The 14 Coolest Drive-In Movie Theaters in America

iStock/smodj
iStock/smodj

On June 6, 1933 the first patented drive-in movie theater opened in Camden, New Jersey, and the phenomenon only grew from there. At the peak of their popularity, America was home to approximately 4000 active drive-ins, but that number now hovers around the 355 mark.

The expensive move to digital projection and the rising costs of land hurt a lot of drive-in theater owners, forcing many of them to pack up their snack bars and close up shop. However, much like record stores and independent bookstores, drive-in theaters are in the midst of a comeback—and have upgraded their amenities to appeal to a wider demographic. Stale popcorn and overpriced sodas have been replaced with gourmet meals and alcoholic beverages at some theaters, while others have invested in digital technology. Dogs are welcome at many drive-ins around the country, and some theaters even offer camping facilities, so that your night out doesn't have to end with the credits roll. In many cases, it’s cheaper for a family to spend an evening at the drive-in than it is their local cineplex.

With the summer season upon us, and National Drive-In Movie Day happening on June 6, we've rounded up a list of some of America's coolest drive-ins. What exactly makes them cool, you might be wondering? It’s more than just an attention-grabbing Art Deco sign (though that helps). It’s theaters that offer mini golf, beer gardens, locally sourced foods, a lineup of classic films (not just first-run features), and even a giant potato sitting in the back of a pick-up truck as a landmark. Here are some of our favorite drive-ins across America.

1. Four Brothers Drive-In // Amenia, New York

Generic photo of a car at a drive-in theater
iStock/Darwin Brandis

In 2015, Four Brothers opened in upstate New York, less than two hours from New York City. By mixing modern amenities with retro touches, it redefines what a drive-in can be. From spring to fall they show movies every night. Known as a “boutique theatre,” the drive-in films tend to be family-friendly, but they also sometimes screen “cultural indie films.” On Throwback Thursdays, for example, they screen three films, including one ’80s classic. The drive-in includes an EV charger, food trucks, mini golf, and Hotel Caravana, an airstream moviegoers can rent overnight. The theater's concessions break the mold, too, in serving locally sourced foods and housemade items like rice pudding, salmon burgers, shakes made with Nutella or wine, affogatos, and a full craft cocktail menu.

2. The Mahoning Drive-In Theater // Lehighton, Pennsylvania

Located about 80 miles northwest of Philadelphia, Mahoning’s tagline is “where film never dies”—and they mean it. Instead of showing first-run flicks, they opt to do weekend-long themed festivals. Zombie Fest takes place over three nights and screens cult horror films. (You can camp overnight.) Second Chance Weekend, meanwhile, features critically panned films that deserve a closer look, like pairing Howard the Duck with Masters of the Universe. Bite Night brings 35mm prints of Jaws and Jurassic Park, and July brings Christmas films.

3. Blue Starlite Mini Boutique Drive-In // Austin, Texas and Minturn, Colorado

When the Blue Starlite opened in 2009, it became “the world’s one and only mini urban boutique drive-in movie theater.” They operate two locations: a year-round version in Austin, and a seasonal theater in Colorado. The appeal of the boutique experience is that it creates a sort of intimacy instead of piling hundreds of cars into an abandoned parking lot. Their three areas hold up to 50 cars, or hundreds of pedestrians. They screen “childhood favorites” like the original Star Wars trilogy, and the once held a Burt Reynolds festival. October is usually dedicated to horror films, and December features holiday films.

In 2016, the Starlite expanded to Minturn, a small Colorado town in the Rockies, not far from Vail. At 7898 feet, the Starlite might be the highest drive-in theater in the country. Like its sister theater, it alsos screen classic films, like The Goonies, Back to the Future, and a Grease sing-along while moviegoers eat s’mores and local donuts.

4. Greenville Drive-In Outdoor Cinema // Greenville, New York

The Greenville Drive-in, which is located about two-and-a-half hours from New York City, opened in 1959 but has since evolved with the times. Their snack shack sells locally sourced foods, and the Projectionists’ Beer Garden serves local brews. The double features focus on ‘80s and ‘90s films like Footloose, Dirty Dancing, Office Space, and Dazed and Confused, and they sometimes schedule live music. They say they like to “partner with emerging filmmakers to provide them with a space to screen and discuss their work.”

5. Doc’s Drive-In Theatre // Buda, Texas

In 2018, Doc’s opened in Buda, Texas, which is located about 15 miles southwest of Austin. Doc’s offers gourmet concessions: pretzels with beer cheese, nachos with shredded brisket, chips and salsa, pulled pork sandwiched, fancy hot dogs, waffles, and and on-site bar Mama Merlot’s. The two screens pair first-run films with classics like The Birds, The Breakfast Club, and The Dark Crystal, and some head-scratching combos like Risky Business and The Meg (though we're not complaining).

6. North Bay Mobile Drive-In // Novato, California

In the past decade, a group of people have created what’s known as Mov Mob or guerilla drive-ins in which a “drive-in theater” pop ups at different locations in a city. The North Bay Mobile Drive-In (located about 25 miles north of San Francisco) uses a car to project the movies onto a wall of the shuttered Old Hamilton Theater. They screen free movies every other week, year-round. Most of the films are classics—movies like A Fish Called Wanda, Spaceballs, The Day the Earth Stood Still—and come with a 20-minute pre-show of trailers and cartoons. They also offer concessions and a raffle.

7. Wellfleet Drive-In Theatre // Wellfleet, Massachusetts

The Wellfleet Drive In welcomes its guests to their outdoor theater before the start of their feature movie
iStock/Kirkikis

The Wellfleet Drive-In opened in 1957 and remains Cape Cod’s only drive-in—one where you can at oysters while watching double-feature first-run films. The theater’s located within a complex of a flea market, a mini golf course, and restaurants. In the flea area, you can drink beer, eat breakfast sandwiches, and order soft serve, root beer floats, and hard ice cream from the Dairy Bar. When the summer season is not in full swing, the theater screens lots of retro classics like Beetlejuice and Jaws (which was shot not too far away on Martha's Vineyard).

8. Bengies // Middle River, Maryland

At 52 feet high and 120 feet wide, Bengies boasts the largest outdoor movie theater screen in America. Bengies opened in 1956 near Baltimore and shows triple features on weekends for one price. On Memorial Day weekend, they screen movies from dusk until dawn. The concession menu includes craft sodas, egg rolls, hot dogs, burgers, donuts, cotton candy, and a pickle on a stick. In between movies, they screen classic cartoons and vintage trailers. And while it can get cold in Maryland, they offer in-car heaters so that they can stay open during colder months.

9. Blue Fox Drive-In Theater // Oak Harbor, Washington

Opened in 1959, Blue Fox screens first-run movies but also has a GoKart track that operates on weekends, as well as arcade games. And in 1989, Danny DeVito stopped by. As far as concessions, they offer Philly cheesesteaks, gluten-free items, 50 kinds of candy, and Big Gulp-like mugs of soda aptly named Really Big Mugs. Choose between a 64-ounce or 100-ounce mug; refills are only $3.75.

10. Coyote Drive-In // Fort Worth, Texas

The backdrop for the Coyote, a four-screen drive-in, is downtown Fort Worth—so you have quite the view. The Coyote Canteen features a large menu of pizza, hot dogs, Frito pie, kobe sliders, churros, and an even longer list of wines, ciders, and beers, including local ones. For the kids, they can play at a playground, and adults can have fun in their own playground, which is called a beer patio.

11. Spud Drive-In // Driggs, Idaho

Idaho likes to celebrate its potato-farming heritage, even at the drive-in. The Spud closed in 2011 but is back up up and running again, much to the delight of locals. Located in the rugged Teton Valley, they show first-run movies next to a pick-up truck carrying a giant potato. They sometimes have concerts, and motorcamping.

12. The Swap Shop // Fort Lauderdale, Florida

With 14 screens, The Swap Shop in Fort Lauderdale has the most screens of any drive-in theater in the country, and they have late shows that start at midnight. It’s not only the largest drive-in but it’s also the largest daily flea market in the world. Come to shop but stay to see first-run movies. The drive-in opens every night and screens one movie per ticket—so no double features here.

13. Shankweiler's Drive-In Theater // Orefield, Pennsylvania

What’s cool about Shankweiler’s is that they opened in 1934, making them the state’s first drive-in and the second drive-in theater in the U.S. And unlike the first drive-in, Shankweiler’s is still open—making it the longest operating drive-in in America. They screen first-run movies and vend standard concessions like funnel cakes, ice cream novelties, and BBQ.

14. Falconwood Park Drive-In // Omaha, Nebraska

Falconwood is the Omaha metro area’s last drive-in, which makes it all the more special. Located in a sprawling 26-acre park, the drive-in (or walk-in, as pedestrians are allowed) screens new and old films, including classics like Die Hard and the original The Lion King. During screenings, moviegoers can order from a food truck and a bar. The park offers sand volleyball, badminton, a vintage Ferris wheel, and a rustic lodge. Every summer, the park hosts the Hullabaloo Music Fest. Unfortunately, because of severe flooding, the drive-in season has been delayed. But they should be back on schedule later this summer.

10 Facts About DodgeBall: A True Underdog Story For Its 15th Anniversary

Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox

June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.

1. Dodgeball's creator was inspired by the book Fast Food Nation.

DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.

"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."

2. The movie's actors went through some rigorous training.

To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.

3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.

As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)

4. Stiller borrowed much of his character's personality from 1995's Heavyweights.

The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.

"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.

5. Justin Long suffered a minor concussion on the set.

Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."

"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.

6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.

Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.

7. The Average Joe's team colors are an homage to Hoosiers.

Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme. 

8. Chuck Norris was reluctant to make a cameo.

The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”

After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"

9. One villain was originally supposed to be a robot.

By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.

“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.

10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.

In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.

During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.

Game of Thrones Director Said He Wanted to 'Kill Everyone' During the Battle of Winterfell

Iain Glen and Emilia Clarke in Game of Thrones.
Iain Glen and Emilia Clarke in Game of Thrones.
Helen Sloan, HBO

Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.

Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.

According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.

There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."

Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.

[h/t Esquire]

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