18 Winning Facts About Bend It Like Beckham

Fox Searchlight Pictures
Fox Searchlight Pictures

Five years before David Beckham moved across the Atlantic—and before anyone knew who Keira Knightley was—a low-budget movie about a Punjabi teenager living in Southall who wanted to play soccer became a bona fide international sensation.

Bend It Like Beckham was a surprise smash, earning more than $76.5 million against a $6 million budget. Although the film itself is British, both in its setting and its theme—dealing with immigrant integration in a country with a religious-like devotion to football (what we know as soccer)—it delighted critics and audiences worldwide with its quiet charm and optimism. On the fifteenth anniversary of its U.S. release, and one West End musical adaptation later, here are 18 winning facts about Bend It Like Beckham.

1. IN AMERICA, IT WAS ALMOST KNOWN AS MOVE IT LIKE MIA.

In 2002, studio executives at Fox Searchlight were concerned that Americans wouldn’t know who David Beckham was, and wouldn’t understand what it meant to “bend” a soccer ball. Fortunately they changed their minds before the film was released after writer-director Gurinder Chadha objected.

2. EVEN THOUGH IT'S NAMED FOR DAVID BECKHAM, THE FILM WAS ACTUALLY INSPIRED BY PLAYER IAN WRIGHT.

Chadha said that her initial idea to write a film about “the evolving concept of Britishness” came about when she saw an image of Ian Wright, a black player, wearing the Union Jack flag at the Euro 96 championship.

3. GURINDER CHADHA DIDN'T KNOW ANYTHING ABOUT SOCCER.

Chadha relied on her co-writers to fill in the blanks of what she didn't know, writing “jargon jargon football jargon,” instead of actual content, into the Beckham script.

4. BOTH PARMINDER NAGRA AND KEIRA KNIGHTLEY DID ALL OF THEIR OWN SOCCER PLAYING.

“I put them into three months solid football training and they had a coach and every day they would in and train," Chadha told blackfilm.com. "They worked really hard at it. Keira, who plays Jules, got concussions a few times. Parminder really damaged her toes and was too scared to [kick] the ball in case she broke one. They really had to go through the pain barrier like other athletes in order to excel. It’s only when I said, ‘We could always use doubles, don’t worry about it,' when the two of them said, ‘No way! We’re definitely going to go for it.’ And they did.”

5. KNIGHTLEY HAD SOME SERIOUS SKILLS.

According to Simon Clifford, the coach who trained the lead actresses to be believable footballers, by the end of training, Knightley "could do things some Premier League players can't do ... If I'd trained her from the age of 10 or 11, without a shadow of a doubt, Keira could have been a pro.”

It's particularly impressive considering Knightley's soccer experience had been fairly limited up until that point. “I was captain of the girls' team in primary school, but we never actually scored a goal,” Knightley told Interview Magazine. "We only kicked people.”

6. MOST OF THE HOUNSLOW HARRIERS WERE PROFESSIONAL PLAYERS.

While Nagra and Knightley were cast for their acting ability and learned how to play soccer for the role, the rest of their team, the Hounslow Harriers, was made up of professional players. “All the other girls in the film play for various London clubs except one, Shaznay Lewis. She’s part of the music band All Saints, which is really a popular band," Chadha said.

As it turns out, the actresses, pro players, and musician worked incredibly well together. "We literally had become a really solid team,” Nagra said. "We got so into it once that Gurinder stormed across the pitch, shouting, 'Cut! Cut! Have you forgotten this is a movie?'”

7. THE MOVIE LAUNCHED KNIGHTLEY'S CAREER.

Keira Knightley in Bend It Like Beckham (2002)
Fox Searchlight Pictures

Although she had already made several small television appearances and a brief appearance in Star Wars: Episode I – The Phantom Menace, Bend It Like Beckham was Knightley’s breakout role. One year later, in 2013, she appeared in Love Actually and Pirates of the Caribbean, cementing her place as a Hollywood A-lister.

8. THE WOMEN'S UNITED SOCCER ASSOCIATION FOLDED ONE YEAR AFTER THE MOVIE'S RELEASE.

In the film, Jules encourages Jess to pursue her dream of playing soccer professionally, telling her that in America women can play with the WUSA. Although that was true at the time, the organization folded in 2003.

9. THE SCAR ON JESS'S LEG IS REAL, AND THE STORY BEHIND IT IS TRUE.

Parminder Nagra in Bend It Like Beckham (2002)
Fox Searchlight Pictures

Nagra was worried that the scar on her leg would prevent her from getting a part in a film that required her to wear shorts for much of her character’s screen-time. Instead, Chadha wrote the scar into the script, lifting the story about an accident making beans on toast as an eight-year-old straight from Nagra’s life.

10. CHADHA WAS THE FIRST BRITISH ASIAN WOMAN TO EVER DIRECT A FEATURE LENGTH FILM.

After creating a 1989 documentary about the lives of young British Asians, Chadha made her feature directorial debut with Bhaji on the Beach, a film which went on to earn a BAFTA nomination for "Alexander Korda Award for Best British Film" in 1995. Eight years later, in 2003, Bend It Like Beckham was nominated for the same award.

11. IT WAS THE FIRST WESTERN FILM TO BE PUBLICLY SCREENED IN NORTH KOREA.

Kim Jong-il screened the girl-power flick at the Pyongyang Film Festival in 2004, where it was seen by 12,000 people. In 2010, Bend It Like Beckham became the first western-made film ever to be broadcast on television in the country, as an event marking 10 years of diplomatic ties between the U.K. and North Korea. The 112-minute film was edited down to just an hour long.

12. JESS'S JERSEY NUMBER IS SEVEN, WHICH IS THE NUMBER BECKHAM WORE FOR MANCHESTER UNITED.

Jules wears number nine, which is Mia Hamm's number. Both characters had the corresponding player’s poster hanging in their room.

13. JOE WASN'T SUPPOSED TO BE IRISH.

Jonathan Rhys Meyers and Parminder Nagra in Bend It Like Beckham (2002)
Fox Searchlight Pictures

“He was originally English,” Jonathan Rhys Meyers told the Irish Examiner, “but I had to read with Parminder—who plays Jess—and during the screen test we did the scene where she complains that someone called her a Paki, and I just shouted back, ‘Listen, I’m f*cking Irish and what’s your problem?’ It made sense that the Irish being a minority in England as well, Joe would have an empathy with Jess on that level. And the director just loved that, so Irish he remained.”

14. JONATHAN RHYS MEYERS WAS ORIGINALLY EMBARRASSED BY THE FILM.

"I thought it was going to be terrible!" Rhys Meyers told Marie Claire. "For months and months and months, I refused to tell anybody that I'd been in a film called Bend It Like Beckham. Even in the beginning I was like, 'I don't want to do this.' But I spoke to my brother and he said, 'Do the film. Everybody's going to love this.' It's one of those girly, guilty-pleasure movies. It's on that shelf with Dirty Dancing, Footloose, and Beaches."

15. BEND IT LIKE BECKHAM WAS MADE INTO A WEST END MUSICAL IN MAY 2015.

The musical, which ran at London's Phoenix Theatre, was also written and directed by Chadha. It closed in March 5, 2016, when the original actors' contracts were up.

Chadha initially had serious doubts that Howard Goodall and Charles Hart, the men who composed and wrote the show's music, would be able to capture the heart of a story about female empowerment and the immigration experience. “I thought, how will these two middle-aged English blokes get on with this material?” Chadha told The Telegraph. “Then I met them and it was job done, marriage made in heaven. Both of them are a particular kind of Englishman that I really love and respect.”

16. THE FILM WAS HEAVILY INFLUENCED BY CHADHA'S FATHER.

In an interview with The Guardian, Chadha said that Bend It Like Beckham became something of a tribute to her father, who passed away before the film was edited.

"It had a profound effect on me. And it's sort of funny really; when he died, it was absolutely gut-wrenching ... but it was like that fantastic Powell and Pressburger film, A Matter of Life and Death; suddenly time stopped still and went into color. When he died, there was this real sense of loss and tragedy, but at the same time, there was a sense of appreciation. It made me very impatient with people who throw life away. It was an epiphany. And I didn't know this at the time, but when I was making Beckham, I was totally grieving. That's why that film is so emotional and so raw, especially the scenes with the dad. It's a film that was made in grief."

17. THE "BENDING" IN THE TITLE REFERS TO MORE THAN JUST A TYPE OF KICK.

Parminder Nagra in Bend It Like Beckham (2002)
Fox Searchlight Pictures

Chadha related the idea of “bending” a ball to the way women strive to achieve their goals in male-dominated industries. “We can see the goal, but we too, like David Beckham, need to approach it in such a way where we twist and turn and bend our way into it," she explained. "My film is about bending the rules to get what you want instead of breaking the rules.”

18. ACTUALLY BENDING A BALL RELIES ON THE MAGNUS EFFECT.

The Magnus effect is defined as “the force exerted on a rapidly spinning cylinder or sphere moving through air or another fluid in a direction at an angle to the axis of spin.” In other words, when a ball is spinning, it’s also causing the air around it to spin. If the ball is spinning and moving forward at the same time (in the case of a good soccer kick), the pressure difference from the air around the ball and the air rushing past it will cause a difference in pressure that will make the ball “bend,” or move in a curved path.

15 Fascinating Facts About Schindler’s List

Universal Pictures
Universal Pictures

In 1993, Steven Spielberg’s Schindler’s List brought to the screen a story that had gone untold since the tragic events of the Holocaust. Oskar Schindler, a Nazi party member, used his pull within the party to save the lives of more than 1000 Jewish individuals by recruiting them to work in his Polish factory. Here are some facts about Spielberg’s groundbreaking film on its 25th anniversary.

1. The story was relayed to author Thomas Keneally in a Beverly Hills leather goods shop.

In October 1980, Australian novelist Thomas Keneally had stopped into a leather goods shop off of Rodeo Drive after a book tour stopover from a film festival in Sorrento, Italy, where one of his books was adapted into a movie. When the owner of the shop, Leopold Page, learned that Keneally was a writer, he began telling him “the greatest story of humanity man to man.” That story was how Page, his wife, and thousands of other Jews were saved by a Nazi factory owner named Oskar Schindler during World War II.

Page gave Keneally photocopies of documents related to Schindler, including speeches, firsthand accounts, testimonies, and the actual list of names of the people he saved. It inspired Keneally to write the book Schindler’s Ark, on which the movie is based. Page (whose real name was Poldek Pfefferberg) ended up becoming a consultant on the film.

2. Keneally wasn't the first person Leopold Page told about Oskar Schindler.

The film rights to Page’s story were actually first purchased by MGM for $50,000 in the 1960s after Page had similarly ambushed the wife of film producer Marvin Gosch at his leather shop. Mrs. Gosch told the story to her husband, who agreed to produce a film version, even going so far as hiring Casablanca co-screenwriter Howard Koch to write the script. Koch and Gosch began interviewing Schindler Jews in and around the Los Angeles area, and even Schindler himself, before the project stalled, leaving the story unknown to the public at large.

3. Schindler made more than one list.

Liam Neeson, Agnieszka Krukówna, Krzysztof Luft, Friedrich von Thun, and Marta Bizon in Schindler's List (1993)
Universal Pictures

Seven lists in all were made by Oskar Schindler and his associates during the war, while four are known to still exist. Two are at the Yad Vashem in Israel, one is at the US Holocaust Museum in Washington, D.C., and one privately owned list was unsuccessfully auctioned off via eBay in 2013.

The movie refers to the first two lists created in 1944, otherwise known as “The Lists of Life.” The five subsequent lists were updates to the first two versions, which included the names of more than 1000 Jews who Schindler saved by recruiting them to work in his factory.

4. Steven Spielberg first learned of Schindler in the early 1980s.

Former MCA/Universal president Sid Sheinberg, a father figure to Spielberg, gave the director Keneally’s book when it was first published in 1982, to which Spielberg allegedly replied, “It’ll make a helluva story. Is it true?”

Eventually the studio bought the rights to the book, and when Page met with Spielberg to discuss the story, the director promised the Holocaust survivor that he would make the film adaptation within 10 years. The project languished for over a decade because Spielberg was reluctant to take on such serious subject matter. Spielberg’s hesitation actually stopped Hollywood veteran Billy Wilder from making Schindler’s List his final film. Wilder tried to buy the rights to Keneally’s book, but Spielberg and MCA/Universal scooped them up before he could.

5. Spielberg refused to accept a salary for making the movie.

Though Spielberg is already an extremely wealthy man as a result of the many big-budget movies that have made him one of Hollywood’s most successful directors, he decided that a story as important as Schindler’s List shouldn’t be made with an eye toward financial reward. The director relinquished his salary for the movie and any proceeds he would stand to make in perpetuity, calling any such personal gains “blood money.” Instead, Spielberg used the film’s profits to found the USC Shoah Foundation, which was established in 1994 to honor and remember the survivors of the Holocaust by collecting personal recollections and audio visual interviews.

6. Before Spielberg agreed to make the movie, he tried to get other directors to make it.

Part of Spielberg’s reluctance to make Schindler's List was that he didn’t feel that he was prepared or mature enough to tackle a film about the Holocaust. So he tried to recruit other directors to make the film. He first approached director Roman Polanski, a Holocaust survivor whose own mother was killed in Auschwitz. Polanski declined, but would go on to make his own film about the Holocaust, The Pianist, which earned him a Best Director Oscar in 2003. Spielberg then offered the movie to director Sydney Pollack, who also passed.

The job was then offered to legendary filmmaker Martin Scorsese, who accepted. Scorsese was set to put the film into production when Spielberg had an epiphany on the set of the revisionist Peter Pan story Hook and realized that he was finally prepared to make Schindler’s List. To make up for the change of heart, Spielberg traded Scorsese the rights to a movie he’d been developing that Scorsese would make into his next film: the remake of Cape Fear.

7. The movie was a gamble for Universal, so they made Spielberg a dino-sized deal.

When Spielberg finally decided to make Schindler’s List, it had taken him so long that Sheinberg and Universal balked. The relatively low-budget $23 million three-hour black-and-white Holocaust movie was too much of a risk, so they asked Spielberg to make another project that had been brewing at the studio: Jurassic Park. Make the lucrative summer movie first, they said, and then he could go and make his passion project. Spielberg agreed, and both movies were released in 1993; Jurassic Park in June and Schindler’s List in December.

8. Spielberg didn't want a movie star with Hollywood clout to portray Schindler.

Kevin Costner and Mel Gibson auditioned for the role of Oskar Schindler, and actor Warren Beatty was far enough along in the process that he even made it as far as a script reading. But according to Spielberg, Beatty was dropped because, “Warren would have played it like Oskar Schindler through Warren Beatty.”

For the role, Spielberg cast then relatively unknown Irish actor Liam Neeson, whom the director had seen in a Broadway play called Anna Christie. “Liam was the closest in my experience of what Schindler was like,” Spielberg told The New York Times. “His charm, the way women love him, his strength. He actually looks a little bit like Schindler, the same height, although Schindler was a rotund man,” he said. “If I had made the movie in 1964, I would have cast Gert Frobe, the late German actor. That’s what he looked like.”

Besides having Neeson listen to recordings of Schindler, the director also told him to study the gestures of former Time Warner chairman Steven J. Ross, another of Spielberg’s mentors, and the man to whom he dedicated the film.

9. Spielberg did his own research.

In order to gain a more personal perspective on the film, Spielberg traveled to Poland before principal photography began to interview Holocaust survivors and visit the real-life locations that he planned to portray in the movie. While there, he visited the former Gestapo headquarters on Pomorska Street, Schindler’s actual apartment, and Amon Goeth’s villa.

Eventually the film shot on location for 92 days in Poland by recreating the Płaszów camp in a nearby abandoned rock quarry. The production was also allowed to shoot scenes outside the gates of Auschwitz.

10. The little girl in the red coat was real.

Promotional image for 25th anniversary rerelease of Schindler's List.
Universal Pictures

A symbol of innocence in the movie, the little girl in the red coat who appears during the liquidation of the ghetto in the movie was based on a real person. In the film, the little girl is played by actress Oliwia Dabrowska, who—at the age of three—promised Spielberg that she would not watch the film until she was 18 years old. She allegedly watched the movie when she was 11, breaking her promise, and spent years rejecting the experience. Later, she told the Daily Mail, “I realized I had been part of something I could be proud of. Spielberg was right: I had to grow up to watch the film.”

The actual girl in the red coat was named Roma Ligocka; a survivor of the Krakow ghetto, she was known amongst the Jews living there by her red winter coat. Ligocka, now a painter who lives in Germany, later wrote a biography about surviving the Holocaust called The Girl in the Red Coat.

11. The movie wasn't supposed to be in English.

For a better sense of reality, Spielberg originally wanted to shoot the movie completely in Polish and German using subtitles, but he eventually decided against it because he felt that it would take away from the urgency and importance of the images onscreen. According to Spielberg, “I wanted people to watch the images, not read the subtitles. There’s too much safety in reading. It would have been an excuse to take their eyes off the screen and watch something else.”

12. The studio didn't want the movie to be in black and white.

The only person at MCA/Universal who agreed with Spielberg and director of cinematography Janusz Kaminski’s decision to shoot the movie in black and white was Sheinberg. Everyone else lobbied against the idea, saying that it would stylize the Holocaust. Spielberg and Kaminski chose to shoot the film in a grimy, unstylish fashion and format inspired by German Expressionist and Italian Neorealist films. Also, according to Spielberg, “It’s entirely appropriate because I’ve only experienced the Holocaust through other people’s testimonies and through archival footage which is, of course, all in black and white.”

13. Spielberg's passion project paid off in Oscars.

Schindler’s List was the big winner at the 66th Academy Awards. The film won a total of seven Oscars, including Best Picture and Best Director awards for Spielberg. Neeson and Ralph Fiennes were both nominated for their performances, and the film also received nods for Costume Design, Makeup, and Sound.

14. Schindler's List is technically a student film.

Steven Spielberg gives a speech
Nicholas Hunt, Getty Images

Thirty-three years after dropping out of college, Spielberg finally received a BA in Film and Video Production from his newly minted alma mater, Cal State Long Beach, in 2002. The director re-enrolled in secret, and gained his remaining credits by writing essays and submitting projects under a pseudonym. In order to pass a film course, he submitted Schindler’s List as his student project. Spielberg describes the time gap between leaving school and earning his degree as his “longest post-production schedule.”

15. Spielberg thinks the film may be even more important to watch today.

In honor of the film's 25th anniversary, it's currently back in theaters. But Spielberg believes that the film may be even more important for today's audiences to see. "I think this is maybe the most important time to re-release this film," the director said in a recent interview with Lester Holt on NBC Nightly News. Citing the spike in hate crimes targeting religious minorities since
2016, he said, "Hate's less parenthetical today, it's more a headline."

Additional Sources:
The Making of Schindler’s List: Behind the Scenes of an Epic Film, by Franciszek Palowski

An earlier version of this article appeared in 2015.

The Most-Searched Holiday Movie in Every State, Mapped

iStock.com/chrispecoraro
iStock.com/chrispecoraro

Do you live in a Gremlins state or a Home Alone state? StreamingObserver is here to tell you. The streaming-industry site recently used Rotten Tomatoes and other public data sources to figure out the most popular Christmas movies in each state. Spoiler: It’s a Wonderful Life isn’t quite the Christmas classic you thought it was.

The list takes some liberties with what might be considered a “Christmas” movie. Die Hard (a favorite in Missouri and Wisconsin) made the list, as did Batman Returns (California’s most-searched movie) and Edward Scissorhands (popular in Nevada and Arizona). They aren’t quite the traditional Hallmark holiday fare, but they each include at least some nod to the Christmas season.

Then there’s the more standard Yuletide entertainment, like A Christmas Carol (Tennessee’s favorite) and Frosty the Snowman (South Dakota's pick). Christmas in Connecticut, oddly enough, is Montana’s favorite (unclear whether that’s the 1945 film or the 1992 TV movie), while Connecticut’s favorite is the 1983 Eddie Murphy film Trading Places. The Apartment, The Snowman, Miracle on 34th Street, and The Best Man Holiday also make an appearance. Seven states list Gremlins as their favorite, while six chose Home Alone and three chose Scrooged.

The data is based on Google searches, rather than surveys, so it's possible that the movie at the top of each state's list isn't so much beloved as it is curiosity-inspiring. It's possible that all these people are Googling Gremlins, then deciding not to watch it. But we feel fairly confident saying a lot of people will be watching Die Hard this Christmas season. (Tip: You can't stream it on Netflix right now, but you can rent it on Amazon.)

The 2018 results are fairly different from StreamingObserver's 2016 data, which you can compare here. Do you agree with your state's preferences?

SECTIONS

arrow
LIVE SMARTER