Avengers: Endgame has been in theaters for less than two weeks, yet it has already managed to rake in more than $2 billion at the box office in record time. Amazingly, the Marvel superheroes still have a long way to go to crack the top 20 highest-grossing movies of all time (though Endgame currently holds the 74th spot on the list). We've written about some of the lowest-grossing movies of all time; here are America's highest-grossing ones, adjusted for inflation, according to Box Office Mojo.
1. Gone With the Wind (1939)
Released in 1939, Victor Fleming’s adaptation of Margaret Mitchell’s Pulitzer Prize-winning Civil War epic is one of the world’s first genuine blockbusters—and still holds the top spot for box office dollars, with a grand total of $1,822,598,200.
2. Star Wars (1977)
The George Lucas space opera that launched a thousand action figures (and almost as many sequels and prequels) still reigns supreme in the Star Wars universe, with a total take of $1,635,137,900.
3. The Sound of Music (1965)
The hills are alive … with the sound of $1,283,791,300 in domestic ticket sales
4. E.T.: The Extra-Terrestrial (1982)
The biggest movie of 1982 is also the fourth biggest movie of all time, with a grand total of $1,278,107,600. That’s a lot of Reese’s Pieces.
5. Titanic (1997)
James Cameron may have gotten some flak after declaring himself “King of the World” when he scooped up the award for Best Director at the 1998 Oscars, but he wasn’t too far off. Between Avatar (more on that later) and Titanic, whichtook in $1,221,303,800, Cameron holds two of the top three spots on the highest-grossing films worldwide.
6. The Ten Commandments (1956)
Cecil B. DeMille’s Biblical epic managed to conjure up $1,180,310,000 at the box office, even with a near-four-hour running time.
7. Jaws (1975)
The film that made Steven Spielberg a household name may have scared audiences away from the water, but it brought them to the cinema in droves, as evidenced by its $1,153,990,200 in ticket sales.
8. Doctor Zhivago (1965)
Despite being banned in Russia—the country in which it is set—until 1994, David Lean’s epic drama-romance still managed to drum up more than a billion dollars ($1,118,460,500) from U.S. audiences.
9. The Exorcist (1973)
William Friedkin’s groundbreaking horror film is the genre’s first to score a Best Picture Oscar nomination. Though it ultimately lost to The Sting, it won as far as the box office was concerned, with a grand total of $996,498,500.
10. Snow White and The Seven Dwarfs (1937)
Walt Disney Pictures
Rounding out the top 10 is the oldest film on this list; the Walt Disney classic generated $982,090,000 at the box office.
11. Star Wars: The Force Awakens (2015)
The newest film on this list, perhaps unsurprisingly, is yet another entry in the Star Wars saga. The Force Awakens managed to ring up $974,117,000 in box office receipts.
12. 101 Dalmatians (1961)
Yet another Disney classic, the original 101 Dalmatians barked up $900,254,400 between its original 1961 release and four re-releases (in 1969, 1979, 1985, and 1991).
13. The Empire Strikes Back (1980)
The second film released in the Star Wars franchise is its third highest grossing, with $884,607,500 in adjusted domestic ticket sales.
14. Ben-Hur (1959)
William Wyler’s sword and sandal spectacular was a hit with audiences, generating $883,402,600 in ticket sales.
15. Avatar (2009)
Twentieth Century Fox
James Cameron's eco-minded sci-fi film is the director's second in the top 20 highest-grossing films, with $876,759,300.
16. Return of the Jedi (1983)
Another Star Wars movie, another entry on this list. The franchise’s third release made an impressive $847,475,300.
17. Jurassic Park (1993)
While Jurassic World, the fourth installment in the Jurassic Park series, currently holds the 24th spot on this list with $712,233,300, it’s got a long way to go before matching the original’s $825,894,500 in box office grosses.
18. Star Wars: Episode I — The Phantom Menace (1999)
George Lucas. Again. This time with The Phantom Menace, which took in $813,711,800. Despite the presence of Jar Jar Binks.
19. The Lion King (1994)
Walt Disney Pictures
The beloved animated classic roared its way into the all-time top 20 with $803,209,300.
20. The Sting (1973)
The Best Picture of 1973 was also a big winner at the box office, generating $803,177,100 in ticket sales.
Vince Vaughn stars in Dodgeball: A True Underdog Story (2004).
Twentieth Century Fox
June 18, 2004 saw the release of two wildly different films in American cinemas: Steven Spielberg’s The Terminal and a goofy, cameo-filled, wrench-chucking sports comedy called DodgeBall: A True Underdog Story. Guess which one came out on top at the box office? The sleeper hit both saluted and skewered the sports movie genre. It also gave Chuck Norris the chance to enjoy a free helicopter ride.
1. Dodgeball's creator was inspired by the book Fast Food Nation.
DodgeBall writer/director Rawson Marshall Thurber considered DodgeBall an homage to some of his favorite flicks, including Revenge of the Nerds (1984), Rocky (1976), and Bull Durham (1988). Another source of inspiration was Eric Schlosser’s Fast Food Nation, the nonfiction bestseller about the modern obsession with greasy, ready-made cuisine. Published in 2001, Fast Food Nation sold more than 1.4 million copies within five years. It also left plenty of fingerprints on Thurber’s script.
"I really took a cue from that—there's an absolute love/fear relationship thing in our culture," Thurber told Film Freak Central in 2014. "We're so weight conscious, so image conscious, so youth-oriented—and wrapped up with all that psychosis are these ad images of it being so cool and all-American and sexy to eat McDonald's and drink pop and all that. It pulls people in all sorts of different directions, so I wanted [Ben Stiller’s character] White Goodman to be sitting there with a doughnut and the car battery attached to his nipples … That situation with food, with sports, with so much of our culture. [It’s] already almost too surreal to satirize."
2. The movie's actors went through some rigorous training.
To ready themselves for the movie, Ben Stiller, Vince Vaughn, and the rest of the actors ran indoor dodgeball drills at what many of them have since described as a “boot camp.” According to Stiller, this basically consisted of “us at a gym a few times a week playing dodgeball.” While that may not sound too intense, the physicality of these sessions took its toll on the performers. “It’s a game for the young,” Stiller said. “It’s one thing when you’re eight, but when you’re 38, it gets really exhausting. After three or four minutes, you’re fried.” Practicing at his side was Stiller’s wife, Christine Taylor, who plays Kate Veatch of the Average Joe’s squad in DodgeBall.
3. Ben Stiller took Christine Taylor down with a dodgeball ... twice.
As a general rule, it’s never a good idea to hit one’s spouse in the face with a rubber ball while playing any sport, but that’s exactly what Stiller did to Christine Taylor—twice. Blow number one came during the boot camp; the second strike occurred while filming the epic Globo Gym/Average Joe’s showdown. The latter ball was intended to strike Vaughn, who reflexively flinched to get out of the way. In any event, Stiller admits that those two incidents put a temporary damper on the couple’s marital harmony “for like a week, because there’s no way to not get upset with somebody after you’ve done that. It just sent us both back to eighth grade." (Though the couple announced that they were divorcing in 2017, the split has never been made official, and the couple is still regularly seen together—sparking rumors of a reconciliation.)
4. Stiller borrowed much of his character's personality from 1995's Heavyweights.
The fact that Stiller borrowed some of White Goodman’s traits from Tony Perkis, the fanatical fat camp owner he played in 1995’s Heavyweights, won’t surprise anyone who has seen both films. DodgeBall’s White Goodman (as played by Stiller) is a bombastic, egomaniacal fitness guru with some inherited wealth and major insecurities. The same description also applies to Perkis. A lighthearted family comedy, Heavyweights didn’t fare well at the box office, grossing a meager $17.6 million. As such, when Stiller copied a few of Perkis’s mannerisms in DodgeBall, he figured that no one would notice.
"I always thought, ‘Well, nobody ever saw Heavyweights, so I can do this,” Stiller recalled. “But a lot of people saw Heavyweights … Apparently, it shows on the Disney Channel a lot or something.” Regarding the two characters, Stiller has said that Perkis is “definitely a first or second cousin” to Goodman.
5. Justin Long suffered a minor concussion on the set.
Justin Long, who plays Justin in the film, took some hard knocks while making this movie. For starters, a prop wrench made with hard rubber left a nasty cut on his eyebrow when Rip Torn, as Patches O’Houlihan, threw it at his face in one scene. Then, while filming another section of DodgeBall’s training montage, the actor was pelted with enough high-speed balls to render him "slightly concussed."
"They didn’t want me to drive home at the end of the day because I was a little off," Long told Today in 2017. “So next time you’re watching that and laughing, know that you’re laughing at my pain.” Still, the experience wasn’t all bad. According to New York Magazine, Long can often be seen riding a scooter adorned with the words “Average Joe’s,” a gift from Stiller.
6. Hank Azaria and Rip Torn didn't even try to synchronize their Patches O'Houlihan voices.
Early in the film, we get to watch an instructional video about dodgeball (and social Darwinism) hosted by a young Patches O’Houlihan, who is played by Hank Azaria. For the remainder of the film, however, it’s Rip Torn who portrays the seven-time ADAA all-star. You may have noticed that the two actors use very different accents in their respective scenes: Azaria, who joined the cast at Stiller’s invitation, called his performance “essentially a bad Clark Gable impression.” At the time, Torn’s sequences hadn’t been shot yet, leading someone in the crew to pipe up and say “You know, it’d be funny if Rip tries to emulate that voice!” “I was like, ‘Yeah, good luck walking up to Rip Torn and suggesting that he change his vocal quality in any way. Let me know how that goes for you,’” Azaria replied.
7. The Average Joe's team colors are an homage to Hoosiers.
Thurber, a fan of David Anspaugh’s Oscar-nominated Hoosiers (1986), tipped his hat to the Hickory Huskers’ red and yellow uniforms by giving the Average Joe’s squad—led by Vince Vaughn’s Pete LaFleur—an almost identical color scheme.
8. Chuck Norris was reluctant to make a cameo.
The action star’s only scene was shot in Long Beach, California. Geographically speaking, this was problematic for Norris. “I was in L.A. when they asked me to do the cameo,” Norris told Empire Magazine. “I said no at first because it was a three-hour drive to Long Beach.” Hearing this, Stiller called Norris and begged him to reconsider. “He goes, ‘Chuck, please, you’ve got to do this for me!’” Norris recalled, “My wife said he should send a helicopter for me and that's what happened. I didn't read the screenplay, just did my bit where I stick my thumb up.”
After post-production on DodgeBall wrapped and Norris got around to seeing the finished product, he found himself enjoying most of it. However, there was one little moment in the final credits that really caught him off-guard. “In the end, when Ben’s a big fatty and watching TV, the last line of the whole movie is, 'F***ing Chuck Norris!' My mouth fell open ... I said, 'Holy mackerel!' That was a shock, Ben didn't tell me about that!"
9. One villain was originally supposed to be a robot.
By far the most mysterious player in the Purple Cobras lineup is Fran Stalinovskovichdavidovitchsky, an Eastern European all-star whom Goodman calls “The deadliest woman on earth with a dodgeball.” What’s the secret to her success? Well, in an early version of the screenplay, it’s revealed that Fran is actually a robot in disguise. Thurber ended up dropping the gag, which he considered too ridiculous—even by DodgeBall’s standards. However, when Missi Pyle was cast as Fran, the big twist hadn’t yet been cut.
“Initially, in the first script I read, she was a robot, like a sexy-bodied robot” Pyle explained. The original plan was to slowly pan the camera up over a partly-exposed Robo-Fran—with her metallic face and fake breasts on full display—at some point in the climax.
10. Alan Tudyk weighed in on a fan theory about Steve the Pirate.
In 2012, Redditor Maized made the case Steve the Pirate, Alan Tudyk’s swashbuckling oddball, is actually an “ex-Navy sailor who suffers from PTSD.” As evidence, Maized cited Steve’s tattoos, which bear a striking resemblance to those frequently worn by U.S. Naval recruits. In theory, the Average Joe’s patron uses his pirate persona to cope with his condition.
During a 2016 interview with Screen Crush, Tudyk was asked to offer his thoughts on the theory. With a chuckle, Tudyk replied that it “doesn’t seem like it’s impossible.” Emphasizing that he didn’t wish to “insult Navy sailors who have PTSD,” the actor said he’d consider taking the Redditor’s idea into account if a DodgeBall sequel is ever made.
Now that Game of Thrones is over, it’s time to talk about the nitty-gritty of the episodes, particularly “The Long Night.” While the Battle of Winterfell may have been nerve-wracking to watch, there ended up being surprisingly fewer deaths than fans expected, considering the living were fighting the entire army of the dead.
Miguel Sapochnik, who directed the episode, was no beginner with battle scenes before taking on “The Long Night,” as he was also responsible season 6's iconic “The Battle of the Bastards” as well as the memorable season 5 episode “Hardhome.” While his list of Game of Thrones accomplishments is long, it turns out that Sapochnik's choices haven't always been in line with what showrunners David Benioff and D.B. Weiss want.
According to IndieWire, Sapochnik’s aesthetic choices, such as the decision to shoot shoot Cersei and Tommen shadowed by prison-like bars to represent Tommen’s imprisonment in season 5, were not favored by the showrunners. “[Benioff and Weiss] said [it was] ‘so self-conscious and we hate it basically,'” Sapochnik revealed at the time. Because of disagreements like this, the pair “visually policed” the director.
There was a difference of opinion between the director and the creators again for “The Long Night,” Sapochnik revealed on IndieWire's Filmmaker's Toolkit podcast. “I wanted to kill everyone,” the director said, as reported by Esquire. “I wanted to kill Jorah in the horse charge at the beginning. I wanted it to be ruthless, so in the first 10 minutes you could say all bets are off, anyone could die. But David and Dan didn’t want to. There was a lot of back-and-forth on that."
Ultimately, Sapochnik gave in to Benioff and Weiss’s plan for the episode, and the Battle of Winterfell had far fewer casualties than most of the series's other battle scenes.