally, then eventually landed overseas in London, Abu Dhabi, the Philippines, and Australia. Beguelin said the musical came from him pitching a movie idea to New Line Cinema. “They asked me, ‘What would you do with our catalogue?’ Well, I thought The Wedding Singer was born to sing,” he said. They felt a musical could convey stronger feelings than what was on the screen. “In the movie, you get a close-up of Drew Barrymore looking distraught at her reflection in a wedding dress, but you can’t do that on stage,” Beguelin said. “That’s where you write a song.”

9. BARRYMORE WANTED THE AUDIENCE TO “HOLD THE BOWL OF LOVE.”

In a 1998 interview, Barrymore explained what drew her to the character of Julia: “She has an ease that follows her and that’s the energy that she exudes, and I really, really like that about her. And she’s a happy girl.”

Barrymore further said she wanted people to be happy and for the movie to cause the audience “to hold the bowl of love and have those hearts in their eyes and all of that good mushy stuff we live for."

10. BILLY IDOL STARRED IN THE FILM TO APPEASE HIS SON—AND TEENAGERS.

Billy Idol, whose song “White Wedding” appears on the soundtrack, portrays himself during a climactic scene on a plane. “My son loved Adam Sandler and I thought: ‘I’m going to have to see it anyway, so why not be in it?,’” Idol said. “I gained a number of diehard teenage fans through doing it, who are adults now and are still turning up to my gigs.”

“There’s something about Billy Idol hanging on a plane, knocking back champagne, and getting involved with my love life,” Sandler said of Idol’s cameo. “Everybody thought that’d be fun.”

11. BOY GEORGE WAS A FAN OF BOY GEORGE.

In the film, transgender actress Alexis Arquette played a character named George, who had similarities to the iconic Culture Club frontman Boy George. Wedding Singer George even sings the band’s 1982 hit song “Do You Really Want to Hurt Me” at a wedding in the movie. Arquette passed away on September 11, 2016, and around the same time the real Boy George paid homage to the actress at a concert in Maryland. He dedicated “Do You Really Want to Hurt Me” to Alexis and her family.

“Alexis played me in The Wedding Singer, very hilariously,” he said. “When I went to [see] The Wedding Singer, I didn’t know what was going to happen. When I saw Alexis doing an impersonation of me, I was rolling around on the floor laughing.”

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15 Heartwarming Facts About Mister Rogers
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Though Mister Rogers' Neighborhood premiered 50 years ago, Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of the groundbreaking children's series' 50th anniversary, here are 15 things you might not have known about everyone’s favorite “neighbor.”

1. HE WAS BULLIED AS A CHILD.

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.

2. HE WAS AN ORDAINED MINISTER.

Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

3. HE RESPONDED TO ALL HIS FAN MAIL.

Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.

4. ANIMALS LOVED HIM AS MUCH AS PEOPLE DID.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.

5. HE WAS AN ACCOMPLISHED MUSICIAN.

Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

6. HIS INTEREST IN TELEVISION WAS BORN OUT OF A DISDAIN FOR THE MEDIUM.

Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

7. KIDS WHO WATCHED MISTER ROGERS’ NEIGHBORHOOD RETAINED MORE THAN THOSE WHO WATCHED SESAME STREET.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

8. ROGERS’S MOM KNIT ALL OF HIS SWEATERS.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.

9. HE WAS COLORBLIND.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.

10. HE WORE SNEAKERS AS A PRODUCTION CONSIDERATION.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

11. MICHAEL KEATON GOT HIS START ON THE SHOW.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

12. ROGERS GAVE GEORGE ROMERO HIS FIRST PAYING GIG, TOO.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”

13. ROGERS HELPED SAVE PUBLIC TELEVISION.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

14. HE ALSO SAVED THE VCR.

Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

15. ONE OF HIS SWEATERS WAS DONATED TO THE SMITHSONIAN.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

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15 Fun Facts About Army of Darkness
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Universal Pictures

On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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