13 Westworld Easter Eggs You Might Have Missed

John P. Johnson, HBO
John P. Johnson, HBO

Freeze all motor functions. Bring yourself back online. HBO’s hit series Westworld might be made up of a lot of cryptic speeches and shoot-em-up action, but there is definitely another level to the game. So saddle up and put some modern hits on the player piano at the Mariposa Saloon because here are a few of the best Easter eggs you might have missed. Spoilers ahead!

1. CONFUSED ABOUT TIMELINES? KEEP TRACK OF THE BRANDING.

Westworld doesn’t waste any time explaining that the series operates on multiple timelines, with characters appearing years—and even decades—apart. But if you’re confused about the “when,” keep an eye out for the distinctive “W” logo of the park in the background of certain shots. If you spot a retro, 1970s-infused looking wordmark—like the ones seen when Angela introduces William to the park in “Chestnut”—then you’re in the past timeline.


HBO

If you spot a sleek, Apple-like “W,” like the one seen toward the end of the same episode when Sizemore shows the Delos executives his new narrative, “Odyssey on Red River,” then you know it’s present day within the show.

A scene from 'Westworld'
HBO

2. THE ORIGINAL GUNSLINGER MAKES A QUICK CAMEO.

The series is based on the 1973 film of the same name, which was written and directed by Michael Crichton and features a similar premise of robots leading a revolt against guests in a Wild West-themed amusement park. The main villain of the movie, with his distinctive robotic posture and black hat, is “The Gunslinger,” played by actor Yul Brynner. While the movie and the series aren’t specifically in the same universe, Brynner’s antagonist makes a quick appearance in the background of the show when Bernard explores the old section of the park in “The Adversary.”

A scene from 'Westworld'
HBO

Yul Brynner as "The Gunslinger" in 'Westworld' (1973)
MGM

Co-creator Jonathan Nolan talked about any movie/show crossovers with Entertainment Weekly, saying, “We wanted to connect to the ideas in the original film, but also take a look at this place as a cultural institution that is not new, because these ideas aren’t new.”

3. DOLORES IS GOING DOWN THE RABBIT HOLE.

A scene from 'Westworld'
HBO

Besides Dolores’s distinctive blue dress, blonde hair, and a plot about awakening in a surreal locale, there are a few more direct allusions to Lewis Carroll’s Alice’s Adventures in Wonderland throughout Westworld—and beyond.

In “The Stray,” Bernard asks Dolores to read an excerpt from the book during one of their consciousness sessions, having her say, “Dear, dear, how queer everything is today. And yesterday, things went on just as usual. I wonder if I've been changed in the night." But the mystery goes a little further down the rabbit hole ... or, more precisely, the J.J. Abrams rabbit hole.

The same exact passage was featured in Episode 10 of Season 4 of Abrams’s TV series, Lost, when the character Jack reads a bedtime story to Claire’s son.

4. ROBERT FORD AND ARNOLD ARE DEFINITELY CLAUDE DEBUSSY FANS.

The so-called reveries, first introduced in “The Original,” are a series of memories and gestures supposedly programmed by Ford and his partner Arnold as part of a routine host update, but actually end up causing the hosts to recall their past loops.

They could have been called something other than the eloquent-sounding term that roughly translates to daydream in French, but it’s obvious that Ford and Arnold couldn’t let their fandom for French composer Claude Debussy go unsaid.

We first hear Debussy’s song “Reverie” in “The Stray,” when a pianist host plays the track during Ford and Bernard’s private conversation in the park executive’s office. Ford later uses the specific song to calm Maeve down in “Trace Decay”—perhaps an indication he did the same thing to Bernard earlier, since we eventually find out that Bernard is, in fact, a robot version of Arnold. 

5. BIOSHOCK FANS BEWARE.

A scene from 'Westworld'
HBO

It’s no secret that the park resembles an open world video game construct where players can wander wherever they please and get into any number of subplots and scenarios. So it’s no surprise that series creators Nolan and Lisa Joy were inspired by classic open world video games like BioShock when planning out all the supposedly real-world shenanigans guests could get into in the show. 

The popular first-person shooter was such an influence that a bust of Sander Cohen, a character from the game, can be seen in Ford’s office in “The Stray.”

At a Westworld panel at New York Comic-Con, Nolan explained: “I was [with] Ken Levine, the designer of those games, talking about the non-player characters—Elizabeth, specifically, in BioShock Infinite. In a scene, I think I had just run through and shot everyone and kept going. And he was talking about how much craft had gone into all the conversations that the non-player characters had, and all their dreams and aspirations. And I just thought, 'Oh, isn’t that tragic? Isn’t that sad? And the player just ignores it all. The bastards.'"

6. FELIX SPEAKS JOHN HAMMOND’S LANGUAGE.

A scene from 'Westworld'
HBO

“Contrapasso” features a blink-and-you’ll-miss-it nod to original Westworld creator Michael Crichton’s other theme-park-run-amok classic, Jurassic Park.

In his spare time, bumbling but lovable host repairman Felix secretly tries to revive a malfunctioning robot bird in an attempt to be the Westworld programmer he always wanted to be. And when he finally wakes his fake feathered friend, he offers some familiar words of encouragement. "That’s it. Come on, little one," he says, sounding eerily similar to Jurassic Park’s Robert Ford proxy, John Hammond, in a scene from the 1993 Steven Spielberg film based on Crichton's book.

We suspect that won’t be the only Crichton/Spielberg allusion as the series progresses. In season two's "Reunion,” the host named El Lazo (played in this loop by Breaking Bad star Giancarlo Esposito) monologues about why he's done with his current situation by telling a story about a childhood visit to the circus, much in the same way John Hammond tells a metaphor for the failings of Jurassic Park by recounting a trip to the circus as a child.

7. THE CHARACTER NAMES ARE APOCALYPTIC.

Given Ford’s nihilistic look at humanity (this is the guy who said, “Never place your trust in us. We’re only human. Inevitably, we will disappoint you,” after all), if Westworld is building to some sort of robo-apocalypse, then it should make complete sense. It was all in the names.  

Some of the symbology behind the character names in the show are literally apocalyptic. Forlorn cowboy Teddy Flood’s surname could refer to the biblical flood of Noah’s ark. Teddy’s ostensible rival, Wyatt, is described by hosts as “a pestilence,” or one of the four Horsemen of the Apocalypse in the Bible. Roguish bandit Hector Escaton’s surname is a slightly different spelling from eschaton, a theological word meaning the end of the world.

8. THE SERIES CREATORS MUST HAVE LOVED SHAKESPEARE IN SCHOOL.

If you’re a lit nerd, and especially a fan of the Bard, then watching Westworld must be a blast from the get-go. Malfunctioning host Peter Abernathy’s monologue at the end of “The Original” quotes from a whopping three different Shakespeare plays: King Lear, Henry IV, and The Tempest.

Arguably the most prominent line by a number of hosts (including Dolores and Peter) throughout the show comes from Friar Lawrence’s line from Romeo and Juliet, when they say, “These violent delights have violent ends.”

One of the scariest and saddest Shakespeare quotes is from “Trompe L’Oeil,” when Ford has the robotic Bernard kill head of quality assurance Theresa Cullen. Ford slightly misquotes Hamlet when he says "for in that sleep, what dreams may come?"

9. LIKE MOZART, BEETHOVEN, AND CHOPIN, FORD NEVER DIED.

In the season one finale, “The Bicameral Mind,” Ford hints that he isn’t done with the park just yet even though Dolores kills him. In his monologue in front of the Delos board he says, “An old friend once told me something that gave me great comfort. Something he had read. He said that Mozart, Beethoven, and Chopin never died. They simply became music.”

In much the same way those geniuses “became” their work, Ford pops up again in season two’s premiere, “Journey Into Night,” as the younger host version of himself who challenges the Man in Black to a new game in the park.

The Chopin connection goes a bit further in a flashback to Jim Delos’s retirement party in “Reunion,” when Dolores plays Chopin’s “Sonata for Piano No. 2 in B-Flat Minor,” to which the grizzled billionaire and Ford antagonist says, "Anything but f***in' Chopin."

10. ROBERT FORD MUST HAVE LOVED PSYCHOLOGY CLASS.

One of the incredibly abstract but driving concepts behind season one of Westworld was “The Bicameral Mind,” a theory that Arnold and Ford use to “bootstrap consciousness” in the hosts. The hypothesis imagines a three-tiered pyramid approach to allow the artificial intelligence of the park’s robots to be self-aware with memory at the bottom, improvisation and self-interest in the middle, and a big ol’ question mark at the top because, as Ford explains, Arnold never figured out what’s at the top. Maybe that’s why all the hosts go haywire.

Anyway, the notion of the Bicameral Mind isn’t some made-up mumbo jumbo. It actually originated in the 1976 book The Origins of Consciousness in the Breakdown of the Bicameral Mind by American psychologist Julian Jaynes. In the book, Jaynes posited that humans developed the ability to think for themselves only after they were able to discern that the voices in our heads weren’t god. Similarly, hosts like Dolores hear voices in their heads and think it’s Arnold only to realize they’re hearing their own consciousness, and thus are self-aware beings.

11. DR. FORD, OR DR. FRANKENSTEIN?

The similarities between Ford and the main character of Mary Shelley’s gothic classic Frankenstein are a bit obvious: mad scientists who create a new form of life that backfires against them. So it’s perhaps fitting that one of Ford’s witticisms is taken directly from the book.

In a conversation between Ford and Bernard in “Trace Decay,” when the latter asks the former why he had him kill Theresa, Ford responds by explaining that her death doesn’t mean much in the grand scheme of his new narrative. He caps it off by quoting Shelley: "One man's life or death were but a small price to pay for the acquirement of knowledge which I sought, for the dominion I should acquire."

12. FORD KEEPS HIS FAVORITE HOSTS CLOSE.

Ford is nothing if not an eccentric weirdo. This is a guy who keeps a host in his office to do nothing put play the piano every time he wants some music while brainstorming AI consciousness. But there are some more recognizable hosts in his office besides the piano player.

If you look closely, directly behind Ford’s desk there is a wall of faces. Though never explained, these are ostensibly dry run versions of host faces created by the still unexplained white goo that solidifies into host skin. Two of those faces belong to Ford’s favorite star-crossed robots: Dolores and Teddy.

13. MAEVE IS OFF HER LOOP ... OR IS SHE?

A scene from 'Westworld'
HBO

The thrilling finale of season one saw the newly conscious, former madame Maeve recruit fellow hosts Hector and Armistice to mow down park security on her way out on the park train to freedom. But an onscreen revelation from Bernard makes it seem like she’s not as free to control her own destiny as she thinks she is.

After resurrecting Bernard, he uses one of the programmer devices to show her that her programming was actually altered to make her want to escape, recruit hosts, and get out via the train. Maeve, refusing to admit she doesn’t have free will, tells Bernard, "These are my decisions, no one else’s," but the device proves her wrong. Look closely and you see that Ford has pre-programmed the steps for her to "Recruit," "Escape," "Manipulate," and even "Mainland Infiltration." It seems Ford wanted her to be free, but not in the way she wants.

New Game of Thrones Season 8 Teaser Features an Important Callback to the Very First Episode

HBO
HBO

On Sunday, January 13, HBO finally shared the air date for Game of Thrones's eighth and final season, along with a 90-second promo that featured Jon Snow and Sansa and Arya Stark walking through the Crypts of Winterfell with the voices of the late Lyanna, Catelyn, and Ned Stark heard as they passed each of their statues.

In the immediate aftermath of the new teaser, the biggest question on people's minds seemed to be the whereabouts of Bran Stark—and whether his absence from the trailer confirmed one of the long-held fan theories that Bran is in fact the Night King, or that he is the Three-Eyed Raven. But now that fans have had additional time to digest the footage, they've noticed something else: a clever callback to the series' first-ever episode from 2011.

Just after the 1:00 mark, the camera closes in on feather which quickly freezes over with ice. To the casual viewer, this may not seem like an important thing. But those who recall the show's tiniest details recognized the feather as a callback to the pilot episode of Game of Thrones, and a symbol of Jon Snow's true parentage.

As Business Insider reminds us in "Winter is Coming"—the first aired episode of Game of Thrones—Lyanna's statue was shown in very much the same way that we see it in the new teaser, with King Robert Baratheon placing a feather on it. Fast forward to the fifth season, and you may remember Sansa visiting Lyanna's crypt and picking up that same feather. Both of these scenes hinted that Lyanna was Jon's real mother—a fact that was confirmed in season seven, when it was revealed that he is indeed the son of Lyanna Stark and Rhaegar Targaryen, who were secretly married in Dorne. (Though Jon doesn't know it yet.)

Ever since that revelation, we've suspected that Jon—who is believed to be the bastard son of Ned Stark—will finally learn about his parents in the final season, and the teaser seems to confirm that it will be an important storyline. Especially considering the growing romance between Jon and Daenerys Targaryen, who is Rhaegar's sister … making her Jon's aunt (unbeknownst to either of them, of course).

The final season of Game of Thrones will premiere on April 14, 2019.

Why Chris Evans Turned Down the Role of Captain America 'A Few Times'

Marvel Studios
Marvel Studios

In 2011, Chris Evans made his first big-screen appearance as superhero Steve Rogers/Captain America in Captain America: The First Avenger. It may now seem impossible for Marvel fans to imagine any other actor in the role, but Evans once admitted that it took a lot of convincing to get him to sign on for the part.

While appearing on Jimmy Kimmel Live! in 2016, Evans revealed that he actually turned down the project "a few times" before finally saying yes. When asked by Kimmel why he was so reluctant to play such a popular superhero, Evans replied that, "I was scared."

In addition to admitting to "having some social anxiety with this industry," Evans explained that his main hesitation was in signing what was ostensibly a nine-picture contract. "In doing movies one at a time, if all of a sudden you decide you don't want to do it anymore, you're afforded the opportunity to take a step back and recalibrate," Evans said. "When you have a giant contract, if all of a sudden you're not responding well? Too bad, you've got to suit up again. That was scary."

Though he initially declined the role, Evans said the offer just kept coming back to him. And after talking to family and friends about it, he realized what an amazing opportunity he was being offered—and what was holding him back.

"I was saying no out of fear, really," Evans said. "You can't do anything out of fear. You can't be doing something because you're scared. It ended up kind of clicking to me in the way that whatever you're scared of, push yourself into it."

Evans's Captain America has gone on to become one of the Marvel Cinematic Universe's most popular characters, though it's largely rumored that Avengers: Endgame will mark his final outing as The Captain. Sebastian Stan, Anthony Mackie, and Keke Palmer are just a few of the actors whose names are swirling as possible replacements for Evans.

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