The Game of Thrones Finale Could Kill Workplace Productivity on Monday

Emilia Clarke stars as Daenerys Targaryen in a scene from Game of Thrones's series finale
Emilia Clarke stars as Daenerys Targaryen in a scene from Game of Thrones's series finale
HBO

The series finale of Game of Thrones is upon us, and employers across the U.S. should be very afraid. “Absence is Coming,” a new survey from The Workforce Institute at Kronos, conducted by The Harris Poll, found that the final episode premiering this Sunday, May 19, is likely to cause major Monday workplace conflicts.

According to the survey—which analyzed the results of 1090 working adults who took part in an online poll alongside U.S. Census Data and extrapolated its final tallies from there—the conclusion of Game of Thrones could be as disastrous to America's workplaces on Monday morning as it will likely be to some of your favorite characters. According to the poll:

“Approximately 27.2 million employees who plan to watch the Game of Thrones finale live admit they will either miss work completely, arrive late, work remotely, be less productive than usual, or experience another impact on work obligations Monday because of the series finale of the most popular show in HBO history.”

While that viewership estimate is likely high (season 8's penultimate episode, "The Bells," is the series's most-watched so far, with 18.4 million viewers), there's no denying that Game of Thrones's finale will rival some of the most-watched series finales of all time. 

Based on the survey's predictions, approximately 10.7 million Americans are already planning to take the day off from work completely while 2.9 million are planning to show up late. Apparently, this is not a new development: The Workforce Institute at Kronos reports that Game of Thrones season 8 has already had a negative impact on workplace productivity. They estimate that 4.4 million employees have already "missed work specifically to stream reruns to refresh their memory on key plotlines or catch up on missed episodes."

Not all of the questions asked were super serious, though. When asked about which Game of Thrones character they'd most like to have as a manager, one in four respondents said Jon Snow (earning the true heir to the Iron Throne the top spot), with Tyrion Lannister coming in second followed by Daenerys Targaryen (perhaps unsurprisingly, the survey was conducted online between May 7 and May 9—before "The Bells" happened). Amazingly, even Cersei Lannister got 2 percent of the vote.

If “Absence is Coming” proves anything, it’s that employers might make out better if they just declared Monday a national day of mourning and gave everyone the day off.

This Damn Fine Twin Peaks Box Set Is the Only One Fans Will Ever Need

Amazon
Amazon

Fans of David Lynch’s three-season drama Twin Peaks know there’s quite a lot to excavate. The series, which ran from 1990 to 1991 on ABC and returned for a one-season engagement on Showtime in 2017, has been a perpetual source of ambiguity, red herrings, and the downright inexplicable.

Now there’s a centralized hub of all things Peaks to dwell on. Twin Peaks: From Z to A is a Blu-ray box set containing all episodes of the original series; 1992’s feature film, Twin Peaks: Fire Walk with Me; 2017's Twin Peaks: The Return; an international version of the 1990 pilot with additional footage; as well as an abundance of new and archival material totaling 20 hours in length.

The box for the 'Twin Peaks: From Z to A' Blu-ray DVD set is pictured
Amazon

Inside the package, which is illustrated with the Douglas firs that are part of the show’s iconography, are mini-figures of Special Agent Dale Cooper and Laura Palmer, played in the show by Kyle MacLachlan and Sheryl Lee, respectively. The box acts as a diorama of sorts and opens to reveal the Red Room, a location where many of the show’s most surreal moments took place. A series of three-by-five index cards provide backdrops of key scenes. The only thing the set doesn’t have is Lynch’s hand-drawn map of the show’s Washington location, but you can find that here.

The set is limited to 25,000 copies. It retails for $139.99 on Amazon and is due for release on December 10.

[h/t Newsweek]

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Unraveling the Many Mysteries of Neil Diamond's 'Sweet Caroline'

Keystone/Getty Images
Keystone/Getty Images

The story of Neil Diamond’s "Sweet Caroline" has it all: love, baseball, Kennedys, Frank Sinatra, Elvis, and the triumph of the human spirit. It’s pop’s answer to the national anthem, and as any karaoke belter or Boston Red Sox fan will tell you, it’s way easier to sing than "The Star-Spangled Banner." As the song celebrates its 50th birthday this year, now’s a good time—so good, so good, so good—to dig into the rich history of a tune people will still be singing in 2069.

"Where it began, I can’t begin to knowing," Diamond sings in the song’s iconic opening lines. Except the "where" part of this story is actually pretty simple: Diamond wrote "Sweet Caroline" in a Memphis hotel room in 1969 on the eve of a recording session at American Sound Studio. By this point in his career, Diamond had established himself as a fairly well-known singer-songwriter with two top-10 hits—"Cherry Cherry" and "Girl, You’ll Be a Woman Soon"—to his name. He’d also written "I’m a Believer," which The Monkees took to #1 in late 1966.

 

The "who," as in the identity of the "Caroline" immortalized in the lyrics, is the much juicier question. In 2007, Diamond revealed that he was inspired to write the song by a photograph of Caroline Kennedy, daughter of John F. Kennedy, that he saw in a magazine in the early ‘60s, when he was a "young, broke songwriter."

"It was a picture of a little girl dressed to the nines in her riding gear, next to her pony," Diamond told the Associated Press. "It was such an innocent, wonderful picture, I immediately felt there was a song in there.” Years later, in that Memphis hotel room, the song was finally born.

Neil Diamond sings the National Anthem prior to Super Bowl XXI between the New York Giants and the Denver Broncos at the Rose Bowl on January 25, 1987 in Pasadena, California
George Rose/Getty Images

Perhaps because it’s a little creepy, Diamond kept that tidbit to himself for years and only broke the news after performing the song at Kennedy’s 50th birthday in 2007. "I’m happy to have gotten it off my chest and to have expressed it to Caroline," Diamond said. "I thought she might be embarrassed, but she seemed to be struck by it and really, really happy."

The plot thickened in 2014, however, as Diamond told the gang at NBC’s TODAY that the song is really about his first wife, Marsha. "I couldn’t get Marsha into the three-syllable name I needed,” Diamond said. "So I had Caroline Kennedy’s name from years ago in one of my books. I tried ‘Sweet Caroline,’ and that worked."

It certainly did. Released in 1969, "Sweet Caroline" rose to #4 on the Billboard Hot 100. In the decade that followed, it was covered by Elvis Presley, soul great Bobby Womack, Roy Orbison, and Frank Sinatra. Diamond rates Ol’ Blue Eyes’ version the best of the bunch.

"He did it his way," Diamond told The Sunday Guardian in 2011. "He didn't cop my record at all. I've heard that song by a lot of people and there are a lot of good versions. But Sinatra's swingin', big-band version tops them all by far."

 

Another key question in the "Sweet Caroline" saga is "why"—why has the song become a staple at Fenway Park in Boston, a city with no discernible connection to Diamond, a native of Brooklyn?

It’s all because of a woman named Amy Tobey, who worked for the Sox via BCN Productions from 1998 to 2004. During those years, Tobey had the wicked awesome job of picking the music at Sox games. She noticed that "Sweet Caroline" was a crowd-pleaser, and like any good baseball fan, she soon developed a superstition. If the Sox were up, and Tobey thought they were going to win the game, she’d play the song somewhere in between the seventh and ninth innings.

"I actually considered it like a good luck charm," Tobey told The Boston Globe in 2005. "Even if they were just one run [ahead], I might still do it. It was just a feel." It became a regular thing in 2002, when Fenway’s new management asked Tobey to play "Sweet Caroline" during the eighth inning of every home game, regardless of the score.

At first, Tobey was worried that mandatory Diamond would lead to bad luck on the actual diamond. But that wasn’t the case, as the Sox won the World Series in 2004, ending the "Curse of the Bambino" and giving Beantown its first title since 1918. In 2010, Diamond made a surprise appearance at Fenway to perform "Sweet Caroline" during the Red Sox's season opener against the New York Yankees. He wore a Sox cap and a sports coat emblazoned with the message "Keep the Dodgers in Brooklyn."

 

A different mood greeted Diamond when he returned to Fenway on April 20, 2013, just five days after bombings at the Boston Marathon killed three people and injured nearly 300 others. "What an honor it is for me to be here today," Diamond told the crowd. "I bring love from the whole country." He then sang along with the ‘69 recording of the song, leading the crowd in the "Ba! Ba! Ba!" and "So good! So good! So good!" ad-libs that have essentially become official lyrics. Diamond also donated all the royalties he received from the song that week, as downloads increased by 597 percent.

The Red Sox aren't the only sports team to have basked in the glory of "Sweet Caroline." The song has become popular with both the Penn State Nittany Lions and Iowa State Cyclones football squads and has even crossed the Atlantic to become part of the music rotation for England's Castleford Tigers crew team and Britain's Oxford United Football Club.

Over the last five decades, millions of people have had their lives touched by "Sweet Caroline" in one way or another. The enduring popularity must be a pleasant surprise for Diamond, who had no idea he’d written a classic back in 1969. "Neil didn't like the song at all," Tommy Cogbill, a bass player at American Sound Studio, said in an interview for the 2011 book Memphis Boys. "I actually remember him not liking it and not wanting it to be a single."

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