11 Surprising Facts About Gillian Anderson

Dia Dipasupil, Getty Images
Dia Dipasupil, Getty Images

Gillian Anderson was born in Chicago, Illinois on August 9, 1968. In the 50 years since, she has lived quite the life—moving with her family from Chicago to Puerto Rico to London to Grand Rapids, Michigan, before returning to Chicago to attend DePaul University. Though she’s best known for playing Dana Scully on The X-Files, Anderson has portrayed a bevy of interesting and bold characters, including Stella Gibson on The Fall, Dr. Bedelia Du Maurier on Hannibal, and Blanche DuBois in Broadway and London theater productions of A Streetcar Named Desire. Here are 11 facts about the Emmy-winning Anderson, in honor of her birthday.

1. HER FIRST THEATER JOB LAUNCHED HER CAREER.

After graduating from DePaul University, Gillian Anderson moved to New York City in 1990. She auditioned for the role of Evelyn in Absent Friends, which Mary-Louise Parker was originally cast to play but left to star in Grand Canyon. Anderson read twice for the part, and director Lynne Meadow decided to give the early-twentysomething—and inexperienced—Anderson a chance.

“When Lynne had my resume in her hand and said, ‘Is this all you've done?’ I didn’t know what she meant,” Anderson told The New York Times in 1991, in her first-ever interview. “I thought I had done a lot. But once I was hired, a big fear of mine was letting Lynne down. She was taking a big risk, and I didn't want her to find out she’d made a mistake.”

2. HER HIGH SCHOOL CLASSMATES VOTED HER BOTH “MOST BIZARRE” AND “MOST LIKELY TO BE ARRESTED.”

In 2012, Gillian told Out Magazine how her sense of style and relationship status upset people when she was a teenager. While attending high school in Grand Rapids, Michigan, she said she dated a woman and also somebody who was a lot older than her. “Everything that that kind of anarchistic attitude brings—the inappropriate behavior it leads to—was how I chose to be in the world at that time, which was, you know, not what people did,” she said.

3. SHE’S BIDIALECTAL.

As Stella on The Fall, Anderson probably surprised some fans in speaking in her native British accent. Anderson told The Guardian it’s easier for her to speak with an American accent in the U.S. and then speak with her British lilt when she’s in the UK. “I was in Los Angeles recently with a couple of Brits and I thought, I’m going to see what it’s like to talk among Americans with a British accent, and I felt so uncomfortable,” she said. “It felt so disingenuous, and I kept thinking they must think I’m a complete tw*t. But when I’m here, it’s nearly impossible for me to maintain an American accent.”

4. SHE “STRUGGLED” TO FIND DANA SCULLY AGAIN.

After an eight-year break from playing her most iconic character—The X-Files movie was released in 2008—Anderson returned to the role of Dana Scully in the 2016 show revival. “I struggled in the first week,” she told Net-A-Porter. “I was trying to find the Scully of the past, rather than accepting time had passed. She and Mulder aren’t together and she’s carved out a world for herself, in medicine, working with a particular disease, with children, assisting surgeons. You get the sense that she goes to work, she goes to her apartment, and that’s her life. There is something missing and, of course, the thing that’s missing is Mulder.”

5. ANDERSON AND JAMIE DORNAN DIDN’T GET TO SPEND A LOT OF TIME TOGETHER ON THE FALL.

The cat-and-mouse relationship between Detective Superintendent Stella Gibson and serial killer Paul Spector climaxed when the two finally shared a long scene together in the final episode of The Fall's second season, in 2015. “After the first series people would come up to me and say, ‘I love The Fall ... what’s Gillian Anderson like to work with?’” Dornan told The Independent. “And I’d say, ‘I’ve no idea.’” Going forward, the actors got to act in more scenes together. Offscreen, though, they didn’t spend much time together, because of scheduling conflicts.

“I saw her three times during the first series: the read-through, one moment we had in the corridor of the police station, and then one day in the make-up trailer when she was working in the morning and I was working in the afternoon," Dornan explained. "Generally it was either a ‘Jamie day’ or a ‘Gillian day,' and Gillian has a young family as do I, so any time off I wasn’t in Belfast, I was back with my family. We didn’t see each other at all until we did all this press together and getting to know each other in the joint interviews.”

6. SHE THINKS HER HONESTY IS WHAT DRAWS FEMALE FANS.

Gillian Anderson in 'The Spy Who Dumped Me' (2018)
Hopper Stone, Lionsgate Entertainment

When discussing why so many women seem to "fangirl" her, Anderson told Net-A-Porter she thinks it's because she champions women. “I tell people when they are beautiful, I tell other actresses when I think their work is amazing ... So I think women feel relatively comfortable in my presence,” she said. “Also, because I’m not perfect, you know? I’ve got flabby thighs, I’m aging and I’m 5-feet-3-inches. I talk about my failing in contemporary society in terms of gyms or food or whatever. I think there’s a polite appreciation that I’m honest.”

As far as her male fans go, she thinks it's because she played a sex symbol on The Fall. “For the photo op [at Comic-Con] there was a line out the door of men, which has never been my experience before," she said. "With women, it feels more like it’s the mix of the human being and the characters that I choose, whereas, on that day anyway, the men were hooking into a specific character and a specific aspect, which was sex appeal.”

7. SHE CO-AUTHORED A BOOK ON WOMEN.

In 2017, Atria Books—a part of Simon & Schuster—published We: A Manifesto for Women Everywhere, co-written by Jennifer Nadel. “It’s a book about facing oneself,” Anderson told The Guardian. “It’s about working through things in one’s own life in order to be of better service out in the world. And it’s about the community of women, too: the fact that there is so much competition and judgment and negativity out there, especially on social media, when we should be turning to each other, helping each other to find our voices.”

8. SHE THRIVES ON TENSION IN A ROLE.

“Somebody at one point said something about the fact that I’ve ended up with, or have chosen, these roles where it’s me . . .  not necessarily against, but rivaling these [male] characters: the triptych of Mulder, Hannibal, and Spector,” she told The Telegraph. “That I find myself in those situations, those roles. I mean, Mulder’s not really a predator, we’re not in that dance, but there’s tension. Various forms of both intellectual and sexual tension.”

9. SHE DOESN'T THINK DANA SCULLY IS "PARTICULARLY COMPLEX."


Frank Ockenfels, FOX

“I don’t yearn to play Scully in the same way I do Stella or Blanche [DuBois]," Anderson told Net-A-Porter. "Part of that is because she is not particularly complex. People appreciate that fact and that there are other complexities in the show, but as an actor, I don’t have the same passion [to play the role].” However, she does know that Scully is a “great character,” and that “there is a formula and a flavor to [The X-Files] that hasn’t been recreated in anything else.”

10. SHE HAS BEEN VOCAL ABOUT THE UNFAIR PRESSURE PUT ON WOMEN AS THEY AGE.

In early 2016, the Daily Mail reported that Anderson had undergone some plastic surgery to her face. Anderson quickly took to Facebook to shoot down the rumors. “If it weren’t so sad, this bollocks would have made my day,” she wrote.

“I’m not necessarily anti-surgery; I’m anti the shame that is attached to women who make that choice, rightly or wrongly, in their own mind," she told The Telegraph in September of that same year. "I think it’s unfortunate that there is so much pressure on women, and yet they are damned if they do and damned if they don’t. That is heinous. But I must say very honestly that I am lucky. In a few years there may be something I find intolerable, and I’m not going to say I wouldn’t buckle. I hope that I would be comfortable enough with myself not to, but I have to allow for the fact that I am an actor, and there is vanity in me.”

11. SHE TURNED DAVID DUCHOVNY’S HOLLYWOOD WALK OF FAME CEREMONY INTO A MOCK FUNERAL.

In January 2016, David Duchovny received a star on the Hollywood Walk of Fame. Anderson didn’t attend the ceremony but sent a morbid message, pretending his day was actually a funeral. “He was a nice man,” she wrote. “A kind man. Quite smart. He liked avocado and pilates. Actor, writer, friend. He will always be my shining star. May his soul be forgiven and rest in peace.”

“I mean, it’s such a weird thing, anyway, that whole idea of a star on Hollywood Boulevard,” she told The Telegraph. “It is akin to a gravestone!” Two years later, in January 2018, she finally got her own star.

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

10 Game of Thrones Fan Theories About How the Series Will End

HBO
HBO

Our faces are longer than Jon Snow’s right now. It's been more than a year since the last season of Game of Thrones ended, but season 8—the series's final one—is coming back on April 14, 2019. To tide you over until then, we’ve collected some of the most plausible as well as the most bonkers fan theories about what could go down in the final episodes. They predict everything from a new contender for the Iron Throne to a new species classification for a major character. On the bright side, we'll all have plenty of time to debate these before the first episode airs.

1. Jon Snow will kill Daenerys.

Almost since the series began, fans have been predicting that Jon Snow is the Prince Who Was Promised—a reincarnation of the legendary hero Azor Ahai. But most predictions have overlooked a central piece of the Azor Ahai legend, which may spell doom for Daenerys: Azor Ahai, a lousy metallurgist, had a tough time forging his fabled flaming sword Lightbringer. Then he realized he needed to temper the blade by plunging it into the heart of his wife, Nissa Nissa, to imbue it with her power. (Because in the logic of this legend, killing a powerful woman turns a mediocre man into a hero.) If Jon Snow is Azor Ahai, the theory goes, then Daenerys will be his Nissa Nissa—the one true love he must kill in order to save the realm.

2. The Lannisters' repaid debt will be their downfall.

Lena Headey in 'Game of Thrones'
HBO

You know the family creed: A Lannister always pays his debts. In season 7, Cersei stayed true to her family name when she paid off a large debt to the Iron Bank. Most viewers read this as a play to buy the loyalty of the bank and its mercenary soldiers, but one Machiavellian Redditor has predicted that paying off the debt will have the opposite effect. "While the Lannisters were in debt to the Bank, the Bank had a vested interest in their success," one Redditor wrote. Now that the debt is paid, the Iron Bank will invest in the side that seems to have the best chance of winning—and right now, that doesn't look like Cersei's.

3. Euron Greyjoy is the father of Cersei's child.

Somehow this seems more disturbing than Jaime being the baby's incestuous father. PopSugar rolled out this hot take based on some circumstantial evidence. First, Euron and Cersei cooked up a plan to betray Jon and Daenerys without telling Jaime, which "raises the question about what else Cersei was doing with Euron behind Jaime's back." Then there's the fact that Cersei just let Jaime ride north to fight the White Walkers, which doesn't seem like a risk you'd want your unborn child's father to take. She has no idea when or if he'll be back. But on the other hand, she knows exactly where Euron will be. Perhaps she's keeping an eye on her baby's true father.

4. Daenerys will die beyond the wall.

Redditor Try_Another_NO reached all the way back to season 2 to substantiate this theory about Daenerys's demise. While Daenerys is in the House of the Undying, she has a series of possibly prophetic visions. She walks through the throne room in Kings Landing, which is damaged and filled with snow. Before she can touch the Iron Throne, she's called away by a sound and suddenly finds herself walking beyond the wall. There she meets Khal Drogo who says he has resisted death to wait for her. According to the theory, these were clues about the series's end: The White Walkers will threaten Kings Landing. Daenerys will turn away from the throne to fight the White Walkers. Death awaits her beyond the wall.

5. Cleganebowl will finally happen.

For years fans have eagerly awaited a fight between Sandor and Gregor Clegane, which has been affectionately dubbed "Cleganebowl." In the season 7 finale, the Hound hinted that the much-hyped fight is coming when he told his brother, "You know who's coming for you." The cryptic message also spawned a fan theory about the real origin of the Clegane brothers' beef. Our only version of the tale comes from noted liar/sleazebag Littlefinger, who claimed Ser Gregor burned his brother's face over a stolen toy. But Redditor 440k11 thinks the Hound has always had a talent for reading the future in the flames. In fact, the theory goes, the Hound saw his brother's death foretold in a fire and told him about it. Enraged, young Gregor pushed his brother's face into the fire he was reading, burning Sandor and cementing their lifelong enmity.

6. Varys is actually a merman.

The case for this one is watertight. The books make several mentions of merlings living alongside dragons, giants, and White Walkers—mythical creatures we know exist in Essos. Varys, meanwhile, constantly covers his lower body in long robes. What is he hiding? According to Redditor nightflyer, it's his freaky fish body. In the books, it would explain his cryptic response when Tyrion threatened to have him thrown off a ship: "You might be disappointed by the result." In the show, it might explain how Varys traveled from Dorne to Daenerys's ship in Mereen seemingly overnight in the middle of season 7. (It wasn't lazy writing—he swam there!) In general, it might explain why he's such a slimy weirdo.

7. The maesters are colluding with Cersei to beat Daenerys.

Finally, a fan theory fit for our political age! According to this theory, the maesters are natural enemies of magic. The strange forces that bring the dead back to life, reveal the future in fire, and allow Arya to wear many faces are beyond the maesters' powers of rational explanation. But if magic were eliminated, the maesters' monopoly on knowledge would continue unchallenged. It follows, then, that the maesters would feel comfortable with Cersei's cruel reign but threatened by Daenerys's magical dragons. Maybe that explains why a former maester built Cersei a weapon meant to kill dragons. And maybe the maesters will intervene in the conflict more directly in the next season.

8. Arya will kill Cersei ... wearing Jaime's face.

Maisie Williams in 'Game of Thrones'
HBO

Predicting that Jaime will kill Cersei is so mainstream. Seeing Jaime kill Cersei for the good of the realm would reprise his role as the Kingslayer (or Queenslayer). It would neatly fulfill the Volanqar prophecy—the prediction a witch made to a young Cersei, that she would be killed by a volanqar (which translates to "younger sibling" in High Valyrian). And it would be so easy. Reasoning that George R.R. Martin would never do something so obvious, and that Arya's assassin character arc has to led to a more consequential target than Walder Frey, Redditor greypiano predicts that Arya will be Cersei's killer. If she first kills Jaime and uses his face to catch Cersei unaware, then the volanqar prophecy will be confirmed (even if it's on a technicality).

9. Viserion will come back to life.

Here's a fan theory for moms, from a mom. Redditor Cornholio_the_white wrote that after the season 7 finale, their mom called to say she was sad about Viserion's death. But she had a prediction: "I think it's going to remember its mother." She explained that Daenerys's love would free Viserion from the Night King's spell. Cornholio_the_white scoffed. That wasn't possible. The dragon was dead. But then Mom dropped a compelling counterargument: "Not if the Red Woman brings it back. They're keeping her around for something."

10. Gendry is the legitimate child of Cersei and Robert Baratheon.

This theory throws another contender for the Iron Throne into the mix. It maintains that Gendry was not Robert Barathean's bastard son—in fact, he was the only legitimate child of the king. We know that Cersei and Robert had a child—a "black-haired beauty"—who supposedly died shortly after birth. Curiously, Cersei says she never visited her firstborn child in the crypt, even though we know she is a fiercely devoted mother. Perhaps that's because she knew her son was actually in Fleabottom as a blacksmith's apprentice. And perhaps it was Cersei all along who was looking out for Gendry, securing his apprenticeship and protecting him from Joffrey's purge of Robert’s bastards. Gendry, for his part, remembers only that his mother had yellow hair. If that yellow-haired woman was Cersei, Gendry would have the most legitimate claim to the Iron Throne of anyone in Westeros.

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