WWI Centennial: Brits Victorious At Megiddo

Photographer unknown, Wikimedia Commons // Public Domain
Photographer unknown, Wikimedia Commons // Public Domain

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 319th installment in the series. Buy Erik’s new WWI trivia book here!

SEPTEMBER 19-25, 1918: BRITS VICTORIOUS AT MEGIDDO

Following their victory in the Third Battle of Gaza and the capture of the ancient holy city of Jerusalem in December 1917, the Egyptian Expeditionary Force led by British commander Edmund Allenby kept continuous pressure on the Turkish Fourth, Seventh, and Eighth Armies. Those armies were all part of the Army Group Yıldırım (“Thunderbolt”) under German commander Liman von Sanders in northern Palestine. The new offensives were enabled by construction of military railroads to bring up guns and ammunition, and benefited from the growing momentum of the Arab Rebellion, led by Prince Feisal with help from his British intelligence attaché, Major T.E. Lawrence. Lawrence had captured the key port of Aqaba in July 1917 and now distracted and harried the Turks with lightning guerrilla attacks from out of the trackless eastern deserts.

By September 1918 the outnumbered and outgunned Turks had withdrawn to a line running from the River Jordan just north of the Dead Sea, west to the Mediterranean shore north of Jaffa, and bisecting Palestine. Intent on capturing Damascus before the end of the war, part of British maneuvering to exploit the Sykes-Picot Agreement, from September 19-25, 1918 Allenby achieved a breakthrough at the Battle of Megiddo. British sea power, resilient Indian and Egyptian infantry, dashing Australian cavalry, and the fighting grit of the rebel Arab Army made it possible. (Ironically, there was no actual fighting at Tel Megiddo, roughly in the center of the battlefield, which covered the Plain of Sharon, the Judean Hills, and the Jezreel Valley. Nevertheless, Allenby chose the name for symbolic resonance—Megiddo is the biblical site of Armageddon.)

The offensive, known to the Turks as the “Breakthrough at Nablus,” involved three main sections. First, to the east on September 18, the Arab Army attacked the enemy’s lines of communication, distracting the Turks and forcing von Sanders to send reinforcements to protect the desert railway. With the Turks now even more overstretched, on September 19 on the western end of the front, Anglo-Indian forces including the 54th (East Anglian) Division, 75th Division, Indian 3rd (Lahore) Division, Indian 7th (Meerut) Division, and the 60th (London) Division attacked and overwhelmed the Turkish Eighth Army, concentrated near the Mediterranean shore. Following the infantry breakthroughs, Allenby sent the Desert Mounted Corps, consisting of the British Fourth and Fifth Cavalry divisions and the Australian Mounted Division, racing ahead to cut off and encircle the Turkish Eighth and Seventh Armies—one of the most successful uses of cavalry in the war. Meanwhile, in the center, the 10th (Irish) Division and 53rd (Welsh) Division pivoted east towards the River Jordan, attacking the Turkish Fourth Army between Jericho and Amman from the west as the Arabs closed in from the east.

These victories reflected Allenby’s careful preparation and adoption of cutting-edge tactics, including the relatively short but devastating “creeping barrage” preceding the infantry advance and combined arms tactics that closely coordinated artillery, cavalry, air power, and a small but deadly fleet of armored cars (below, an armored car).

Armored car in World War I
Imperial War Museum, Wikimedia Commons // Public Domain

By September 21, the breakthrough had turned into a rout as the outnumbered and demoralized Turkish armies simply disintegrated. Virtually the entire force of 35,000 became casualties or surrendered, with just 6000 ragtag survivors left to make their escape to the north. Nablus and Nazareth fell on September 21 (top, Nablus after the war), followed by the key port of Haifa on September 23, the rail hub of Amman on September 25, and the strategic outpost of Daraa on September 27, 1918.

For the British and their Arab allies, the way now lay open to Damascus—but who would arrive first? This issue would have symbolic importance for the post-war world, and Feisal and Lawrence were determined that Damascus should be liberated by the Arabs, not European troops, to cement their claims to independence and nationhood.

The Battle of Megiddo was a study in contrasts as modern British weaponry and techniques were complemented by the ancient fighting techniques of Feisal’s Bedouin tribesmen. The Arab fighters’ motivations also tended to be more personal than the British, as most had lost family and friends to Turkish brutality long predating the Arab Rebellion. On September 27, after the Arabs captured the strategic town of Daraa, Lawrence’s party came across an Arab village that had just been destroyed by the retreating Turks:

“The village lay stilly under its slow wreaths of white smoke, as we rode near, on our guard. Some gray heaps seemed to hide in the long grass, embracing the ground in the close way of corpses. We looked away from these, knowing they were dead; but from one a little figure tottered off, as if to escape us. It was a child, 3 or 4 years old, whose dirty smock was stained red over one shoulder and side, with blood from a large half-fibrous wound, perhaps a lance thrust, just where neck and body joined.”

The Turkish atrocity provoked swift, terrible retribution from the desert nomads:

“I said, ‘The best of you bring me the most Turkish dead,’ and we turned after the fading enemy, on our way shooting down those who had fallen out by the roadside and came imploring our pity. One wounded Turk, half naked, not able to stand, sat and wept to us. Abdulla turned away his camel’s head, but the Zaagi, with curses, crossed his track and whipped three bullets from an automatic through the man’s bare chest. The blood came out with his heart beats, throb, throb, throb, slower and slower.”

T. E. Lawrence, a.k.a. Lawrence of Arabia
Hulton Archive/Getty Images

With Lawrence’s old ally Auda abu Tayi in charge, the Arab Army annihilates the Turkish column of around 2000 soldiers:

“The old lion of battled waked in Auda’s heart, and made him again our natural, inevitable leader. By a skillful turn he drove the Turks into bad ground and split their formation into three parts. The third part, the smallest, was mostly made up of German and Austria machine-gunners around three motor cars and a handful of mounted officers or troopers. They fought magnificently and repulsed us time and again despite our hardiness. The Arabs were fighting like devils, the sweat blurring their eyes, dust parching their throats … By my order we took no prisoners, for the only time in our war … In a madness born of the horror of Tafas we killed and killed, even blowing in the heads of the fallen and of the animals, as though their death and running blood could slake our agony.”

Turkish dead included around 200 prisoners whom Lawrence apparently ordered executed with machine guns after an Arab was found horribly mutilated:

“We ranged our Hotchkiss on them, and pointed at him silently. They said nothing in the moment before we opened fire: and at last their heap ceased moving, and Hassan was dead, and we mounted again and rode home slowly.”

See the previous installment, or all entries, or read an overview of the war.

Laura Yeager Is Making History as the First Woman to Lead a U.S. Army Infantry Division

iStock/MivPiv
iStock/MivPiv

For over 100 years, the California National Guard’s 40th Infantry Division has been led by a male officer. That’s set to change at the end of this month as Brigadier General Laura Yeager becomes the first woman to oversee a U.S. Army infantry division.

A career military officer, Yeager entered active duty in 1986 and saw combat as a UH-60 Black Hawk helicopter pilot in Iraq. According to CNN, she’s the recipient of the Legion of Merit and Bronze Star, among other accolades. Her appointment to the National Guard’s 40th Infantry comes as Major General Mark Malanka retires.

Yeager’s father, Major General Robert Brandt, served two tours in Vietnam as a helicopter pilot. Yeager is also a member of Whirly-Girls, a nonprofit dedicated to increasing the roles for women in helicopter aviation.

The 40th Infantry has served in virtually every major conflict of the past century, including the two World Wars and the Korean War. They’ve most recently been dispatched to Iraq and Afghanistan. Yeager is expected to assume her post on June 29.

[h/t CNN]

10 Surprising Facts About Band of Brothers

HBO
HBO

In 1998, HBO—then a still-fledgling cable network that had not yet completely broken through with hits like The Sopranos and Sex and the City—decided to take on its biggest project ever: a massive 10-hour World War II miniseries executive produced by Steven Spielberg and Tom Hanks.

Three years, more than $100 million, and thousands of work hours later, Band of Brothers was brought to the world. The true story of a single paratrooper company making their way through the last year of the war in Europe, Band of Brothers dwarfed other TV dramas of its era with its budget, its cast, its effects, and its extraordinary attention to period detail. The result was one of the most acclaimed World War II dramas ever filmed.

So, from the sheer scale of the production to the cast’s boot camp to some actors you may have forgotten about, here are 10 things you might not have known about Band of Brothers.

1. Band of Brothers's budget was unheard of at the time.

When Band of Brothers began its journey to the screen in the late 1990s, one of HBO’s chief concerns in agreeing to produce the series was its budget. Today, in the wake of Game of Thrones, it seems natural for the network to foot the bill for such an epic undertaking, but at the time the amount of money called for was almost unheard of. When discussions first began, it became clear that the miniseries would cost at least $125 million to produce, which meant $12 million per episode. That’s a figure that dwarfed even the most prestigious and popular TV dramas at the time, and it didn’t even factor in the massive marketing budget (at least $15 million) the network was considering to promote the event. So, what convinced HBO to put up the money? A number of factors, but having Hanks and Spielberg on board certainly helped.

''I'm not saying they didn't bat an eye,'' Hanks told The New York Times in 2001. ''Oh, they did bat an eye. But the reality is this was expensive. You had to have deep pockets. And HBO has deep pockets."

2. Jeep helped promote Band of Brothers.

The promotional campaign for Band of Brothers was almost as massive as its budget, with HBO attempting to draw the curiosity of as many non-subscribers as possible. One of the ways they achieved this was by forming the network's first ever partnership with another company to launch a series of commercials. That company was Jeep, which was celebrating the 60th anniversary of its signature vehicle at the time. The classic military Jeep figures prominently in Band of Brothers—it appears more than 1000 times throughout the series—so it was a natural fit.

Together, HBO and Jeep shot a series of six commercials tying into the series, filmed on Utah Beach in Normandy, France (not a place commercials are usually allowed to shoot). The spots aired on broadcast television, allowing HBO a rare chance (at the time) to get its products before an audience that large.

3. The miniseries caused some controversy in the United Kingdom.

Though Band of Brothers was largely well-received by audiences both in the United States and abroad, it did cause some controversy in the United Kingdom before it even aired there. According to The Guardian, the furor was stirred up by The Daily Mail, which published a condemnation of the miniseries for its lack of British soldiers. The series, of course, is meant to follow a single company of American troops as they navigate the last year of the war in Europe, but that didn’t stop The Daily Mail from decrying the show’s narrow focus. The publication called forward various British veterans who declared Band of Brothers "an absolute disgrace and an insult to the millions of brave Britons who helped win the war,” the implication being that the series essentially depicted only Americans as winning the war in Europe. The controversy, while noteworthy, was short-lived.

4. The miniseries's production was massive.

Band of Brothers, a 10-hour miniseries set entirely during World War II, would be a massive undertaking even now, but it was particularly gargantuan when it was produced. Some figures that prove just how big it was: According to the documentary The Making of Band of Brothers, the production required 2000 American and German military uniforms; 1200 vintage costumes (that’s not counting the newly made ones); more than 10,000 extras; more than 14,000 rounds of ammunition a day; and 500 speaking roles. The special effects alone were so massive that, by the time the third episode was completed, the production had already used more pyrotechnics than Saving Private Ryan, which is particularly impressive given that much of the first episode is taken up by boot camp sequences.

5. Band of Brothers was largely filmed in one location.

A still from 'Band of Brothers' (2001)
HBO

The story of Band of Brothers takes the men of Easy Company across half the European continent, through several different countries and even seasons. Despite the vivid depiction of all of these varied places on the journey, the miniseries (aside from certain location shoots) was largely filmed in one place. Thanks to a large tax break from the UK government, the production was headquartered at the Hatfield Aerodrome, an old British aerospace factory that had been converted into a massive, 1100-acre backlot. The various hangars from the factory were used to house the costumes, props, weapons, tanks, and other equipment used to shoot the series, and some hangars even housed various sets.

6. A single village set played nearly a dozen different towns.

Because Band of Brothers was mostly shot on the Hatfield backlot, the crew had to make certain accommodations to portray much of Europe in a small space. One key factor was the 12-acre village set constructed on the lot. A set that size is a massive undertaking anyway, but to depict the various places Easy Company visits, the village had to be constantly redressed to show England, Holland, Belgium and other locations. In all, the village ended up playing 11 different towns throughout the miniseries. 

7. The Bastogne sequences were actually films indoors.

One of the most harrowing segments of Band of Brothers takes place in the sixth episode, “Bastogne.” Caught in the middle of the Battle of the Bulge and low on supplies, Easy Company faces its toughest challenge yet as they try to hold off a massive German force even as they’re starving and freezing to death. It’s a powerful episode, but most of the time the actors were faking the hardship. The sequences in which the company is huddled down in foxholes, scrounging for whatever food and medicine they can get, were largely filmed on a massive indoor set constructed in one of the hangars at Hatfield. The production used real trees and numerous fiberglass trees (which could be broken apart to simulate German shells) to create the forest, and paper mixed with various polymers to create artificial snow. It’s estimated that more than a third of a million pounds of paper were used to make snow throughout the sequence, and it took four weeks to completely cover the set.

“It’s the biggest amount ever used on one set, for anything,” snow effects supervisor David Crownshaw said. “It should be in the Guinness Book of Records.”

8. The guns in Band of Brothers were the real thing.

Every major character in Band of Brothers wields at least one firearm throughout the entire production, and many of the men of Easy Company are never without their trusty M1 Garand rifles. The World War II-era weapons were key to the production, and Hanks and Spielberg insisted on authenticity, so they went to an arms dealer and picked up 700 authentic period weapons for the production. Numerous other guns (including pistols largely kept in holsters) were made of rubber, but very often when you see the men of Easy Company firing their rifles at the enemy, they were firing the real thing.

9. The Band of Brothers cast featured several up-and-coming actors who went on to become major stars.

Because Band of Brothers includes hundreds of speaking roles, including dozens of American soldiers, the production had to recruit a virtual army of young actors, many of whom were relatively unknown at the time. If you go back and watch the series now, you’ll see several young faces that are now recognizable as major movie stars. Among the now-big names: James McAvoy, Tom Hardy, Simon Pegg, Michael Fassbender, Colin Hanks, Dominic Cooper, Jimmy Fallon, and Andrew Scott.

10. The cast trained together, and bonded, during a 10-day boot camp.

To develop a better understanding of the military culture their characters were involved in, and to get them in the right physical and mental shape for the miniseries, the cast portraying Easy Company embarked on an intensive 10-day boot camp before shooting, training 18 hours a day under the watchful eye of Captain Dale Dye.

Dye, a former Marine and Vietnam veteran who came to Hollywood after he left the military to become a technical advisor, served as the senior military advisor on the production and also portrayed Colonel Robert Sink in the series. Dye led the boot camp and even helped direct key battle sequences in an effort to get the cast as close to real soldiers as possible. According to the men who portrayed Easy Company, the experience brought them closer together, and made them more like a real unit.

“You hit walls in boot camp," Scott Grimes, who played Sergeant Malarkey, said. "You hit these personal mental, physical walls that you have to go over, basically. There were guys the first night at boot camp that cried themselves to sleep that I was there for, and they were there for me.”

In addition to boot camp, the Easy Company cast also undertook a version of paratrooper training to ensure authenticity. Among the challenges: jumping out of a mock-up plane fuselage, while strapped to a harness simulating a parachute, from a height of 40 feet.

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