6 Priceless Treasures Lost in Shipwrecks

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In the lore around treasures lost at sea, most of the excitement goes to pirate’s gold and the sunken luxuries of the Titanic. But in the centuries of human seafaring, many lesser-known priceless objects, from literary manuscripts to scientific research, have been claimed by the depths. Here are some tales of those losses, from a lifetime of work by a 19th-century woman who was an expert in cephalopods, to a rare book by Dickens that went down with the Lusitania.

1. LOUIS DE JAUCOURT'S ANATOMICAL LEXICON

Always, always, always back up your work. Of course, that's easier now than it was in the 18th century, when French scholar Louis de Jaucourt dispatched his six-volume Lexicon medicum universale to his Amsterdam publisher, a move intended to evade French censorship. The medical dictionary, on which he'd spent 20 years, was completely lost when the ship it was on sank off Holland's coast. Luckily, Jaucourt rebounded when Denis Diderot asked him to contribute to the Encyclopédie, now considered one of the greatest works of Enlightenment thought, for which he used his notes from the lost manuscript. Jaucourt became the publication's most prolific author, penning 40,000 articles—so many he was nicknamed l'esclave de l’Encyclopédie, or the "slave of the Encyclopedia."

2. THE FIELDWORK OF ALFRED RUSSEL WALLACE

Portrait of Alfred Russel Wallace, Welsh naturalist and explorer
Hulton Archive/Getty Images

In 1852, following four years of research in the Amazon, the British naturalist Alfred Russel Wallace was ready to return to England. He loaded his copious notes, animal and plant specimens, and drawings onto the brig Helen. Just 26 days into the voyage, the vessel caught fire. Wallace only had time to hastily fill a tin box with a few drawings of fish and palms and some scientific notes before joining the crew in the lifeboat. After 10 days marooned at sea, they were rescued by the brig Jordeson—but most of Wallace's work was gone forever. As he lamented in an October 19, 1852 letter, "The only things which I saved were my watch, my drawings of fishes, and a portion of my notes and journals. Most of my journals, notes on the habits of animals, and drawings of the transformations of insects, were lost.” While he continued as a leading naturalist—albeit one overshadowed in his evolution research by Charles Darwin—Wallace was never able to reconstruct those years of fieldwork.

3. THE CEPHALOPOD RESEARCH OF JEANNE VILLEPREUX-POWER

Before Jeanne Villepreux-Power’s 19th-century research, most scientists thought the Argonauta argo, or paper nautilus, scavenged its shell from other animals. But by inventing the modern aquarium, Villepreux-Power could study the species first-hand, and witness how it grows and repairs its own shell. The breakthrough was one of many discoveries made by the pioneer in cephalopod research, one of the few women to achieve prominence in Victorian science. She might be better known today if it weren't for the fact that when she and her husband decided to move from Sicily to London, the vessel on which they’d shipped their possessions—including the majority of her drawings, notes, and equipment—foundered off the coast of France in 1843. After the devastating loss, she never published again.

4. A COPY OF A CHRISTMAS CAROL OWNED BY CHARLES DICKENS

Sinking of the Lusitania
Three Lions/Getty Images

When Boston bookseller Charles Lauriat realized the RMS Lusitania was doomed that fateful day in 1915, he dashed to his cabin, using the light from a few matches to try to find the literary treasures he’d brought aboard. These included original drawings by Vanity Fair author William Makepeace Thackeray, as well as an edition of A Christmas Carol owned by Charles Dickens himself. The edition was irreplaceable, since it included Dickens’s notes related to his 1844 copyright suit against the illicit republishing of his story. In the book Dead Wake: The Last Crossing of the Lusitania, Erik Larson vividly describes Lauriat’s harrowing experience when the ocean liner was torpedoed by a German U-boat off the coast of Ireland: Lauriat grabbed the leather briefcase containing the Dickens, but left the Thackeray sketches behind. Rushing out to the deck, he saw a lifeboat packed with women and children that was being dragged down by the sinking ship. He jumped in with the briefcase, yet was unable to free the lifeboat, and in the escape into the water he lost the precious cargo. Out in the waves, he managed to evade entanglement with an antenna, swim to a collapsible lifeboat, and survive. One of the few items he managed to save were photographs of his baby, which he told his wife were his "mascot."

5. WRITINGS OF JOSÉ ASUNCIÓN SILVA

Portrait of José Asunción Silva

Many Colombians can recite the first lines from the influential Modernist poet José Asunción Silva's "Nocturne III"—"A night / A night full of hushings, of the curled wool of perfume / And incanting wing"—and it’s even printed in microtext on the 5000 Colombian peso bill. The poem, written in 1892, is believed to be a tribute to Silva’s half-sister. Silva suffered another blow in 1895, when many of his manuscripts, including a draft of a novel, were lost in a shipwreck. He left his diplomatic post in Venezuela, and dedicated all his time to reconstructing the drowned novel. But his melancholy continued: After visiting a doctor to ask the exact position of his heart, he shot himself in 1896. His rewritten novel—After-Dinner Conversation (De sobremesa) —wasn’t published until 1925.

6. THE ART OF GIOVANNI BATTISTA LUSIERI

The South-east Corner of the Parthenon, Athens by Giovanni Battista Lusieri
Giovanni Battista Lusieri, Wikimedia Commons // Public Domain

Giovanni Battista Lusieri was a meticulous painter of the Italian landscape, particularly its classical ruins. In large panoramas and more compact watercolors, he depicted the Acropolis, views of Rome and Naples, and, his favorite, the eruption of Mount Vesuvius. Some of his most striking works captured the volcano at night, illuminating the darkness with its orange glow. Lord Byron called him "an Italian painter of the first eminence." Yet his name is now obscure. This is partly due to the years he stopped painting to help Lord Elgin remove and ship the Parthenon Marbles to London. But when Lusieri's artwork was being sent home from Greece after his death in 1821, a shipwreck destroyed nearly half of it (including a spectacular 25-foot-long panorama of Athens), helping to ensure his fall from fame.

BONUS: PEKING MAN

A replica of the Peking Man Skull
A replica of the Peking Man Skull

When paleontologists discovered the bones of "Peking man" in a dig near Beijing in the 1920s, they were the oldest hominid fossils ever found. However, scientists can now only study the bones—thought to be about half a million years old—from casts. The Peking Man fossils were last seen in December 1941, but vanished during the Japanese occupation of China while they were being sent to the United States for safekeeping. There are many conjectures on their fate, from being secretly stored away in Japan, to being under a parking lot in China. Yet one enduring theory is that they were lost at sea on the Japanese freighter Awa Maru: In 1945, the ship was torpedoed in the Taiwan Strait by the USS Queenfish despite being guaranteed safe passage by the United States, leading to the loss of more than 2000 lives—and, it's said, the priceless Peking fossils [PDF].

Homo Erectus Might Have Been Really Lazy

Shipton et. al,
Shipton et. al, PLOS ONE (2018)

Of all the human species that once roamed the world, only one remains—us. Why did our primitive cousins go extinct? For Homo erectus, something like laziness may have played a role, Cosmos reports.

A new study in the journal PLOS ONE explores the role that H. erectus's lack of drive may have contributed to its extinction. The international team of researchers based their analysis on an excavation of a paleolithic site in central Saudi Arabia, finding that the tools H. erectus made were of consistently lower quality than what tool makers in later periods used. Their tools were constructed with whatever material was easiest to get, rather than what would make the best tools.

And it wasn’t because better materials weren’t available. "At the site we looked at, there was a big rocky outcrop of quality stone just a short distance away up a small hill,” study co-author Ceri Shipton of the Australian National University said in a press release. “But rather than walk up the hill, they would just use whatever bits had rolled down and were lying at the bottom.” He added, “They knew it was there, but because they had enough adequate resources, they seem to have thought, ‘why bother?’”

A row of stone tools excavated from Saffaqah
Some of the stone tools
Shipton et. al, PLOS ONE, (2018)

Meanwhile, other hominin species, like our own Homo sapiens, were happily clambering up mountains to seek out better materials for their tools. Shipton suggests that H. erectus lacked the tendency toward exploration and curiosity that has helped our species thrive.

This “laziness,” combined with changes to their environment, was likely what did in H. erectus. As the humid environment around them became drier, H. erectus seemingly didn’t adapt: They didn't invent new kinds of tools to deal with the changing landscape, nor did they relocate or travel farther afield. The research team found the tools largely near dry river beds, suggesting that H. erectus neither progressed technologically nor modified their behavior for their altered habitat.

H. erectus did manage to walk upright as we do—a first in human evolution—and it was likely the first hominin to expand their habitat beyond Africa. But the combination of these two newly identified shortcomings may have contributed to H. erectus's demise.

[h/t Cosmos]

Intriguing New Theory Might Explain the Fate of Easter Island's Civilization

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iStock

Standing up to 33 feet high and weighing 81 tons, the huge moai statues of Easter Island (Rapa Nui) are the most recognizable artifacts of a thriving civilization that peaked at the middle of the last millennium. For hundreds of years, Polynesian peoples lived on the small island 2300 miles west of Chile and developed a complex culture. By the 1700s, when Europeans first arrived, much of the society was decimated.

For years, scientists thought they knew why—but fresh archaeological evidence has provided an alternative theory.

The Journal of Pacific Archaeology published a paper [PDF] this week contradicting the commonly held belief that, in the 1600s, Rapa Nui's inhabitants descended into a Lord of the Flies–like era of infighting and violence as a result of dwindling resources. According to new research, the island’s population may not have devolved into barbarism. Instead, they were collaborating on toolmaking.

University of Queensland archaeologist Dale Simpson, Jr. theorized that the raw materials used in the carving tools would reveal clues about the dynamics of the community. He and his colleagues collected 17 tools found near the moai, including axe-like toki. Using a mass spectrometer to analyze the chemical composition of the tools and samples from stone quarries on the island, Simpson and his colleagues found that most of the toki came from a single quarry.

Simpson believes this is evidence that Rapa Nui's people had not fallen into violent conflict, but were instead sharing resources—or at least allowing one another access to a favorite quarry for tool production. If the islanders were split into factions, it’s unlikely that whoever was controlling the quarry would permit rivals to make use of it.

If accurate, it would join other recent theories that are drawing a revised picture of Rapa Nui's civilization. Explorers once described a surplus of spear-like objects presumably used for combat, but modern researchers examining the tools (called mata’a) in 2015 found that their surfaces were too blunt to pierce skin and were probably used for tilling soil.

While Simpson's take on the newly discovered carving tools is an intriguing theory, researchers aren't ready to rewrite history just yet. Other scholars, including study co-author Jo Anne Van Tilburg, point out that raw materials for the tools could have been seized by force or some form of coercion.

More research will be needed to see if Simpson’s new theory holds up. If it does, it would present a new wrinkle in the storied history of Rapa Nui.

[h/t Gizmodo]

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