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The Legend of London's Time-Traveling Tomb

Swinging open the front gate of Brompton Cemetery is a bit like cracking the spine of a book detailing London history. Famous suffragist Emmeline Pankhurst rests here. Beatrix Potter strolled its 39 acres and plucked names from tombstones to use in her work, including decedents Peter Rabbett and Mr. Nutkins. More than 35,000 monuments in all are present, rich and poor, known and obscure.

In the middle of the grounds and shrouded by trees stands a mausoleum. An imposing 20 feet tall with a pyramid peak, it’s made from granite, with a heavy bronze door secured by a keyhole. Decorative accents line the front, furthering the air of mystery. The door’s margin displays a rectangular band of Egyptian hieroglyphs. Erected in the early 1850s, it was intended as the final resting place of a woman named Hannah Courtoy and two of her three daughters, Mary and Elizabeth.

Courtoy’s tomb would be remarkable for its imposing stature and cryptic veneer alone: It's the largest, most elaborate construction in Brompton. But there’s more to the story. For the many visitors who make moonlight visits to the cemetery and for a small band of London raconteurs, the tomb’s missing key and resulting lack of access has led to speculation that something strange is going on inside—that it's secretly a time machine.

It’s a fantastic notion, but one that London musician and Courtoy historian Stephen Coates is quick to dismiss. “It’s not a time machine,” he tells mental_floss. “It’s a teleportation chamber.”

In order to try and digest the bizarre urban legend that’s been constructed around Courtoy’s tomb, it helps to understand the highly controversial life of the woman who ordered its construction.

Born around 1784 (sources differ), Hannah Peters fled an abusive father at a young age and found work as a housekeeper and as a tavern employee. In 1800, a friend introduced her to John Courtoy, a 70-year-old former wigmaker in poor health who had made a fortune in the lending business. Peters was shortly in his employ as a housekeeper. Within the year, she had given birth to the first of three daughters. She claimed they were Courtoy’s, although some eyes were raised in suspicion that the friend who made the introduction, Francis Grosso, might have been the real father.

Courtoy’s illness is also ill-defined in historical accounts, although it was said to follow a violent run-in with a prostitute in 1795 that left Courtoy—who had been slashed at with a knife—reserved and antisocial. He apparently warmed to Peters, who took his name and exerted considerable influence over many of his decisions. Courtoy’s 1810 will, which left the bulk of his fortune to an ex-wife named Mary Ann Woolley and their five children, was revised in 1814 so Hannah received the majority share.

When Courtoy died in 1818, the contents of the will were disputed, both by Woolley and Courtoy’s French relatives; they argued that dementia had overtaken Courtoy’s better senses. The legal arguments dragged on through 1827, at which point Hannah and her daughters had received most of Courtoy’s money.

According to the account presented in author David Godson’s 2014 book Courtoy’s Complaint, largely based on diaries kept by Courtoy housekeeper Maureen Sayers, Hannah's urge to distract herself from the often-unpleasant Courtoy led to developing a friendship that would prove essential to her later mythology. Like many Victorians of the era, Hannah was intrigued by Egyptian iconography, particularly hieroglyphics. She believed Egyptians had a deep understanding of astrology and their place in the universe, and she invited Egyptologist Joseph Bonomi over for regular visits.

Bonomi and Hannah would spend hours discussing Egyptian lore, with Hannah hoping to one day fund Bonomi’s expeditions to Egypt so he could study their work. The two would also arrange for a 175-foot-tall monument dedicated to the Duke of Wellington to be constructed and insisted that the sculpture resemble an Egyptian obelisk.

When Hannah died in 1849, her remains were set to be placed in an expensive, elaborate mausoleum in Brompton that paid tribute to her interests; Bonomi arranged for the tomb to feature Egyptian characters and a pyramidal top. Later, Mary and Elizabeth, who shied from marriage because they didn’t want men chasing after their wealth, joined her. (Susannah, who married, was buried elsewhere.) When Bonomi died in 1878, he arranged for a depiction of Courtoy’s tomb to appear on his own modest headstone. Whether Bonomi intended it or not, an illustration of Anubis, the Egyptian god of the dead, appears to be “looking” in the direction of his friend’s final resting place.

Things appeared to remain status quo at Brompton for the next 100 years or so. Then, around 1980, the key to the tomb was lost following a visit by Hannah's relatives. And that’s when things took a turn for the weird.

Courtesy of Vanessa Woolf

Intending to pique the interest of readers during Halloween, Associated Press reporter Helen Smith wrote a story in October 1998 that may have been the first mainstream article to raise the theory that Courtoy’s tomb might actually be a time machine.

Smith described the monument as a “strange, imposing structure” containing “three spinsters, about whom almost nothing is known” and cited an unheralded author named Howard Webster as perpetuator of the story. Webster claimed his research had excavated a connection between Bonomi and Samuel Alfred Warner, a “maverick Victorian genius” and fraudster said to have attempted to interest the British armed forces in several advanced weapons—too advanced, in fact, to actually exist.

Webster speculated that Warner’s inventive abilities may have led him to consort with Bonomi, who supposedly had knowledge of the Egyptian theories of time travel. Together, the two convinced the wealthy, trusting Hannah to finance their secret project, with Bonomi providing ancient wisdom and Warner adding his breakthrough scientific resources. By placing their device in a cemetery, Warner could guarantee the structure was unlikely to be disturbed over decades or centuries, allowing him to return to London after traveling through time again and again.

The lack of a key was crucial to Webster’s tale. Since it had been lost and no one had been inside for years, it could be argued that perhaps Warner was busying himself in a manner similar to an occupant of the TARDIS, bouncing from era to era, while Hannah and her family were either entombed or buried someplace else entirely. Webster also claimed that plans for the tomb were missing, which was rarely the case with other monuments in Brompton.

The story bubbled to the surface periodically over the years. In 2003, an album cover by musician Drew Mulholland depicted the tomb and its eerie structure, which led to some renewed interest. In 2011, Coates, a musician with a band named the Real Tuesday Weld, came across mention of the theory and was intrigued. He wrote a post on his blog positing that the Courtoy tomb was not a means of time travel, but that Warner had the technology to teleport torpedoes and that he later adopted that framework to develop a series of teleportation chambers in and around "the Magnificent Seven," a group of London’s historic private cemeteries.

“It was a way to move around the city,” Coates says. “Warner and Bonomi worked together on ancient Egyptian occult theory and science. I posted that on my blog, and it started to take on a life of its own.”

Coates’s premise is a proper study in how an urban legend can proliferate. With the key still missing, it was impossible to disprove the teleportation idea with any real precision, and the mythology allowed for a great deal of speculation. Was Warner, who died in 1848, killed because he knew too much about revolutionary technology? Why did the tomb take four years to complete following Hannah’s death, which meant she didn’t actually enter it until 1853? Was Hannah duped by the two to fund what she might have believed would be a pioneering mode of travel?

It became, Coates says, “one of the myths of the city.” In 2015, the Independent ran a feature describing his belief, contrasting it with the activities of Hannah Courtoy descendant Ray Godson, who simply wanted access to the tomb to pay his respects to his great-great-grandmother. The feature came just as Coates was busy organizing visitor groups that could come—with the cemetery’s permission—hear the legend of Courtoy, Bonomi, and Warner while standing near the tomb in the middle of the night.

“I fell in love with the idea,” Vanessa Woolf, a professional storyteller based in London who hosts the gatherings, tells mental_floss. “I must credit Stephen Coates. I contacted him after hearing about the myth and told him I really wanted to tell the story. He said to go for it.” Woolf hosted the first event in 2015 and has done several more since. “The first time, we were absolutely overwhelmed with bookings,” she says.

In the story presentation, Woolf tells of a “barking mad” inventor named Warner who connects with Bonomi and hatches an idea for a teleportation network. Hannah, she relates, had an interest in the occult and unexplained phenomena.

“There’s a huge interest in the story in London,” she says. “I think people are just interested in the fabric of places where they live. This is a story rooted in the secret, in the occult, but no one is quite sure what actually happened.”

It can be difficult to corner Coates for a precise answer on whether he believes his fanciful hypothesis about the resting place of Hannah Courtoy. When initially contacted for an interview, he agreed while mentioning that he “came up with the whole teleportation system idea as the background to a short story.” In conversation, he presents the teleportation springboard as a “way for people to make up their own mind” about what the tomb might contain. A breath or two later, he expresses doubt that Hannah’s daughters might still be entombed there, before wondering whether the mausoleum might be home to a secret subterranean chamber.

It’s all “alternative theory based on historical fact,” he says. Reached by telephone, it's hard not to imagine a slight expression of amusement crossing his face.

Performance art or not, the attention has increased awareness over the cemetery's attempts to secure funds for a site-wide renovation. (Courtoy’s tomb was partially spruced up in 2009 following aging, frost-coated chunks of granite sloughing off the side, with costs partially covered by a family trust.) When asked to comment on whether the midnight vigils and sightseers have been disruptive, Brompton officials refer questions right back to Coates, who appears to have become their unofficial spokesman on all things involving molecular disruption and Egyptian time-hopping.

“It’s not something they promote themselves,” Coates says. “They’re very welcoming of people who come if they’re showing respect. The conservation efforts have been going on for years, and the events help that.” At the last Coates-arranged show, tickets went for $8 to $10, with a quarter of the proceeds donated to the cemetery’s rebuilding efforts.

How many people will visit once a key is made is another question. Both Coates and a Brompton Cemetery historian named Arthur Tait say that efforts are currently underway to fabricate a replacement that would allow Hannah’s relatives access to the tomb. After an initial flush of curiosity, wouldn’t the presumably ordinary interior dampen interest?

“Opening it may not establish it’s not a time machine,” Coates hedges. "It may just deepen the mystery.”

For Woolf, who still has regular engagements hosting visitors near the tomb, seeing a key may be a letdown. “It’s much nicer, in a way, not having it,” she says. “It’s really all in the minds of the audience. It’s a slab of rock. The real magic is in their minds.”

Usually. While Woolf normally gets very positive notices from those attending her performances, one reviewer on Instagram does stick out. “It said something like, ‘Oh, I was really excited, but then got really disappointed. She didn’t even open it.’”

Additional Sources: Courtoy’s Complaint.

All images courtesy of Wikimedia Commons unless otherwise credited.

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25 Royals in the Line of Succession to the British Throne
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Between the Duke and Duchess of Cambridge welcoming their third child on April 23, 2018 and Prince Harry's upcoming marriage to Suits star Meghan Markle in May, the line of succession to the British throne has become a topic of interest all over the world. And the truth is, it’s complicated. Though Queen Elizabeth II, who turned 92 years old on April 21, shows no signs of slowing down, here are the royals who could one day take her place on the throne—in one very specific order.

1. PRINCE CHARLES

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As a direct result of his mother being the world's longest-reigning monarch, Prince Charles—the eldest child of Queen Elizabeth II and Prince Philip—is the longest serving heir to the throne; he became heir apparent in 1952, when his mother ascended to the throne.

2. PRINCE WILLIAM

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At 35 years old, odds are good that Prince William, Duke of Cambridge—the eldest son of Prince Charles and the late Princess Diana—will ascend to the throne at some point in his lifetime.

3. PRINCE GEORGE 

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On July 22, 2013, Prince William and Catherine, Duchess of Cambridge welcomed their first child, Prince George of Cambridge, who jumped the line to step ahead of his uncle, Prince Harry, to become third in the line of succession.

4. PRINCESS CHARLOTTE 

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On May 2, 2015, William and Catherine added another member to their growing brood: a daughter, Princess Charlotte of Cambridge. Though her parents just welcomed a bouncing baby boy, she will maintain the fourth-in-line position because of the Succession to the Crown Act 2013, which went into effect just a few weeks before her arrival, and removed a long-held rule which stated that any male sibling (regardless of birth order) would automatically move ahead of her.

5. PRINCE OF CAMBRIDGE

 Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge depart the Lindo Wing with their newborn son at St Mary's Hospital on April 23, 2018 in London, England
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On April 23, 2018, the Duke and Duchess of Cambridge welcomed their third child—a son, whose name has yet to be announced, but who has already pushed his uncle, Prince Harry, out of the fifth position in line to the throne.

6. PRINCE HARRY

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As the second-born son of Prince Charles and Princess Diana, Prince Harry's place in the line is a regularly changing one. It changed earlier this week, when his brother William's third child arrived, and could change again if and when their family expands.

7. PRINCE ANDREW, DUKE OF YORK

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Prince Andrew is a perfect example of life before the Succession to the Crown Act 2013: Though he’s the second-born son of Queen Elizabeth and Prince Philip, he’s actually their third child (Princess Anne came between him and Prince Charles). But because the rules gave preference to males, Prince Andrew would inherit the throne before his older sister.

8. PRINCESS BEATRICE OF YORK

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Because Prince Andrew and his ex-wife, Sarah, Duchess of York, had two daughters and no sons, none of that male-preference primogeniture stuff mattered in terms of their placement. But with each child her cousin Prince William has, Princess Beatrice moves farther away from the throne. If Beatrice looks familiar, it might be because of the headlines she made with the Dr. Seuss-like hat she wore to William and Catherine’s wedding. (The infamous topper later sold on eBay for more than $130,000, all of which went to charity.)

9. PRINCESS EUGENIE OF YORK

Princess Eugenie of York arrives in the parade ring during Royal Ascot 2017 at Ascot Racecourse on June 20, 2017 in Ascot, England
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Though she’s regularly seen at royal events, Prince Andrew and Sarah Ferguson’s youngest daughter spends the bulk of her time indulging her interest in fine art. She has held several jobs in the art world, and is currently a director at Hauser & Wirth’s London gallery.

10. PRINCE EDWARD, EARL OF WESSEX

 Prince Edward, Earl of Wessex leaves after a visit to Prince Philip
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Like his older brother Andrew, Prince Edward—the youngest son of Queen Elizabeth and Prince Philip—jumps the line ahead of his older sister, Princess Anne, because of the older rule that put males ahead of females.

11. JAMES, VISCOUNT SEVERN

 James, Viscount Severn, rides on the fun fair carousel on day 4 of the Royal Windsor Horse Show on May 11, 2013 in Windsor, England
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James, Viscount Severn—the younger of Prince Edward, Earl of Wessex and Sophie, Countess of Wessex’s two children, and their only son—turned 10 years old on December 17, 2017, and celebrated it as the 10th royal in line of succession. (The birth of the youngest Prince of Cambridge pushed him back a spot.)

12. LADY LOUISE MOUNTBATTEN-WINDSOR

Lady Louise Windsor during the annual Trooping the Colour Ceremony at Buckingham Palace on June 15, 2013 in London, England.
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Because the Succession to the Crown Act 2013 wasn’t enacted until 2015, Lady Louise Mountbatten-Windsor—the older of Prince Edward’s two children—will always be just behind her brother in the line of succession.

13. PRINCESS ANNE, THE PRINCESS ROYAL

Princess Anne, Princess Royal, visits the Hambleton Equine Clinic on October 10, 2017 in Stokesley, England
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Princess Anne, the Queen and Prince Philip’s second-born child and only daughter, may never rule over the throne in her lifetime, but at least she gets to be called “The Princess Royal.”

14. PETER PHILLIPS

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The eldest child and only son of Princess Anne and her first husband, Captain Mark Phillips, stands just behind his mother in line. Interesting fact: Had Phillips’s wife, Autumn Kelly, not converted from Roman Catholicism to the Church of England before their marriage in 2008, Phillips would have lost his place in line.

15. SAVANNAH PHILLIPS

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On December 29, 2010, Peter and Autumn Phillips celebrated the birth of their first child, Savannah Anne Kathleen Phillips, who is also the Queen’s first great-grandchild. She’s currently 15th in line.

16. ISLA PHILLIPS

Princess Anne, Princess Royal, Isla Phillips and Peter Phillips attend a Christmas Day church service
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Less than two years after Savannah, Peter and Autumn Phillips had a second daughter, Isla, who stands just behind her sister in line. It wasn’t until 2017 that Savannah and Isla made their Buckingham Palace balcony debut (in honor of their great-grandmother’s 91st birthday).

17. ZARA TINDALL

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Not one to hide in the background, Zara Tindall—Princess Anne’s second child and only daughter—has lived much of her life in the spotlight. A celebrated equestrian, she won the Eventing World Championship in Aachen in 2006 and was voted BBC Sports Personality of the Year the same year (her mom earned the same title in 1971). She’s also Prince George’s godmother.

18. MIA TINDALL

Mike Tindall, Zara Tindall and their daughter Mia Tindall pose for a photograph during day three of The Big Feastival at Alex James' Farm on August 28, 2016 in Kingham, Oxfordshire.
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Zara Tindall’s daughter Mia may just be 4 years old, but she’s already regularly making headlines for her outgoing personality. And though she’s only 18th in line to the throne, her connection to the tippity top of the royal family is much closer: Prince William is her godfather.

19. DAVID ARMSTRONG-JONES, 2ND EARL OF SNOWDON

David Armstrong-Jones, 2nd Earl of Snowdon
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David Armstrong-Jones, the eldest child of Princess Margaret, isn’t waiting around to see if the British crown ever lands on his head. The 56-year-old, who goes by David Linley in his professional life, has made a name for himself as a talented furniture-maker. His bespoke pieces, sold under the brand name Linley, can be purchased through his own boutiques as well as at Harrods.

20. CHARLES ARMSTRONG-JONES, VISCOUNT LINLEY

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David Armstrong-Jones’s only son, Charles, may be 20th in line to the throne, but the 18-year-old is the heir apparent to the Earldom of Snowdon.

21. LADY MARGARITA ARMSTRONG-JONES

Britain's Queen Elizabeth II (R) talks with Lady Margarita Armstrong-Jones (C) as her father David Armstrong-Jones (L), 2nd Earl of Snowdon, known as David Linley
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Lady Margarita Armstrong-Jones, the youngest child of David Armstrong-Jones and his only daughter, is also the only granddaughter of Princess Margaret. Now 15 years old (she'll turn 16 in June), Lady Margarita made headlines around the world in 2011 when she served as a flower girl at the wedding of Prince William and Catherine Middleton.

22. LADY SARAH CHATTO

Lady Sarah Chatto, the daughter of Princess Margaret arrives for her mother's memorial service
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Lady Sarah Chatto, Princess Margaret and Anthony Armstrong-Jones’s only daughter, is the youngest grandchild of King George VI and Queen Elizabeth the Queen Mother. In addition to serving as a bridesmaid to Princess Diana, she is Prince Harry’s godmother.

23. SAMUEL CHATTO

Lady Sarah Chatto (L) and her son Samuel Chatto (R) leave a Service of Thanksgiving for the life and work of Lord Snowdon at Westminster Abbey on April 7, 2017 in London, United Kingdom
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The first-born son of Lady Sarah Chatto and her husband, Daniel, has a long way to go to reach the throne: He’s currently 23rd in line.

24. ARTHUR CHATTO

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For better or worse, Sarah and Daniel Chatto’s youngest son Arthur has become a bit of a social media sensation. He's made headlines recently as he regularly posts selfies to Instagram—some of them on the eyebrow-raising side, at least as far as royals go.

25. PRINCE RICHARD, DUKE OF GLOUCESTER

Prince Richard, Duke of Gloucester makes a speech during the unveiling ceremony of London's first public memorial to the Korean War on December 3, 2014 in London, England
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At 73 years old, Prince Richard, Duke of Gloucester is the youngest grandchild of King George V and Queen Mary. Formerly, he made a living as an architect, until the 1972 death of his brother, Prince William of Gloucester, put him next in line to inherit his father’s dukedom. On June 10, 1974, he officially succeeded his father as Duke of Gloucester, Earl of Ulster, and Baron Culloden.

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10 Fascinating Facts About Ella Fitzgerald
Library of Congress (LOC), Public Domain, Wikimedia Commons
Library of Congress (LOC), Public Domain, Wikimedia Commons

Today marks what would have been the 101st birthday of Ella Fitzgerald, the pioneering jazz singer who helped revolutionize the genre. But the iconic songstress’s foray into the music industry was almost accidental, as she had planned to show off her dancing skills when she made her stage debut. Celebrate the birthday of the artist known as the First Lady of Song, Queen of Jazz, or just plain ol’ Lady Ella with these fascinating facts.

1. SHE WAS A JAZZ FAN FROM A YOUNG AGE.

Though she attempted to launch her career as a dancer (more on that in a moment), Ella Fitzgerald was a jazz enthusiast from a very young age. She was a fan of Louis Armstrong and Bing Crosby, and truly idolized Connee Boswell of the Boswell Sisters. “She was tops at the time,” Fitzgerald said in 1988. “I was attracted to her immediately. My mother brought home one of her records, and I fell in love with it. I tried so hard to sound just like her.”

2. SHE DABBLED IN CRIMINAL ACTIVITIES AS A TEENAGER.

A photo of Ella Fitzgerald
Carl Van Vechten - Library of Congress, Public Domain, Wikimedia Commons

Fitzgerald’s childhood wasn’t an easy one. Her stepfather was reportedly abusive to her, and that abuse continued following the death of Fitzgerald’s mother in 1932. Eventually, to escape the violence, she moved to Harlem to live with her aunt. While she had been a great student when she was younger, it was following that move that her dedication to education faltered. Her grades dropped and she often skipped school. But she found other ways to fill her days, not all of them legal: According to The New York Times, she worked for a mafia numbers runner and served as a police lookout at a local brothel. Her illicit activities eventually landed her in an orphanage, followed by a state reformatory.

3. SHE MADE HER STAGE DEBUT AT THE APOLLO THEATER.

In the early 1930s, Fitzgerald was able to make a little pocket change from the tips she made from passersby while singing on the streets of Harlem. In 1934, she finally got the chance to step onto a real (and very famous) stage when she took part in an Amateur Night at the Apollo Theater on November 21, 1934. It was her stage debut.

The then-17-year-old managed to wow the crowd by channeling her inner Connee Boswell and belting out her renditions of “Judy” and “The Object of My Affection.” She won, and took home a $25 prize. Here’s the interesting part: She entered the competition as a dancer. But when she saw that she had some stiff competition in that department, she opted to sing instead. It was the first big step toward a career in music.

4. A NURSERY RHYME HELPED HER GET THE PUBLIC’S ATTENTION.

Not long after her successful debut at the Apollo, Fitzgerald met bandleader Chick Webb. Though he was initially reluctant to hire her because of what The New York Times described as her “gawky and unkempt” appearance, her powerful voice won him over. "I thought my singing was pretty much hollering," she later said, "but Webb didn't."

Her first hit was a unique adaptation of “A-Tisket, A-Tasket,” which she helped to write based on what she described as "that old drop-the-handkerchief game I played from 6 to 7 years old on up."

5. SHE WAS PAINFULLY SHY.

Though it certainly takes a lot of courage to get up and perform in front of the world, those who knew and worked with Fitzgerald said that she was extremely shy. In Ella Fitzgerald: A Biography of the First Lady of Jazz, trumpeter Mario Bauzá—who played with Fitzgerald in Chick Webb’s orchestra—explained that “she didn't hang out much. When she got into the band, she was dedicated to her music … She was a lonely girl around New York, just kept herself to herself, for the gig."

6. SHE MADE HER FILM DEBUT IN AN ABBOTT AND COSTELLO MOVIE.

As her IMDb profile attests, Fitzgerald contributed to a number of films and television series over the years, and not just to the soundtracks. She also worked as an actress on a handful of occasions (often an actress who sings), beginning with 1942’s Ride ‘Em Cowboy, a comedy-western starring Bud Abbott and Lou Costello.

7. SHE GOT SOME HELP FROM MARILYN MONROE.

“I owe Marilyn Monroe a real debt,” Fitzgerald said in a 1972 interview in Ms. Magazine. “It was because of her that I played the Mocambo, a very popular nightclub in the ’50s. She personally called the owner of the Mocambo and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him—and it was true, due to Marilyn’s superstar status—that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard … After that, I never had to play a small jazz club again. She was an unusual woman—a little ahead of her times. And she didn’t know it.”

Though it has often been reported that the club’s owner did not want to book Fitzgerald because she was black, it was later explained that his reluctance wasn’t due to Fitzgerald’s race; he apparently didn’t believe that she was “glamorous” enough for the patrons to whom he catered.

8. SHE WAS THE FIRST AFRICAN AMERICAN WOMAN TO WIN A GRAMMY.

Ella Fitzgerald
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Among her many other accomplishments, in 1958 Fitzgerald became the first African American woman to win a Grammy Award. Actually, she won two awards that night: one for Best Jazz Performance, Soloist for Ella Fitzgerald Sings the Duke Ellington Songbook, and another for Best Female Pop Vocal Performance for Ella Fitzgerald Sings the Irving Berlin Songbook.

9. HER FINAL PERFORMANCE WAS AT CARNEGIE HALL.

On June 27, 1991, Fitzgerald—who had, at that point, recorded more than 200 albums—performed at Carnegie Hall. It was the 26th time she had performed at the venue, and it ended up being her final performance.

10. SHE LOST BOTH OF HER LEGS TO DIABETES.

In her later years, Fitzgerald suffered from a number of health problems. She was hospitalized a handful of times during the 1980s for everything from respiratory problems to exhaustion. She also suffered from diabetes, which took much of her eyesight and led to her having to have both of her legs amputated below the knee in 1993. She never fully recovered from the surgery and never performed again. She passed away at her home in Beverly Hills on June 15, 1996.

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