Operation Cone of Power: When British Witches Attacked Adolf Hitler

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It was the summer of 1940, just weeks after a narrow escape by the British armies at Dunkirk, and the United Kingdom was braced for the onslaught of a threatened German invasion.

On the nation’s South Coast, one of many areas in danger of invasion from the sea, towns and villages were transformed by sandbags, barricades, and barbed wire into coastal redoubts where volunteers kept watch on the sea and the sky. The Battle of Britain was yet to reach its peak, but the drone of enemy planes could be heard flying overhead.

In the town of Highcliffe-on-Sea, the story goes, a secretive group of witches and spiritual seekers resolved to do what they could to defend their country. It’s said they arranged to meet in an ancient forest before midnight on August 1, 1940—the eve of Lammas Day, a harvest festival and one of the Greater Sabbats of the neopagan religion known as Wicca.

There, they are said to have staged a magical assault on the mind of Adolf Hitler in distant Berlin, by means of a ritual that became known by the mock military codename "Operation Cone of Power."

According to Gerald Gardner, the retired British civil servant who founded modern Wicca, the magical assault was based on secret knowledge passed down through generations of English witches. In his 1954 book Witchcraft Today, Gardner wrote that invasions had been turned back by magic twice before in English history—the first in 1588, when the Spanish Armada became discouraged after being scattered by storms, and then in 1805 when Napoleon called off his planned invasion of England.

An English folktale relates that the British admiral at the time of the Armada, Francis Drake, had joined a group of "sea witches" at a headland called Devil’s Point, near the naval port at Plymouth, to attack the approaching Spanish ships with a magical storm. It is said that on foggy days at Devil’s Point, the disembodied chants of Drake and the witches can still be heard. And in the early 19th century, Gardner wrote, another group of English witches cast spells to deter Napoleon.

Gardner claimed that similar rituals were used in 1940 against the Nazi leader by a secretive coven of witches who lived around Highcliffe: "Witches did cast spells, to stop Hitler landing after France fell," he wrote in Witchcraft Today. "They met, raised the great cone of power and directed the thought at Hitler's brain: 'You cannot cross the sea' ... just as their great-grandfathers had done to Boney and their remoter forefathers had done to the Spanish Armada …

"I am not saying that they stopped Hitler," Gardner added. "All I say is that I saw a very interesting ceremony performed with the intention of putting a certain idea into his mind … and though all the invasion barges were ready, the fact was that Hitler never even tried to come."

The British author and Wiccan Philip Heselton, who has researched Operation Cone of Power for Witchfather, his biography of Gardner, and several other books, thinks 17 people took part in the Lammas Eve ritual in 1940—including members of a local family said to be descended from witches.

They were joined by several Highcliffe residents, like Gardner, who had met through a local dramaturgical group called the Rosicrucian Crotona Fellowship, which had links to older esoteric groups such as the Co-Masons—a form of Freemasonry that admitted women—and the Hermetic Order of the Golden Dawn.

Heselton believes the group met in the New Forest, a few miles north of Highcliffe, near an ancient gallows-tree called the Naked Man, and made their way by foot to the site selected for the ritual, near a woodland called Ferny Knapp Inclosure.

In a forest clearing surrounded by pines, Heselton wrote in Witchfather, they marked out a witches' circle, the stage for their magical efforts. In place of a traditional bonfire—perhaps for fear of being spotted by enemy aircraft or local air defense wardens—a flashlight or shuttered lantern may have been placed to the east of the witches' circle, in the direction of Berlin, as a focus for their magical assaults. Naked, or "skyclad" as Wiccans say, they began to dance in a spiraling pattern around the circle, building up to the communal ecstatic state that they believed can control magical forces.

As they danced, their chants echoed the magical formula Gardner said had been used in the earlier ceremonies against the Armada and Napoleon, a psychological assault on the mind of Adolf Hitler that they hoped would weaken his resolve to invade England.

Historians have found no direct evidence beyond the writings of Gardner himself for the ritual, but the events he described have become important legends among modern Wiccans, says Professor Sabina Magliocco, an anthropologist and folklorist at California State University, Northridge and an initiated Gardnerian witch.

Magliocco says that frankly, she doesn’t know if the Cone of Power ritual really occurred. "As a folklorist, I'm interested in narratives because of what they tell us about people's values, and what they tell us about what people want to be true, even if the stories are not 100 percent true," she tells mental_floss.

Whether or not the ritual happened, Magliocco says, "it tells us something about what [those] witches wanted to be true … It’s about the power of witches to do something that is nearly impossible. It is also about the patriotism of these witches, and it also talks about the power of witchcraft to channel the energies of the earth, of nature, through their bodies, to create this Cone of Power."

Gardner wrote about Operation Cone of Power in two books about witchcraft in the 1950s. But questions about his version of events arose in the 1970s, when they were challenged by Amado Crowley, a writer who claimed to be the son and magical heir of the famous British occultist and writer Aleister Crowley.

Amado Crowley wrote that the ritual described by Gardner was a fiction based on a real wartime ritual carried out by his father, which he had witnessed as a boy. He claimed that this ritual, dubbed Operation Mistletoe, had taken place in the Ashdown Forest in Sussex in early 1941, with a detachment of Canadian soldiers dressed in wizardly robes and a dummy in Nazi uniform seated on a throne.

(In yet another version of Operation Mistletoe, related by author Richard Spence in his 2008 book Secret Agent 666: Aleister Crowley, British Intelligence and the Occult, the British authorities only wanted the superstitious Nazi leaders to learn that they were being attacked by British magic—but after the plan was dropped, Crowley went ahead on his own.)

Amado Crowley claimed that one result of his father’s magical attack was the bizarre episode in 1941 when the Nazi deputy leader Rudolph Hess made an unexpected solo flight across the North Sea in a Messerschmitt fighter plane, before bailing out by parachute over Scotland because he had lost his way and run out of fuel. Hess made his journey in the misguided belief that he could single-handedly convince the British to make peace with Germany, but he ended up in prison until he died in 1987.

Heselton and the British historian Ronald Hutton of Bristol University, who has written extensively on the history of the neopagan movement, are dismissive of Amado Crowley’s claims.

Hutton’s research, described in his history of modern witchcraft, The Triumph of the Moon, has found that the very detailed diaries Aleister Crowley wrote throughout his life make no mention at all of his supposed son and trainee magician, and no mention of any wartime activities or rituals (although Aleister wrote to Britain’s Naval Intelligence Division in 1939, two weeks after the German invasion of Poland, he was never offered a job).

In fact, there’s no evidence that the writer Amado Crowley had any genuine connection to Aleister Crowley at all.

"Amado Crowley's account of his previous life and his relations with [Aleister Crowley] is unproven in its entirety," Hutton tells mental_floss.

Hutton says it is not possible to know if Operation Cone of Power took place the way that Gardner described it. But he notes that Gardner’s account of Operation Cone of Power at least provided an opportunity to show Gardner’s patriotism when he was writing about the ritual in the 1950s—a time when neopagan witchcraft was routinely associated in the British media with stories of Satanism and ritual murder.

"If it didn't happen, then it was a wonderful way of trying to get people to regard Wiccans as being patriotic and fellow citizens, instead of being some kind of enemies of society," he says.

"Gerald [Gardner] produced the story of Operation Cone of Power after he'd coped with a great deal of barracking from the media about witches being inherently evil and perverted people. So this was one very good way of explaining that they weren't," Hutton says.

Heselton believes that Operation Cone of Power probably did take place as Gardner describes, because such magical ceremonies would have been an important expression of belief for the community of witches who have come to be known as the New Forest Coven.

"I think it's largely true. In fact, I turn the question on its head and reply that I think it extremely unlikely that something like this would not have happened," Heselton tells mental_floss.

Heselton points out that the group that Gardner was involved with, the so-called New Forest Coven of witches, were mostly too old to join the armed military or civil defense forces.

"But they were motivated by the times to take part in the defense of their country, however it could be achieved, so they used what skills they believed they had, which were magical ones," he says. "Operation Cone of Power was just the sort of thing they would have done."

5 Weird American Cemetery Legends

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iStock/grandriver

These strange, spooky cemetery tales of vampires, ghosts, and bloody headstones will keep you up at night. (If you're not too scared, add them to your next cemetery road trip, and keep this guide of common cemetery symbols handy for when you visit.)

1. The Vampire of Lafayette Cemetery

Perhaps it's not surprising that a grave with "born in Transylvania" etched on it would invite vampire comparisons. Local legends say that a tree growing over this grave in Lafayette, Colorado, sprung from the stake that killed the vampire inside, and that the red rosebushes nearby are his bloody fingernails. There are also reports of a tall, slender man in a dark coat with black hair and long nails who sometimes sits on the tombstone. It's not clear what the man who bought the plot—Fodor Glava, a miner who died in 1918—would have thought of all these stories, especially since he might not have actually been buried there.

2. The Green Glow of Forest Park Cemetery

The abandoned Forest Park Cemetery (also known as Pinewoods Cemetery) near Troy, New York, is known for several urban legends. One of the strangest concerns local taxi drivers, who say they pick up fares nearby asking to go home, only to have the passenger mysteriously vanish when they drive by the cemetery. Others tell of a decapitated angel statue that bleeds from its neck—although the effect may be attributed to a certain kind of moss. But one of the eeriest parts of the grounds is a dilapidated mausoleum said to be home to a green, glowing light often seen right where the coffins used to be located.

3. The New Orleans Tomb That Grants Wishes

Famed "Voodoo Queen" Marie Laveau is buried in arguably the oldest and most famous cemetery in New Orleans, St. Louis Cemetery No. 1. (Or said to be, anyway—some dispute surrounds her actual burial spot.) For years, visitors hoping to earn Marie's supernatural assistance would mark three large Xs on her mausoleum; some also knocked three times on her crypt. However, a 2014 restoration of her tomb removed the Xs, and there's a substantial fine now in place for anyone who dares write on her tomb.

4. Pennsylvania's Bleeding Headstone

The Union Cemetery in Millheim has one of the nation's weirder headstones: It's said to bleed. The grave belongs to 19th-century local William (or Daniel) Musser, whose descendants tried to replace the tombstone repeatedly, but the blood (or something that looked like blood) just kept coming back—until they added an iron plate on top.

5. Smiley's Ghost in Garland, Texas

A single plot in the Mills Cemetery is home to five members of the Smiley family, who all died on the same day. Rumor has it that if you lie down on the grave at midnight (especially on Halloween), you'll find it very difficult to rise back up, as the ghost of old man Smiley tries to pull you down, hoping to add one more member to the family's eternal resting place.

16 Soothing Facts About Muzak

Keith Brofsky/iStock via Getty Images
Keith Brofsky/iStock via Getty Images

Whether you know it as background music, elevator music, or, as Ted Nugent once called it, an “evil force causing people to collapse into uncontrollable fits of blandness,” Muzak has ruled speakers for the better part of a century. Press play on your favorite easy-listening album and scroll on for some unforgettable facts about the most forgettable genre of music.

1. Muzak is a brand name.

Much like Chapstick, Popsicle, and a certain type of vacuum-sealing plastic food container, Muzak is a registered trademark. It began as the name of the company that first produced the easy-listening instrumental tunes that played in factories, elevators, and department stores. As its popularity grew, people started to use Muzak as a generic term for all background music.

2. Muzak was invented by a U.S. army general.

Major General George Owen Squier
Library of Congress // Public Domain

During World War I, Major General George Owen Squier used electrical power lines to transmit phonograph music over long distances without interference. He patented this invention in 1922 and founded Wired Radio, Inc. to profit from the technology. The company first devised a subscription service that included three channels of music and news and marketed it to Cleveland residents for $1.50 per month. When Squier and his associates realized their product was a little too close to regular (free) radio, they started pitching it to hotel and restaurant owners, who were more willing to pay for a steady broadcast of background music without interruptions from radio hosts or advertisements.

3. The name is a portmanteau of music and Kodak.

In 1934, Squier changed the name of his business from Wired Radio to Muzak, combining the first syllable of music with the last syllable of Kodak, which had already proven to be an extremely catchy, successful name for a company.

4. Muzak has been releasing instrumental covers of pop songs since its inception.

The first-ever original Muzak recording was an instrumental medley of three songs performed by the Sam Lanin Orchestra: “Whispering,” by John and Malvin Shonberger, “Do You Ever Think of Me?” which was covered by Bing Crosby, and “Here in My Arms,” by Lorenz Hart and Richard Rodgers from the 1925 Broadway musical Dearest Enemy.

5. Muzak was briefly owned by Warner Bros.

The sound of Muzak was wafting across the country by the end of the 1930s, which caught the ears of Warner Bros. The company bought Muzak in 1938, fostered it for about a year, and then sold it to three businessmen: Waddill Catchings, Allen Miller, and William Benton (Benton would later publish the Encyclopaedia Britannica and serve as a U.S. senator for Connecticut).

6. Muzak was designed to make factory workers more productive.

Muzak manufactured soundtracks, based on a theory called “stimulus progression,” that consisted of 15-minute segments of background music that gradually ascended in peppiness. The method was meant to tacitly encourage workers to increase their pace, especially during the productivity lulls that often occurred during the late morning and mid-afternoon.

7. Muzak helped calm anxious elevator passengers.

Since more advanced electric elevators diminished the need for elevator operators in the mid-20th century, passengers were often left alone with an unsettling silence that made them all too aware that they were hurtling upward or downward in a steel box. Soft, calming Muzak played through speakers offered the perfect distraction.

8. There’s a reason Muzak's tempo is slower in supermarkets.

Just like factory workers might move faster while listening to fast-paced tracks, you might slow down while shopping to slower-tempo Muzak—which is exactly what supermarket owners want you to do. The more time you spend in a store, the more likely you are to toss a few extra snacks in your cart. (It's unclear whether the slower music might inhibit the productivity of supermarket workers.)

9. More than one U.S. president endorsed Muzak.

Muzak was installed in the White House during Dwight D. Eisenhower’s administration, but he was arguably only the second biggest presidential fan of the genre. Lyndon B. Johnson actually owned Muzak franchises in Austin while serving as a U.S. Senator from Texas.

10. Andy Warhol was also a fan of Muzak.

Andy Warhol
Graham Wood/Evening Standard/Hulton Archive/Getty Images

Pop culture aficionado Andy Warhol supposedly said, “I like anything on Muzak—it’s so listenable. They should have it on MTV.”

11. Ted Nugent offered to buy Muzak for $10 million to “shelve it for good.”

In 1986, the Whackmaster put in a bid to purchase Muzak from parent company Westinghouse just to shut it down. According to the Ottawa Citizen, he called it an “evil force” that was “responsible for ruining some of the best minds of our generation.” Westinghouse rejected the bid.

12. Muzak didn’t formally introduce vocals until 1987.

As part of a rebranding campaign to modernize Muzak, the company started adding voice-accompanied tunes in 1987. Before that, Muzak broadcasts had only featured voices twice. The first was an announcement that Iran had freed American hostages in 1981, and the second was as part of a worldwide radio broadcast of “We Are the World” in 1985.

13. 7-Elevens blared Muzak in parking lots to chase off loiterers.

7-Eleven storefront at night
Mike841125, Wikimedia Commons // Public Domain

In 1991, 7-Eleven parking lots in Southern California became well-trafficked watering holes for youth who evidently had no place else to go. To deter them from loitering with skateboards, beer, and lots of teen angst, the stores blared Muzak—and it worked. “It will keep us away,” one young loafer told the Los Angeles Times. “But they’re torturing themselves more than us because they have to sit inside and listen to it.”

14. Seattle is the capital of Muzak.

Though it's well known as the birthplace of grunge, Seattle also had a thriving elevator music scene. Muzak based its corporate headquarters there in the 1980s, and three other leading background (and foreground) music corporations opened in the city over the years: Yesco Foreground Music, Audio Environments Inc., and Environmental Music Service Inc.

15. Kurt Cobain wanted Muzak to cover Nirvana songs.

When an interviewer told the Seattle-based rock star that Muzak didn’t recreate Nirvana tracks because it found them too aggressive for its purposes, an amused Cobain said, “Oh, well, we have some pretty songs, too. God, that’s really a bummer. That upsets me.”

16. It’s no longer called Muzak.

In 2013, an Ontario-based sensory marketing company called Mood Media acquired Muzak. The company, which provides music, smells, signs, lights, and interactive displays to businesses to achieve a certain mood, consolidated all of its services under the Mood brand, effectively killing the Muzak name (at least officially).

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