7 Surprising Facts About Hans Christian Andersen

 Hulton Archive/Getty Images
Hulton Archive/Getty Images

Danish writer Hans Christian Andersen (1805-1875) is recognized around the world for his beloved books, including The Ugly Duckling, Thumbelina, The Little Match Girl, The Princess and the Pea, and many others. However, few people know much about the man behind these famous fairy tales—a man who endured many hardships and, by some accounts, transformed his pain into art. Here are seven surprising facts about Andersen’s life and legacy that you won't find in the children's section of a bookstore.

1. Some of Hans Christian Andersen's fairy tales are autobiographical.

According to scholars, the tale of The Ugly Duckling reflects Andersen’s own feelings of alienation. As a boy, he was teased for his appearance and high-pitched voice, which often made him feel isolated, and he later wrote a story about a boy named Hans who gets made fun of as a child. Much like the ugly duckling, Andersen only later in life became the “swan”—a cultured, world-renowned writer with friends in high places. Andersen even admitted of The Ugly Duckling, “This story is, of course, a reflection of my own life.”

There’s also evidence that Andersen placed his characters in desperate and hopeless situations to reflect his own personal traumas, which included being raised in poverty, losing his father, and having to briefly work in a factory at age 11 to support his mother. Paul Binding, a literary critic who penned a book about Andersen, said the long-lasting appeal of his stories go beyond their authenticity, though. "True, some of Andersen’s most famous stories—The Ugly Duckling, The Steadfast Tin Soldier, even The Little Mermaid—are dramatizations or sublimations of his own dilemmas, but they would not work on us as they do if they did not transcend the personal—in language, in observation and detail, and in intricate but unobtrusive structure—to stand on their own as perfectly wrought artifacts of universal appeal," Binding wrote for The Guardian.

2. Andersen's original version of The Little Mermaid was a lot more depressing than Disney’s take.

Andersen’s Little Mermaid story from 1837 was far darker than the kid-friendly Disney movie it would later inspire. In the original (which you can read online for free here), an unnamed mermaid who falls in love with a prince is offered the chance to take a human form, even though she'll live in perpetual agony and has to have her tongue cut out. The mermaid's goal—besides love—is to gain an immortal soul, which is only possible if the prince falls in love with her and marries her. After the prince marries someone else, however, the mermaid contemplates murdering him, but instead accepts her fate and throws herself into the sea, where she dissolves into sea foam. The mermaid is greeted by spiritual beings who say they'll help her get into heaven if she does good deeds for 300 years. So there’s that, at least.

3. Poor translations may have altered Andersen's image abroad.

According to UNESCO, Andersen is the eighth most-translated writer in the world, trailing right behind Vladimir Lenin. Though his works have been reproduced in more than 125 languages, not all of them have been faithful retellings. From the beginning, there have been many examples of “shoddy translations” that “obliterated” his original stories, according to the writers Diana Crone Frank and Jeffrey Frank in their modern translation of The Stories of Hans Christian Andersen. As a result, Andersen’s reputation beyond Scandinavia was “not as a literary genius but as a quaint 19th-century writer of charming children’s stories,” the pair write.

4. Andersen wore out his welcome while staying with Charles Dickens.

Andersen met his literary hero, Charles Dickens, at an aristocratic party in 1847. They kept in touch, and a decade later Andersen came to stay with Dickens at the British author's home in Kent, England. The visit was meant to last two weeks at most, but Andersen ended up staying five weeks, to the dismay of the Dickens family. On his first morning there, Andersen proclaimed that it was a Danish custom for one of the sons of the household to shave their male guest. Instead of complying, the family set him up with a local barber. Andersen was also prone to tantrums, at one point throwing himself face down on the lawn and sobbing after reading a particularly bad review of one of his books. Once Andersen finally left, Dickens wrote and displayed a note that read, “Hans Andersen slept in this room for five weeks—which seemed to the family AGES!” Dickens stopped responding to Andersen's letters, which effectively ended their friendship.

5. Andersen was terrified of being buried alive.

Andersen had a lot of phobias. He was afraid of dogs. He didn’t eat pork because he worried he would contract trichinae, a parasite that can be found in pigs. He kept a long rope in his luggage while traveling, in case he needed to escape a fire. He even feared he would accidentally be declared dead and buried alive, so before bed each night, he propped up a note that read, “I only appear to be dead.”

6. Andersen may have been celibate his whole life.

Although Andersen lived a long and full life, he struggled with personal relationships and never got his own fairy tale ending. At different points in his life, he fell for a number of women—and possibly a few men as well, according to some interpretations of the amorous letters he wrote to young men—but his feelings were unrequited each time. "I believe he never had a sexual relationship," biographer Bente Kjoel-bye told the Deseret News. Although Andersen is often regarded as a pure and chaste figure, he was no stranger to lustful thoughts. When he was 61 years old, he went to a brothel in Paris for the first time and paid a prostitute, but didn't do anything except watch her undress. After a second visit to a "shop which traded in human beings," he wrote in his diary, "I spoke with [a woman], paid 12 francs, and left without having sinned in action, but probably in thought."

7. Andersen is considered a “national treasure” in Denmark.

The Danish government declared Andersen a “national treasure” when he was in his late sixties, around the same time that he started showing symptoms of the liver cancer that would ultimately claim his life. The government subsequently paid him a stipend and started constructing a statue of the author in the King's Garden in Copenhagen to commemorate his 70th birthday. Andersen lived to see his birthday, but died four months later. Over a century later, you can still see tributes to the writer’s legacy in Copenhagen, including a second statue of Andersen along the street named after him (H.C. Andersens Boulevard) and a sculpture of the Little Mermaid at Langelinje Pier. Visitors are also welcome at his childhood home in Odense, Denmark, and at a museum dedicated to his work in the same city.

America's 50 Best Workplaces, According to Employees

Chaay_Tee/iStock via Getty Images
Chaay_Tee/iStock via Getty Images
Though there are a number of factors that go into deciding whether a job is right for you, company culture plays an essential—albeit sometimes overlooked—part. Fortunately, career site Indeed has gone straight to the source and compiled a ranking of America's best workplaces, based on employee feedback, which could help make your next job search a whole lot easier. As Thrillist reports, Indeed's rankings were based on employees’ reviews on their “overall work experience.” To narrow the field down, Indeed zeroed in specifically on Fortune 500 companies that “have had at least 100 verified employee-submitted reviews posted to Indeed's site in the past two years.” Computer software giant Adobe came out on top, with Facebook and Southwest Airlines not too far behind. Meanwhile, United Airlines and Foot Locker just made the cut. You can read the full list of America's top 50 companies below, and read more about Indeed's methodology here.
  1. Adobe
  1. Facebook
  1. Southwest Airlines
  1. Live Nation
  1. Intuit
  1. Costco Wholesale
  1. Delta
  1. eBay
  1. Microsoft
  1. Johnson & Johnson
  1. Bristol-Myers Squibb
  1. Salesforce
  1. Fannie Mae
  1. Eli Lilly
  1. JetBlue Airways
  1. Freeport-McMoRan
  1. Fluor Corp.
  1. Apple
  1. Cisco
  1. Capital One
  1. Nike
  1. Amgen
  1. Booz Allen
  1. Charles Schwab
  1. Viacom
  1. Southern Company
  1. NextEra Energy
  1. Publix
  1. Land O’Lakes
  1. Motorola Solutions
  1. Pfizer
  1. Lockheed Martin
  1. Starbucks
  1. Merck
  1. ConocoPhillips
  1. American Express
  1. Applied Materials
  1. DTE Energy
  1. Best Buy
  1. Boston Scientific
  1. Northrop Grumman
  1. Discover Financial Services
  1. BlackRock
  1. Darden Restaurants
  1. MGM Resorts International
  1. Hilton
  1. Edward Jones
  1. Marriott International
  1. Foot Locker
  1. United Airlines
[h/t Thrillist]

The 11 Best Found Footage Movies

Twenty years ago this summer, moviegoers everywhere were shaken to their core by a film about three film students who went into the woods with a couple of cameras and met a seemingly supernatural entity that wouldn’t let them leave. It was called The Blair Witch Project, and it proved to be a landmark film for horror cinema, indie cinema, and a particular filmmaking medium known as "found footage."

The idea behind found footage films is simple: Make a movie while acting like you’re not trying to make a movie. This all really happened, someone who was there filmed it, and then you just found the resulting video and cut it together. It’s a method that allows plenty of room for improvisation, often requires minimal budget, and can get a lot of mileage out of very few locations and characters. That makes it an attractive technique for many filmmakers, but it’s not as easy to pull off as it sounds. So, in tribute to The Blair Witch Project and its impact, here are the movies that got found footage right in the best way possible.

1. Cannibal Holocaust (1980)

Cannibal Holocaust is not a 100 percent "found footage" movie, but it didn’t have to be, because it paved the way for dozens, if not hundreds, of other films in the subgenre with its use of the found footage technique. The film is the story of an anthropologist who sets out to find a group of filmmakers who went missing while documenting indigenous tribes in South America, and discovers that only their film cans and their bones have survived.

The back half of the film is largely composed of this found footage, as the anthropologist reviews the cans of film and discovers the documentarians were often more savage than the tribes they set out to chronicle, as their bloodlust and exploitation reached fever pitch shortly before their deaths. The film is best known for the controversy it caused, including the rumor that several of the onscreen killings were real (Ruggero Deodato, the film's director, was forced to bring one of the actors into court with him—to prove he was alive), but it’s also a surprisingly complex look at appropriation, voyeurism, and our addiction to filmed spectacle.

2. The Blair Witch Project (1999)

Yes, The Blair Witch Project really does still work as a minimalist scarefest, but even if it didn’t it would still be held up as one of the most important works in the found footage subgenre. At a time when found footage wasn’t on the minds of moviegoers and the internet was still in its relative infancy, this film arrived like a dark gift and helped to shape what the looming 21st century would look like in terms of horror filmmaking. If you were paying attention to pop culture at the time, you probably remember the brilliant viral marketing campaign that made you believe, if only for a second, that this was a real lost film made by dead students. And even if the marketing didn’t get you, the children laughing in the dark did.

3. Cloverfield (2008)

Many found footage movies are, by their very nature, small scale affairs involving only a few characters and a story that can be told in a relatively confined way, which makes them great for low-budget filmmakers. If you’re producer J.J. Abrams, writer Drew Goddard, and director Matt Reeves, however, you look at the subgenre and you start to think about a kaiju movie. Cloverfield brilliantly combines the large-scale destruction of a giant monster ravaging a city with the intimate, immediate thrills of a found footage movie. Throw in some brilliant viral marketing and the idea that you’re watching a tape recovered by the government after a disaster, and you’ve got an addictive little movie that spawned a small franchise.

4. Chronicle (2012)

Given enough time, every film genre will be invaded in some way or another by found footage, because the method is just so adaptable. That meant superhero films would definitely get the treatment one day, and in 2012 we got it with Chronicle, Josh Trank’s tale of three friends whose lives change forever when they acquire superpowers. The film works right away because of course the first thing a certain kind of teenager would do if they got powers is film themselves goofing off. And as the plot picks up steam, the ways in which each young man deals with the fallout of their gifts propels it to compelling levels of intensity and fun.

5. [REC] (2007)

The best found footage films are often the ones that can make optimal use of a single location by establishing a sense of place and then just shredding your nerves as you watch the chosen location fall apart amid the terror. The Spanish film [REC], co-directed by Jaume Balagueró and Paco Plaza, is a masterclass in this technique, following a reporter and cameraman as they try to survive a night in a quarantined apartment building where everyone is slowly turning into a monster. The film just keeps finding ways to freak you out, from the silhouette of a motionless little girl at the end of a hallway to its iconic, absolutely terrifying final shot.

6. The Visit (2015)

In 2015, M. Night Shyamalan’s three most recent directorial credits were After Earth, The Last Airbender, and The Happening. The man who had once wowed Hollywood with The Sixth Sense needed another win, and he got one by stripping down his budget and his storytelling scope to create another intimate, taut, darkly funny thriller about two kids who go to stay with their grandparents and discover something awful. The found footage element of the story adds a sense of urgency to the detective work the kids have to do to figure out what’s going on, and the very idea of following the camera as it peers out of the kids’ room at night to see what the creepy people in the house are up to is enough to make you jump in your seat.

7. Creep (2015)

Creep is what happens when found footage horror meets a mumblecore hangout movie, as Mark Duplass (co-writer and star) and Patrick Brice (co-writer, director, and star) set out to tell a two-person story that will chill you to your core while also causing you to laugh at really odd times. The setup is simple: A creepy loner who lives in the woods hires a cameraman for the day under the pretense of making a video for his unborn. He has terminal brain cancer, you see, and wants to leave him some kind of remembrance. You can probably see where this is going just from the title of the film, but what you can’t see is how the film gets there. Creep packs a lot of scares, twists, and turns into its lean 77-minute runtime, and by the end it ensures you’ll be looking at that one guy you barely know who just has a “weird sense of humor” a little differently.

8. Trollhunter (2010)

Shows about weird guys who hang out in the woods and claim to hunt monsters have, like ghost hunting shows, become a staple of 21st-century cable television, and it was only a matter of time before someone decided to ask the question “What if that all turned out to be real?” Trollhunter, André Øvredal’s brilliant found footage fantasy film, does that with a sense of scale and wild fun that makes it an instantly watchable ride.

9. Paranormal Activity (2007)

Like The Blair Witch Project before it, Paranormal Activity came along at exactly the right time and injected new life into the found footage subgenre with a clever premise, a low budget, and a hook that kept driving people to the theaters. As ghost hunting shows began to spread all over basic cable, filmmaker Oren Peli had the idea to tell the story of a couple who wired up their own house with cameras in order to conduct a search for an evil presence in their home. It was a phenomenon that launched a franchise and dozens of ripoffs, and the scares still work pretty damn well.

10. Exit Through the Gift Shop (2010)

Ok, hear us out: Yes, Exit Through the Gift Shop is billed as a documentary, and is purportedly not a work of fiction. No one found this footage in the woods in the world of the story, so how can it be “found footage”? Because the legendary street artist Banksy found a movie in the midst of thousands of hours of random, often useless footage compiled by a Frenchman living in Los Angeles named Thierry Guetta (a.k.a. Mr. Brainwash), who became obsessed with street art and turned his constantly filming camera lens on it. Banksy didn’t set out to make this film, but as he became more intrigued by Thierry and his journey he turned to Guetta’s lifelong habit of compiling video of almost literally everything he did, and somewhere in there a truly great film emerged (the movie earned a Best Documentary Oscar nomination in 2011).

11. Unfriended (2014)

Unfriended is a film that unfolds almost entirely on a computer screen, as a group of friends slowly discover that the unknown user intruding on their evening chat might just be the ghost of a girl who was cyberbullied into suicide a year earlier and now wants to take her revenge. You’d think a film that unfolds through Skype chats and Facebook Messenger might drag a bit, but Unfriended actually has a healthy and horrific grasp of the way teens use these tools to construct their own compelling high school narratives, and it warps that understanding to its advantage. A film like this was bound to get made eventually, but Unfriended turns out to be more than another found footage gimmick.

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